| Brian Stirner | ... | Tom | |
| Davyd Harries | ... | Jack | |
| Nicholas Ball | ... | Arthur | |
| Julie Neesam | ... | The Girl | |
| Sam Sewell | ... | The Trained Soldier | |
| John Franklyn-Robbins | ... | Dad | |
| Stella Tanner | ... | Mum | |
| Harry Shacklock | ... | Stationmaster | |
| David Scheuer | ... | Medical Officer | |
| Ian Liston | ... | Barrack Guard | |
| Lorna Lewis | ... | Prostitute | |
| Stephen Riddle | ... | Dead German Soldier | |
| Jack Le White | ... | Barman | |
| Mark Penfold | ... | Photographer | |
| Micaela Minelli | ... | Little Girl | |
| Elsa Minelli | ... | Little Girl's Mother |
Directed by | |||
| Stuart Cooper | |||
Writing credits | ||
| Christopher Hudson | (original screenplay) and | |
| Stuart Cooper | (original screenplay) | |
Produced by | |||
| James Quinn | .... | producer | |
Original Music by | |||
| Paul Glass | |||
Cinematography by | |||
| John Alcott | (photographed by) | ||
Film Editing by | |||
| Jonathan Gili | |||
Makeup Department | |||
| Penny Shawyer | .... | makeup artist (as Penny Delamer) | |
Production Management | |||
| Michael Guest | .... | production manager | |
Sound Department | |||
| Alan Bell | .... | sound editor | |
| Jeremy Hume | .... | sound assistant | |
| Gerry Humphreys | .... | dubbing mixer (as Gerry Humphries) | |
| Tony Jackson | .... | sound recordist | |
| Robin O'Donoghue | .... | assistant dubbing mixer (as Robin O'Donoughue) | |
| Stephen Ransley | .... | boom operator (as Steven Ransley) | |
| Bridget Reiss | .... | sound assistant | |
| Bryan Tilling | .... | dialogue editor (as Brian Tilling) | |
| Jeremy Hume | .... | assistant dialogue editor (uncredited) | |
| Gerry Humphreys | .... | sound re-recording mixer (uncredited) | |
| Daniel S. McCoy | .... | supervising sound editor (uncredited) | |
| Bridget Reiss | .... | assistant dialogue editor (uncredited) | |
Camera and Electrical Department | |||
| Lou Bogue | .... | electrician | |
| Tony Cridlin | .... | grip | |
| Simon Ransley | .... | camera operator | |
| Chris Tanner | .... | focus | |
| David Watkins | .... | clapper/loader | |
Editorial Department | |||
| Jupiter Sen | .... | assistant film editor | |
Music Department | |||
| Douglas Matten | .... | musical associate | |
| John Richards | .... | music mixer | |
| Douglas Matten | .... | associate music mixer (uncredited) | |
Other crew | |||
| Wendy Banks | .... | continuity | |
| Peter Bath | .... | laboratory consultant | |
| Tom Dickinson | .... | personal assistant to director | |
| Jack Hawtree | .... | production accountant | |
| Anne Hechle | .... | main titles design | |
| Jacques Leroide | .... | personal assistant to director | |
| Gough Quinn | .... | assistant to producer | |
Thanks | |||
| Brigadier W.S.G. Armour | .... | the producers also acknowledge with thanks the assistance of (as Brigadier W.S.G. Armour M.B.E. Colonel Prince of Wales Own Regiment of Yorkshire) | |
| Finlay M. Campbell | .... | the producers also acknowledge with thanks the assistance of: for access to their diaries | |
| Robert Crawford | .... | the producer and director gratefully acknowledge the assistance given by the following members of his staff: production liaison | |
| Frederick Dicker | .... | the producer and director gratefully acknowledge the assistance given by the following members of his staff: stills processing | |
| Brian Downing | .... | the producer and director gratefully acknowledge the assistance given by the following members of his staff: archive assistance | |
| Anne Fleming | .... | the producer and director gratefully acknowledge the assistance given by the following members of his staff | |
| Noble Frankland | .... | the producer and director gratefully acknowledge the assistance given by (as Dr. Noble Frankland D.F.C. Director of the Imperial War Museum) | |
| Barry Kitts | .... | the producer and director gratefully acknowledge the assistance given by the following members of his staff: set design | |
| Denise Lawrence | .... | the producer and director gratefully acknowledge the assistance given by the following members of his staff: archive assistance | |
| Edward R. McCosh | .... | the producers also acknowledge with thanks the assistance of: for access to their dairies | |
| Laurie Milner | .... | the producer and director gratefulyl acknowledge the assistance given by the following members of his staff: costume advice | |
| Michael Moody | .... | the producer and director gratefully acknowledge the assistance given by the following members of his staff: set design | |
| Iris Murray | .... | the producer and director gratefully acknowledge the assistance given by the following members of his staff: laboratory liaison | |
| Bernard Slade | .... | the producer and director gratefully acknowledge the assistance given by the following members of his staff: stills processing | |
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I caught Overlord on IFC as a programming homage to Jerry Harvey and the Z Channel (thanx to Xan Cassavetes). If you are a WWII buff who loves the History Channel and interesting experimental films you'll enjoy this movie. The stock war footage is so seamlessly interwoven that it is almost a verite experience. I love when you catch something so offbeat and refreshing that you can't believe you had never heard of it before. Do they still make Fresca soda? I need 10 lines to post this. I hope I never encounter a rabid dingo. I wonder if Spielberg has seen this movie. I wonder if Spielberg digs Fresca soda. I wonder if I should've eaten that last mushroom cap.Check it out.