Picnic at Hanging Rock (1975)

During a rural picnic, a few students and a teacher from an Australian girls' school vanish without a trace. Their absence frustrates and haunts the people left behind.

Director:

Peter Weir

Writers:

Joan Lindsay (novel), Cliff Green (screenplay)

Stars:

Rachel Roberts, Anne-Louise Lambert, Vivean Gray

Won 1 BAFTA Film Award. Another 3 wins & 11 nominations.

Cast

Cast overview, first billed only:
Rachel Roberts	...	Mrs. Appleyard
Vivean Gray	...	Miss McCraw
Helen Morse	...	Mlle. de Poitiers
Kirsty Child	...	Miss Lumley
Tony Llewellyn-Jones	...	Tom (as Anthony Llewellyn-Jones)
Jacki Weaver	...	Minnie
Frank Gunnell	...	Mr. Whitehead
Anne-Louise Lambert	...	Miranda (as Anne Lambert)
Karen Robson	...	Irma
Jane Vallis	...	Marion
Christine Schuler	...	Edith
Margaret Nelson	...	Sara
Ingrid Mason	...	Rosamund
Jenny Lovell	...	Blanche
Janet Murray	...	Juliana

Storyline

Three students and a school teacher disappear on an excursion to Hanging Rock, in Victoria, on Valentine's Day, 1900. Widely (and incorrectly) regarded as being based on a true story, the movie follows those that disappeared, and those that stayed behind, but it delights in the asking of questions, not the answering of them.

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Plot Keywords:

rock | student | school | girl | teacher | 

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Taglines:

A recollection of evil

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Genres:

Drama | Mystery

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Details

Country:

Australia

Language:

English French

Release Date:

31 October 1976 (UK)

Also Known As:

El enigma en las Rocas Colgantes

Filming Locations:

Adelaide Hills, South Australia, Australia

Box Office

Budget:

AUD 440,000 (estimated)

Opening Weekend:

$27,492 (USA) (26 June 1998)

Gross:

$84,744 (USA) (3 July 1998)

Company Credits

Production Co:

Australian Film Commission, The, McElroy & McElroy, Picnic Productions Pty. Ltd.

Technical Specs

Runtime:

115 min 107 min (1998 director's cut)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

Tony Ingram, a fourteen-year-old filmmaker first got permission from Joan Lindsay to adapt her book to film as 'The Day of Saint Valentine'. Ingram had filmed only ten minutes of footage before the film rights were optioned to 'Peter Weir', and Ingram's production was permanently shelved. The filmed footage is included on some DVD releases of Weir's film.

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Goofs

The bridge of Marion's eyeglasses sets near the top of the frame; prior to the 1920s, eyeglass frames were manufactured with the bridge vertically centered between the lenses.

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Quotes

[first lines]
Miranda: What we see and what we seem are but a dream, a dream within a dream.

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Connections

Featured in Feature Film Lighting: Russell Boyd A.C.S. Interviewed by Peter Thompson (1985)

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Soundtracks

String Quartet in No 1 in D Major, 2nd Movement
by Pyotr Ilyich Tchaikovsky

User Reviews

the unspeakable takes control

This is mesmerizing film with a cipher at its center. Less is more. I am amused at some of the comments. There seem to be two types: those which depict the movie as "beautiful, ethereal and subtle" and those which depict the film as "too symbolic, too slow, boring, too 70's."

The point is, there is no point. The central vision of the film is enigma, the void, mystery. This seems to make a lot of explainers uncomfortable, but the use of emptiness at the core of a work of art is nothing new. "The hand that erases writes the true thing" Faulkner's masterpiece "The Sound and the Fury" is about a character who is absent. The characters that surround her, and who actually people the novel? Not all there, lacking, disintegrating, unknown, unwanted, unloved.

If there must be a meaning, it is that nothingness is the biggest threat of all. "I will show you fear in a handful of dust" We fear our disappearance. We'd like to believe that our little lives, our little comments, our little film lists will endure forever. But they won't. Nothing will.

what is existence? a random ever-changing collection of energized particles.

At any point, we can cross the line into nothingness. Nature will subsume us.

The film "A Passage to India" had the same theme. It was NOT essentially a movie about rape or sex scandal. It was about the yawning pitch-black eternal emptiness of the caves. It drove two women mad. Nature as an amoral uncaring unmoveable eternal reality.

Just as Picnic was NOT about repressed Victorian sexuality. These were pretexts, and were utilized because the fear of sex is the fear of letting go. The fear of sexuality leads irrestibly to our main fear: that darkness, emptiness, and the powers of nature will overwhelm us and erase us.

In Picnic, there was no villain, no enemy, no fall guy, no perpetrator, process or predicament that we could blame for the girls' disappearance. They simply disappeared. And that is the scariest nightmare of all.