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Posse (1975)

6.5
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Ratings: 6.5/10 from 960 users  
Reviews: 19 user | 14 critic

A tough marshal with political ambitions leads an elite posse to capture a notorious criminal. He succeeds, but instead of cheering him, the public turns against him.

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Title: Posse (1975)

Posse (1975) on IMDb 6.5/10

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Cast

Cast overview, first billed only:
...
Howard Nightingale
...
Jack Strawhorn
...
Wesley
James Stacy ...
Harold Hellman
...
Krag
...
Pensteman
...
Pepe
Katherine Woodville ...
Mrs. Cooper
Mark Roberts ...
Mr. Cooper
...
Carla Ross
...
Wiley
William H. Burton Jr. ...
McCanless (as William H. Burton)
Louie Elias ...
Rains
Gus Greymountain ...
Reyno
...
Telegrapher
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Storyline

A tough marshal with political ambitions leads an elite posse to capture a notorious criminal. He succeeds, but instead of cheering him, the public turns against him. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

"Posse" begins like most Westerns. It ends like none of them. It will knock you off your horse.

Genres:

Western

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 August 1975 (Sweden)  »

Also Known As:

La brigade du Texas  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.77 : 1
See  »
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Did You Know?

Trivia

This movie was the first role for James Stacy following his 1973 motorcycle accident in which he was hit by a drunk driver, resulting in the loss of his left arm and left leg. Kirk Douglas created the role especially for Stacy. See more »

Goofs

When Strawhorn plans his breakout on the train, he rigs a garrote from a piece of wire taken apart from a broom and lashes Wesley tightly by the neck to the bars of the cell. Later when Wesley answers Strawhorn's call to come to his room where Nightingale is kept hostage, there isn't even the slightest hint of redness or abrasion on his neck from the event. See more »

Quotes

Jack Strawhorn: [to Howard Nightingale] Honest men stay honest only as long as it pays. That's why I'm a thief and you're a liar.
See more »

Soundtracks

For He's A Jolly Good Fellow
(uncredited)
Traditional
Sung after during Nightingale's speech
See more »

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User Reviews

 
Thinking one step ahead
9 August 2008 | by (the Mad Hatter's tea party.) – See all my reviews

U.S Marshal Howard Nightingale is a man who has big political aspirations and to achieve this dream. He and his posse of deputies go after an out-law Jack Strawhorn. When Nightingale captures Strawhorn, just like his other captors or conquests he exploits it through the media for public support. Strawhorn would be Nightingale's ticket into the US senate, but Strawhorn thinks otherwise.

Can westerns be too low-key? 'Posse' felt so. Kirk Douglas directs and stars in this understated, but thoroughly ambitious under-the-radar western that had something cynical to say when it came to its closing credits. Quite heavy-handed and aware of its messages (money buys loyalty with the guys donning their badges being no better than the outlaws and representing an image (the people's?) to manipulative achieve a politically upper-hand), but the story's format is just so odd and subversive. The western conventions are there, but by the end William Roberts and Christopher Knopf's cleverly sharp (if sly) material basically turned it upside down with an ironic turn of events. It has that fragrance of the pioneer Hollywood westerns, but its punishing violence and sexual inclusions with a quiet, but powerful conclusion roots it in the 70s. The unusual theme to it and the effortlessly collected and cool-witted performances of Kirk Douglas and Bruce Dern (who shared a terrific chemistry) cover for how mechanical the film did look. Nothing totally skillful or stylish about it. Douglas' direction is raggedly rough and a little too plain. However some action shootouts and chase sequences were competently entertaining, but when the violence did hit, it wasn't presented in such a meaningless parade. It went hand-to-hand with the thoughtful nature of the script. Dick O'Neill's taut, but at times flashy photography is fluidly shot and Maurice Jarre's uncanny score is strongly delivered. Supporting Douglas and Dern (who's character's made great for sparing confrontations) is excellent performances by Bo Hopkins, James Stacy, Beth Brickell, Dick O'Neill and Alfonso Arau. A western that's too interesting to pass up because of the calculating tone lurking underneath.


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