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Three students and a school teacher disappear on an excursion to Hanging Rock, in Victoria, on Valentine's Day, 1900. Widely (and incorrectly) regarded as being based on a true story, the movie follows those that disappeared, and those that stayed behind, but it delights in the asking of questions, not the answering of them. Written by
David Carroll <firstname.lastname@example.org>
In casting the pupils of Appleyard College, director Peter Weir ended up searching for unknown girls from outside the cities, looking for the right "innocent faces" to fit the film. However, that meant that apart from Anne-Louise Lambert, none of the other girls had any acting experience, and their amateur performances meant Weir had to cut out much of the dialog. See more »
The bridge of Marion's eyeglasses sets near the top of the frame; prior to the 1920s, eyeglass frames were manufactured with the bridge vertically centered between the lenses. See more »
What we see and what we seem are but a dream, a dream within a dream.
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This film is magnificent! From the storyline, the settings, the atmosphere, the cinematography, the Victorian repression, the music throughout, the sense of the ordinary, the epic and the bizarre all clashing together to make something altogether superb from such disparate parts.
Whether it is supernatural, otherworldly, plain disappearances, a murder scene, or who-knows, no one ever really finds out. And what might seem important, might not be, and what might seem trivial might not be either! It is the imagination made reality on film, and the most dreamy and atmospheric film I have seen.
The fact that it is in Australia as well, at the turn of the century counts for a lot. The story in the movie could be read in countless ways; as symbolic of the horrors and hypocrisy of Victorian society; as a criticism of European ideals imposed on an alien landscape; as the end of one society, that of Victorian, to the beginnings of the modern world we all now live in. It is this that is the crux for me; the appearance of something new from something so old; the old landscape, the passing values of Victorian society, the passing values of class deference in English-speaking societies, and obviously Australia.
There is another thing that gets me about this movie; the down to earthness of Australians up against the bizarre and epic nature of an ancient landscape that refuses to be tamed.
There is for me a sadness in this film, and repression of every kind, but, somewhere, in tiny glints throughout the movie, the future is glimpsed when ordinary people can be free of such repression, and somewhere the story of Oz itself is in this movie. I don't know how or why, but it is! I think! Whatever, I love this movie and can't get it out of my head.
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