One Flew Over the Cuckoo's Nest (1975) Poster

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9/10
The spirit of freedom vs. the spirit of legal-ism
Wuchakk21 October 2012
Set in the early 60s, the story involves R.P. McMurphy (Jack Nicholson) and his arrival at a mental institution in Salem, Oregon (where the film was shot). He plays the "mental illness" card to get out of prison time, thinking it'll be a piece of cake, but he's wrong, very wrong. Everything appears well at the hospital and Nurse Ratched (Louise Fletcher) seems to be a benevolent overseer of McMurphy's ward, but there are sinister things going on beneath the surface.

"One Flew Over the Cuckoo's Nest" (1975) is a film you'll appreciate more as you mature. I saw it when I was younger and, while I thought it was good, I didn't 'get' a lot of the insights the film conveys.

The movie criticizes the way institutions deal with mental illnesses. Their "therapy" is futile and only makes the patients dependent on the institution itself, thereby creating its need for existence (often at the taxpayer's expense). McMurphy is a threat to the establishment and therefore must be "dealt with."

A lot of people criticize the film by suggesting that Nurse Ratched "isn't that bad" or that "she was only trying to do her job", etc. I had the same reaction the first couple of times I saw it. This reveals an aspect of the film's brilliance: Ratched's malevolence is so subtle that the filmmakers allow the possibility for complete misinterpretation. Yes, from an administrative point of view, she seemingly does a good job, she's authoritarian without being sadistic, and she cares for the residents as long as they follow the rules (more on this below). Yet she is demonic as a robotized arm of a dehumanizing system. She maintains the residents in a state of oblivion and marginalization; they are deprived of their dignity because the system sees them as subhuman.

The filmmakers and Fletcher (not to mention the author of the book, Ken Kesey) make Nurse Ratched a more effective antagonist by showing restraint. Compare her to, say, Faye Dunaway's portrayal of Joan Crawford in "Mommie Dearest," which pretty much turned her into a cartoon villain. Ratched isn't such an obvious sadist, yet she uses the rules to tyrannize the men and reduce them to an almost infantile state of dependency and subservience. Her crowning achievement is Billy Bibbit (Brad Dourif).

McMurphy, despite his obvious flaws, is the protagonist of the story. Although he's impulsive and has a weakness for the female gender, which got him into prison in the first place, he has a spirit of freedom and life. His problem is that he needs to learn a bit of wisdom; then he can walk in his freedom without causing unnecessary harm to himself and others.

Nurse Ratched, on the other hand, represents legal-ism, which is an authoritarian spirit obsessed with laws or rules. This is clearly seen in the World Series sequence: Even though McMurphy gets the final vote he needs for his ward to watch the Series Ratched refuses to allow it on a technicality. When McMurphy then PRETENDS to watch the game and works the guys up into a state of euphoria, Ratched reacts with sourpuss disapproval. That's because legalism is the opposite of the spirit of freedom, life and joy. Legalism is all about putting on appearances and enforcing the LETTER of the law (rule). The problem with this is that "appearances" are not about inward reality and, worse, "the letter kills."

Despite his folly and mistakes, McMurphy does more good for the guys in his ward than Ratched and the institution could do in a lifetime. How so? Not only because he has a spirit of freedom and life, but because he loves deeply, but only those who deserve it - the humble - not arrogant abusers. When you cast restraint to the wind and love with all your heart you'll reap love in return, as long as the person is worthy. A certain person hugs McMurphy at the end because he loves him. McMurphy set him free from the shackles of mental illness and, worse, the institution that refuses to actually heal because it needs mentally ill people to exist; it only goes through the motions of caring and healing (not that there aren't any good people in such institutions, of course).

No review of this film is complete without mentioning the notable character of "Chief" Bromden, played effectively by Will Sampson.

The film runs 2 hours and 13 minutes.

GRADE: A
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10/10
Both uplifting and disheartening, sometimes both at once
pyrocitor14 January 2005
I went into this film with the knowledge that it had been the second film in history to win the 'top five' Oscars (for Best Picture, Best actor, Best actress, Best director and best screenplay) and has been praised as "one of Jack Nicholson's finest roles" and "one of the classics of the 70's". Naturally, after hearing all this, I had high expectations for One Flew over the Cuckoo's Nest. But nonetheless, I was surprised at how easily the film surpassed my expectations and easily led me to understand how it merited all that praise.

Based on the novel by Ken Kesey, the story follows Randle Patrick McMurphy (Jack Nicholson), who, in an attempt to get out of spending more time in prison, pleads insanity for his crime, and is therefore sentenced to time in a mental institution. This was McMurphy's intention, as he believes the conditions in a "crazy house" will be significantly easier to contend with than another harsh stay in prison. However, he quickly finds out that surviving the institution with it's desolate patients (including Christopher Lloyd, Danny DeVito, Vincent Schiavelli and an absolutely brilliant Brad Dourif as the stuttering Billy Bibbit) and the monstrously repressive Nurse Ratchet (Louise Fletcher, in a career defining role) is considerably harder than he imagined. McMurphy plays pranks, horseplay, and is generally defiant to the rules of the institution in an attempt to raise spirits. His constant optimism and reckless defiance to the out of date rules in the institution can be very uplifting, and often quite funny as well, but much of the movie can be very depressing - the generally decrepit state of the institution is a consistently (and intentionally) bleak background to a superb story with a truly bittersweet ending.

Jack Nicholson is at his best here, head and shoulders above other excellent performances such as in 'Chinatown' or 'As Good as it Gets'. McMurphy is an apparently unquenchable optimist, refusing to succumb to the defeated spirit of all the other patients. His livewire antics, inspiring the patients are generally uplifting, and when his indomitable spirit is finally broken, we really feel for him and his fellow patients. Nicholson conveys the essence of McMurphy to perfection, demonstrating his excellent understanding and interpretation of the character. When McMurphy announces that he is going to lift a huge stone fountain and hurl it through the window to escape, the other patients are so caught up in his intoxicating spirit of freedom that they honestly believe he can do it, despite the fact it would be impossible for a man much stronger than him. When McMurphy finally discovers that despite his best efforts, he cannot lift the fountain, he is so openly crushed that we can't help but feel for him. Beneath the frequent profanities and livewire antics, there are real human emotions, which come across as truly touching.

What can be said about One Flew over the Cuckoo's Nest which hasn't already been said? It has an excellent storyline, top notch acting, painfully bleak visuals, perfectly setting the tone for the movie, and alternates between being truly uplifting to devastatingly depressing. It features perhaps the most memorable film ending ever, next to a man on his horse riding off into the sunset, and leaves the viewer beaten down by the conflicting emotions, unaware what to think of the picture next to reveling in it's glorious entirety. It's hard to produce a final outcome any better than this.

-10/10
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10/10
Touching and moving, a great cinematic experience
TBJCSKCNRRQTreviews3 July 2004
Jack Nicholson is a great actor. No, not a great actor, a spectacular actor. This is a film from fairly early in his career, as well as it is for several other actors in this film, who later have had long, great careers too, including Danny DeVito, Christopher Lloyd and Brad Dourif. The film has some unforgettable moments... who could forget Louise Fletcher's icy stare, Jack Nicholson's smart-aleck remarks or Will Sampson's impressive, almost entirely silent performance? The film portrays the horrible truth about how patients were treated in mental institutions back then, and tells the story of someone who desperately wanted to break out, to rebel, to change things, for himself and for the others. I was compelled by this film, from the very first frame. I never took my eyes off it, and I will definitely be thinking about this film for a while. I thought it was great the way one of the very first frames depicted the institution as something far more similar to a prison than a hospital. Milos Forman did a great job of making that contrast very powerful to the viewer. The film is very moving and a truly beautiful cinematic experience. Every single actor gives a stellar performance, every single character is perfectly written, every single line, every single frame is absolutely perfect. I wouldn't change a thing in this film. It has a great pace, you never lose interest, but it never seems to be rushing to get through it, either. It's simply perfect. I have not read the original book, but if I ever come across it, I might check it out. I have only seen this film once, but I will definitely watch it many times in years to come. I recommend this amazing piece of great cinema to anyone who has at least a slight interest in the drama genre, or any fan of any of the actors, as they are all in their absolute prime in this film. 10/10
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10/10
"What an excellent movie" is all that went through my mind after seeing this masterpiece
philip_vanderveken14 September 2004
What a movie, what an excellent movie!!! That is what first went through my mind after seeing this masterpiece. I've seen many movies, but there aren't much movies which had such an impact on me. Nowadays almost all filmmakers believe they can only make a good movie by adding loads of special effects and lots of huge explosions ... This movie is so good, so convincing without them. The actors played their roles in such a convincing way that you would think these weren't actors at all, but real psychiatric patients.

This movie may be 30 years old, but it hasn't lost any of its relevancy. OK, we don't put our mentally ill people in that kind of prisons anymore, the bars in front of the windows have gone and now we call it hospitals in stead of nut houses. But the treatment hasn't changed all that much. I once worked in such a hospital as a volunteer and still saw things like forced feeding, giving people so much medication until they no longer know who or where they are,...

When the movie first came out, some people were shocked because when you watch the movie, you can't help it feeling more attached to the patients than to the doctors and nurses. This movie shows that cinema can make a difference. It can help to open people's eyes. If there is a movie that should be seen by everyone, this sure is the one. I give it a well deserved 10/10.
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10/10
A masterpiece
perica-4315120 July 2018
The seventies produced some of the most interesting and worthy Hollywood movies. Before the era of blockbusters, and ever increasing dumbing down of the cinema art by the Hollywood power-brokers and greedy moneymakers, there was this short but truly amazing window of time that produced many of the timeless gems. A great portrayal of oppression, this gem should not be overlooked by anyone. Truly recommended.
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10/10
Poetic - Powerful - Simple: The Greatness of Cuckoo's Nest.
Don-10222 January 2000
The opening shot of ONE FLEW OVER THE CUCKOO'S NEST is a bleak glance at an Oregon morning. Stirring, haunting music plays gracefully on the soundtrack and a car approaches. Inside the car is one of film history's most remarkable characters. "Randle McMurphy" is about to bring hope, humor, and a glimmer of reality to some disturbed people in a mental hospital. Jack Nicholson as "McMurphy", is something of a paradox. Is this guy crazy or is he really the lazy, conniving criminal most believe him to be? That is the magical mystery and start to a journey into mental illness and the effect this man will have on some truly messed up men.

Milos Forman directs this all-time classic, which swept the Oscars deservedly, and holds up so well 25 years later. It is a simplistic film about small people living in their own small worlds. Manic moments are mixed with poignant acting all leading to an astounding climax. Not before or since CUCKOO'S NEST has a collection of different characters had such an impact on me. You could write a book report about each of the patients in the ward. The two most important people here are, of course, Jack Nicholson and Louise Fletcher.

Nicholson has his greatest moments in this picture. One brilliant scene has him doing an imaginary play-by-play commentary of the 1963 World Series to the group, who are not allowed to watch the game on TV. It is a poetic sequence and Nicholson goes crazy with his delivery, describing baseball with colorful anecdotes and profanity. "McMurphy" immediately makes an impression on the crazies and shows them how they don't have to stick to the "normal routine". He knows their names right away, he sprays them with water, he makes impossible bets with them, he introduces them to fishing, and he even gets a suffering young kid (played well by Brad Dourif) a "date".

Louise Fletcher plays one of the more reprehensible human beings in film as "Nurse Mildred Ratched". She is a hardened woman, one who makes the daily meetings with the group a contest to see who will win. Her stubbornness and lack of compassion for the poor guys is rather one dimensional. That's perfect because that is exactly who she is. Her strong will to keep things monotonous leads to a final showdown with the free spirited "McMurphy" in what is easily one of the most shocking and disturbing climaxes in recent memory.

ONE FLEW OVER THE CUCKOO'S NEST does not try to make a statement about mental illness or how the unstable should be treated. Rather, it is a very simple portrait of the long days and hilarious scenarios that can come about when a mixed bag of suffering people are thrown together. Mental illness is nothing to laugh about, but the fact that Nicholson is not really crazy (at least in my opinion) allows us to be amused. He seems to love his compadres in the hospital. He is mislead, however, into thinking he can do as he pleases.

There is no denying the power of CUCKOO'S NEST. The two main powerhouse performances are golden, the cinematography is morbid and gritty like it should be, the "Chief" is great as Nicholson's right hand, ah, protagonist, and you care a lot about what will happen as the film moves on. The famous, final shot ironically happens to be an exit of a major character into that bleak, Oregon morning.

NOTE: I have never read the book and I find it hard to believe author Ken Kesey has never watched the filmed version. Comparing a book to a movie is impossible. They are 2 distinctly different artistic methods of story-telling.
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Jack Nicholson Finally Wins the Oscar
tfrizzell11 September 2000
Warning: Spoilers
Jack Nicholson had been nominated four times, he had lost four times. Each time he probably should have won, but he never did. Just when you thought there was no justice in the world, Jack finally came through with "One Flew Over the Cuckoo's Nest". The film is exceptional in every sense imaginable. Nicholson stars as a prisoner who is sent to an insane asylum. While there, Nicholson creates an atmosphere which gives his fellow inmates a sense of self-worth and a glimmer of happiness. Throughout, it is never made clear whether Nicholson is truly insane or just acting crazy to get out of manual labor at the regular prison. Whatever the case, Nicholson is creating a place that head-nurse Louise Fletcher (Oscar-winning) is finding unsuitable for the other patients. She is quietly evil and amazingly cruel to those within the asylum. Nicholson and Fletcher are getting ready for a head-on-collision that will prove to be the decisive factor at the end of the movie. Will Sampson, Danny DeVito, Christopher Lloyd, and Brad Dourif (Oscar-nominated) are all great in supporting turns as Nicholson's fellow inmates. An excellent film. 5 stars out of 5.
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9/10
Jack Nicholson at his finest
Agent1013 August 2002
It's tough to really judge this movie. Is it Milos Forman's greatest directorial masterpiece or Jack Nicholson's best performance. Tough to say, but the marriage between both director and actor are quite phenomenal. From the first time we see Jack Nicholson to the sad, yet uplifting ending, one cannot escape the sheer power of the film. When a film is parodied as many times as this one has been, typically, greatness can be associated. Well, greatness was achieved, and let's hope this one never falls through the cracks.
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10/10
Best film of its era
Quinoa198415 April 2000
Milos Forman's One Flew Over the Cuckoo's Nest is a landmark (one of the few I might add) in cinema. Pretty much everything in this film is at or close to perfection. And rightfully so, it became only the 2nd (1 in 3 films in history along with It Happened One Night and Silence of the Lambs) film to win the top five Oscars- Best Picture, Actor (Jack Nicholson), Actress (Louise Fletcher), Director (Forman), and Screenplay (Bo Goldman).

The story (based on Ken Kessey's astounding, though not too similar, novel) focuses on a rowdy misfit named Randle Patrick McMurphy (Nicholson) who is put in a mental hospital with other people (some voluntarily in) who are not all there. Some of these guys include Danny DeVito (in his first role), Christopher Lloyd, Brad Dourif (in his Oscar nominated role) and the never forgettable Will Sampson who played the Chief. The film, It's actors and scenes will always be terrific achievements in cinema and is one of my favorites.
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10/10
One of the greatest of all time.
Sleepin_Dragon20 June 2023
R. P. McMurphy, A Korean war veteran pleads insanity and lands up in an institution for the Mentally unwell. In charge of his ward is Nurse Ratched, who has a right control on proceedings, McMurphy challenges the order of things.

Let's be honest, this film is phenomenal, and should be regarded as one of the greatest films ever made.

I read the description here, and I'm not a hundred percent sure I fully agree with it, for me it's more of a power struggle between Murphy and Nurse Ratched. Murphy challengers Ratched for sure, but it feels as though her battle is to get him to conform, he fights against it, and wants to give some life back to the patients.

For such a serious and bleak setting, there's actually a lot of humour, it drops to some real lows, but the laughs and lighter moments are so uplifting.

Jack Nicholson, what can you say, is this one of the greatest performances of all time? I'd say you could make a strong case for it. The supporting cast are awesome, nobody puts a single foot wrong, acting perfection, Louise Fletcher, Christopher Lloyd, Danny DeVito etc, sublime.

The direction is phenomenal, this is a startling looking movie, and one thing this film has is originality, sheer originality, there is nothing quite like it.

At least I now understand the Netflix Ratched series, and the link that has to this movie.

You could watch this film 1000 times, and it would still be as good.

10/10.
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10/10
A great order vs. chaos tale that everyone can relate to
b1lskirnir18 June 2005
Based on the amazing novel by Ken Kesey, Randall Patrick McMurphy is an antisocial and dangerous man no different than a petty criminal, placed in a mental ward to have his behavior studied. He makes friends with lunatics and starts his own circle of admiration within the hospital, much to the dismay of Nurse Ratched, the central authority figure in the story and one of the greatest movie villains ever.

The movie exists to show not only how corrupt and poorly-constructed society's approach to the "mentally unstable" is, but it creates characters that we have all met in life and shows how the McMurphy-like figure that we all wish we had fights for freedom of choice and basic human rights. In addition to the movie's great spirit, the acting is fantastic. Jack Nicholson is at his best and Danny DeVito can be seen in his very first acting role ( which he absolutely triumphs in ). And of course, there's the unforgettable Chief Bromden. The directing by Milos Forman is very well-done, as the camera-work is excellent and follows the pace of the movie perfectly in how it is used. What really impressed me was the editing, especially as far as the use of audio goes: some parts just made me go "...wow."

My only complaint is that I believe the movie could've been slightly more effective if it were based more closely on the novel at certain points, but the modified point of view of the film does make a great point; anyone who has ever hated their job, been accused of something, had some person so self-righteous and convinced of their own authority and dependency on order get in your way, or attended the American public school system at any point in their life should be able to identify with this movie.
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9/10
A perfect mixture of entertainment and drama.
Boba_Fett11386 August 2005
Czech director Milos Forman seems to be obsessed with rebellious characters that don't like to go with the flow. Just think about Larry Flynt in "The People vs. Larry Flynt" or Andy Kaufman in "Man on the Moon", in the two most recent movies of Forman. The central character in "One Flew Over the Cuckoo's Nest" played by Jack Nicholson is also one of those characters, that wants to break the routine and even starts a revolt against the staff and nurse Ratchett in particular, in a mental institution.

The movie is perhaps more comedy and entertainment than heavy drama. Still that doesn't mean that the movie isn't filled with some powerful emotional sequences. The tension between the patients and the staff gets more and more notable and grows throughout the movie, which eventually leads to a 'wonderful' ending which I'm not going to spoil.

Yes, Jack Nicholson is truly splendid in his role and it seemed like he was improvising all his lines and actions during the entire movie. It was a really Oscar worthy performances, which he also received. Another Oscar winner for her performance was Louise Fletcher, which in my opinion is a bit too much credit. She plays her role well but nothing more than that. She did not deeply impressed me or anything. This movie also marks the debut for some today well known actors such as Danny DeVito (he looked so young and different!), Christopher Lloyd and Brad Dourif, who also received an Oscar nomination.

Really one of those movies that you must have seen at least once in your life.

9/10

http://bobafett1138.blogspot.com/
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9/10
You have to be crazy to hate this movie! This movie is a masterpiece
ironhorse_iv8 March 2015
Warning: Spoilers
Put a straightjacket on me, because I think this movie is insanely good! Based off, Ken Kesey's novel of the same name and directed by Milos Forman, One Flew over the Cuckoo's Nest tells the story of Randle P. McMurphy (Jack Nicholson), a convicted criminal admitted to a mental ward, when he pleads insanity, to escape labor duties in prison. Once there, the rebel, wild-man, McMurphy bump heads against the authority figure, and head administrative nurse, the oppressive Nurse Mildred Ratched (Louise Fletcher) on the way, she treats her patients. McMurphy believes that they should be treated like real men with more personal freedom, while Ratched couther his argument by stating that any more freedom, would lead to chaos, anarchy, and death. In my opinion, while she play as the villain, she's in fact, she was somewhat, right and correct by her judgment, but the way, she enforced order on the mentally disable in highly crude and inhuman. In fact, by egging McMurphy on, she made things much, much worst. One might view this movie as anti-institution, anti-religion or anti-government. One Flew over the Cuckoo's Nest was written in 1959 and published in 1962 in the midst of the civil unrest. It deeply changes to the way psychology and psychiatry were being approached in America, while also challenging, how government should treat its people. By the end of the 1960s, the controversial movement towards deinstitutionalization has become, a real deal, while trust in government officials were in an all-time low. When 1975 came, most of the mentally ill found themselves, untreated and living in the streets and government being highly criticism for corruption and overused of power. The 1970's were bit anarchism at the time. It wasn't until later, that things became more balance and confinement. In a way, social institutions do serve a purpose; and the movie serves as allegory tale, showing how things like order vs chaos can become really off-balance. The movie really goes into deep detail on how different authorities, McMurphy and Ratched control individuals through subtle and coercive methods. A supporting character like the Chief (Will Sampson) talks about 'the Combine' in reference to the mechanistic way, both manipulate and process individuals. Nurse Ratched controls the inhabitants of the novel's mental ward through a combination of emasculation and subtle shame. While, McMurphy controls his fellow men by encouraging them to be wild men and challenge conformism. It was no surprise that both Louise Fletcher and Jack Nicolson won Best Actor/Actress at the Academy Awards that year, as both delivered such a gripping, gritty, and genuine performances. The movie has just as good, supporting cast with several unknown actors of the time, stars like Christopher Lloyd, Danny Devito, and Brad Dourif helping in. I like how the movie was shot. Forman's direction is dead-on, as he manages to capture the monotony of routine on the ward without allowing the film to drag. You get how eerily quiet it is. Order is impose on the patients with almost religious cult-like rigor. When the medicine is delivered. It's like communion. It's so zombie-like. The animal running along a man-made chain fence- representing wild vs civilize. The movie is full of hidden gem themes like those examples. Yet the movie was missing a few things from the novel such as the Fog which symbolize a lack of insight and an escape from reality and McMurphy's Moby Dick Boxer Shorts, which interpretation as a phallic symbol and blatant sexuality. It can also represents the pervasive evil that inspires Ahab's obsessive, futile pursuit. Both Ratched and McMurphy is trying to humiliation the other, by exposing the faults of each other's gender. A third interpretation is that Moby-Dick stands for the power of nature, signifying McMurphy's untamed nature that conflicts with the controlled institution. Although it's hard to find fault, it's certainly possible. Overpowering women are seem to evil by the writers and weak women are shown to act like sex object. It's somewhat noticeable that the movie is a bit misogyny. Another thing, is the movie's love letter message to society anarchy and black and white approach when it comes to, the hospital vs the patients. Another fault of the film is how the Chief was cut down as the narrator and put into a much smaller role. Much of his life prior to the hospital was not shown. You see a lot of Native-American themes throughout the film, despite that. The music by Jack Nitzsche, sounds something out of a western. It's represented the struggles of true freedom over confinement. Despite its dark and strong drama undertones, there were some comedic tendencies. It was a lot of fun to watch, as the drama slowly evolves into tragedy toward its conclusion. It's wasn't slow and painful. It was a very entertaining, well rounded film. The movie has aged well, with newer DVD copies, putting out the best quality for it. Overall: The film is powerful, and moving. It's a must-watch. I recommended it.
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8/10
It's not that easy
dannylee-780827 January 2023
Warning: Spoilers
It's always difficult to write an outdated review of a highly praised film as you are not adding much to the dialogue anyways. But as I've said before, whatever makes me want to read the original source material is probably a good movie.

OFOCN is a story about the various events that happens in a mental institution after Randall McMurphy, expertly played by our brilliant Mr. Jack Nicholson, is introduced to the place. His rebellious and playful nature and magnetic presence start to slowly influence the eccentric inmates, who I felt that they were all unique and well performed. McMurphy, by all means, was violent but not mentally ill. He distances himself from the rest of the inmates by calling them several alternatives for "insane" while simultaneously encouraging them to leave after learning that the very few are actually institutionalized involuntarily. This is by far the most interesting piece of the film. In fact, most of the inmates are fine though they display some childlike attitude and innocence. Yes, they have deficiencies but not enough to house them in such a place by any standard. But every single one of them has no desire to leave because of the prison they've created in their mind. Take Billy Bibbit (Brad Dourif) for an example. He has a stuttering issue and he claims that he's not ready to leave the institution even though he's voluntary. His prison, or his fear seems to be his mother and rejection by female figures. As soon as he sleeps with a prostitute, indicating that some of his fears may have subsided, his stutter disappears. But the moment Nurse Ratched (Louise Fletcher) brings up his mother, his stutter begins and he subsequently takes his own life. All of this shows that Billy's imprisoned in his own fear, a weight that was unbearable for him. The institution does have some influence on his behavior with characters such as Nurse Ratched, but the biggest barrier to the freedom of the inmates was their self.

The idea of this movie being a cautionary tale begins to be clearer as we see Randall's progression over the film and his crusade against conformity. In the beginning, he actually escapes and brings the inmates to a fishing trip. He tries one more time but falls asleep at the open window. The next opportunity he has, he voluntarily makes the decision to stay. I took this as how the environment and those around you can affect your mindset. The "Chief" (Will Sampson) realizes that Randall who has lost all will to escape is as good as dead and decides to put him out of his misery. The chief, whose escape was the least likely and the most illegal as he was institutionalized involuntarily, actually escapes after understanding the dangers of inaction.

I was at a bit of loss what to make out of the movie but I concluded that it encourages to break out of our shells and our fears once in a while. Or it would deafen and mute you for the rest of your life. I don't believe that the movie makes clear-cut messages about how to act. However, I still believe it is a valuable one because it makes you ponder about aforementioned topics, which certainly makes this movie deserving of winning all 5 major Academy awards.
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10/10
Extraordinary
deloudelouvain13 March 2015
This movie will always be one of my all time favorites and therefor I have to give it a maximum rating. It's one of those movies that will always stand the test of time. The whole cast are excellent actors. The constant mental battle between McMurphy (played brilliantly by Jack Nicholson) and nurse Ratched (played by Louise Fletcher) is a delight to watch. You feel so much hate for nurse Ratched. All the other actors are brilliant in their roles. You kind of want to slap them in the face and wake them up to face reality. The daily routines in the mental institute would even drive a normal person completely bonkers. I saw this movie so many times without getting bored once. This is truly one of the best movies in that genre.
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10/10
The Ultimate Backfire
bkoganbing15 January 2009
It took a dozen years for One Flew Over The Cuckoo's Nest to make it to the big screen from Broadway. In 1962 Kirk Douglas made his one and only return to Broadway to star as Randall P. McMurphy on stage with Joan Tetzel as his nemesis, nurse Ratched. Douglas bought the screen rights, but by the time anyone was interested in doing the film version, Kirk was too old for the part.

That may have been a break for the movie fans because as much as I like Kirk Douglas, I can't see anyone but Jack Nicholson doing this role as the free spirited McMurphy. McMurphy's a low level career criminal type who statutorily raped a girl as he put it '15 going on 35'. He decides to fake a crazy act while in prison to get out of the work farm he's assigned to.

So Nicholson's goes to the mental hospital where he meets an odd assortment of people whom he discovers voluntarily checked themselves in there, mainly because it's easier to stay there and not take all your psychological baggage into society. That's a crucial difference that Nicholson finds out the hard way, his new friends most of them can pack up and leave anytime they want. He's sent there by the state and the state determines when he's ready to go even if it's past the allotted jail time he was sentenced to.

The state in this case is Louise Fletcher as Nurse Ratched, one of the great Dickensian names ever given a movie character. Louise is the ultimate control freak and these people who've shut themselves away from life are her ultimate tools. When Nicholson comes in, he hasn't given up on life like the rest of these poor souls, he becomes a threat to Fletcher's little empire.

It's hard to believe that such a smart guy like McMurphy would not have known the rules about commitment. Still it doesn't detract a bit from the overall quality of One Flew Over The Cuckoo's Nest.

Though the topic is not a fixed one to any era, the script does leave many oblique references to the Sixties in the film. The electroshock treatment and the lobotomy operations depicted here were by 1975 no longer in use. They were pretty barbaric and the mental health profession discarded these, but not before too many lives were shattered with them.

One Flew Over The Cuckoo's Nest swept the main Oscar categories, it won for Best Picture, Best Director for Milos Forman, Best Actor for Jack Nicholson, Best Actress for Louise Fletcher and Best Adapted Screenplay to Lawrence Hauban and Bo Goldman. Brad Dourif was nominated for Best Supporting Actor, but he lost to George Burns in The Sunshine Boys.

Louise Fletcher never got the career mileage she should have for playing Nurse Ratched. It took her years, but she did get another career role in television as the ruler of Bejor, Kai Winn on Star Trek Deep Space Nine.

One Flew Over The Cuckoo's Nest is one timeless classic, it will be popular a millenia from now.
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10/10
One Flew Over One of the Best Movies Ever Made!!! (And that person was me)
MovieFan98319 March 1999
First thing's first, while I watched this movie, I found myself stunned. This movie so entertained the viewer, as it did fascinate, and inform. A chilling, disturbing, and revealing look into the mental institutions as seen through the eyes of a con. Jack Nicholson, Louise Fletcher, Brad Dourif, Danny DeVito, and Christopher Lloyd, round out the excellent, and very well casted cast.

Jack Nicholson brilliantly plays Randall Patrick McMurphy, an ex-con, who fakes being mentally insane, to enter the institution. As he goes to the hospital, he doesn't realize, that the people, and the atmosphere there is so out there. The patients are really psycho, and creepy. Randall, must try and survive these days, before he has to go to Jail. He has to entertain himself while at the same time, find good in this place of craziness.

Lousie Fletcher plays Nurse Ratched, a soft; but strong willed nurse, who will not take anything from anyone, or put up with misbehavior. She watches Randall, and notices something different about him, he's not as psycho as the others, but he is a little out there. Her job is tough indeed, having to put up with all these men, who don't listen, some go crazy and throw fits, and others just sit there and don't do anything.

Randall meets many new friends in this place, Brad Dourif who plays Billy Bibbit, is a mentally unstable, but voluntarily institutionalized person. Danny DeVito plays Martini, a slow but charming and sweet man, who means know harm in what he does or say. Christopher Lloyd plays Taber, a man, who also voluntarily institutionalized himself. He also meets Chief, a big 'dumb, and deaf' Indian, who happens to like to play basketball. Randall must try and survive these days with his new friends, and the hospital, as well as an everlasting war as to which they can watch the world series on TV. Put up with Nurse Ratched, and the other patients, doctors, vistors, and nurses. Ultimately leading up to a dramatic finale, that makes you want to stand up and cheer.

I think what was best about this film was the realism. I had no problem believing that this was happening. Almost like a documentary, it was striking and powerful, making the viewer not want to stop watching till the end. Some of the sequences are memorable as the basketball game, and the fishing trip. Jack Nicholson, who as always plays his character absolutely excellent, and makes the viewer want to hand him an Oscar himself.

The supporting cast, Louise Fletcher, Danny DeVito, Christopher Lloyd, and Brad Dourif also give terrific performances. Danny, Christopher, and Brad's careers all were made with this superb movie. It's all sentimental, funny, dramatic, intense, chilling, disturbing, diverting, and tragic. The finale leaves the viewer stunned and sitting there thinking about what he just saw. See this film, and believe it. I think you will find, its one of the BEST ever.

The second film to win all five major Oscars: Best Picture, Best Actor (Nicholson), Best Actress (Fletcher), Director, and Screenplay. And it deserved all of them.

Rated R for language, violence, sexual content, and brief nudity.
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8/10
Cool Hand Jack
petra_ste9 August 2008
Warning: Spoilers
The most interesting thing about One Flew Over the Cuckoo's Nest is how easily the script could have chosen the easy road, making protagonist McMurphy (Nicholson) more conventionally heroic and antagonist Nurse Ratched (Fletcher) a fully-fledged monster. This movie, however, defies easy shortcuts.

We are shown from the beginning that McMurphy is scum, a violent man with a history of aggression and sex crimes. In a normal situation he would be despicable: he is, after all, a loud-mouthed criminal trying to exploit the legal system to avoid jail. And yet, in the oppressive atmosphere of the sanitarium, he becomes the leader of a rebellion - a righteous one, we feel. McMurphy is the defiant trickster in a leaden, cruel environment... so we end up on his side.

On the flipside, Nurse Ratched is not the devil, but an earnest professional trying to do her job. Even if she clearly gets a kick from exerting her authority - the scene in which she stops voting to prevent McMurphy's victory has a creepy "Stanford prison experiment" vibe - she doesn't appear to have truly evil intentions. Even her reluctance to send McMurphy away seems motivated by a refusal to give up on him. And yet Ratched is smug, obtuse, devoid of empathy... and she becomes a memorable movie villain.

The two leads are perfect. Nicholson gives an infectious performance which won him a well-deserved Academy Award; Fletcher plays Ratched as an icy bureaucrat, her well-meaning cruelty scarier than dozens of foaming-at-the-mouth comic book villains.

Still, One Flew Over the Cuckoo's Nest is an ensemble piece: the rest of the cast does a superb job too (Forman has always been an actors' director), from young Danny DeVito and Cristopher Lloyd to Brad Dourif, from Sydney Lassick to Will Sampson as Chief Bromden.

8.5/10 For another excellent movie Handling similar themes, watch Cool Hand Luke with Paul Newman.
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One of the Greatest Ever Made
Michael_Elliott13 November 2014
One Flew Over the Cuckoo's Nest (1975)

**** (out of 4)

What can one say about this masterpiece that hasn't already been said? Winner of five Academy Awards, director Milos Foreman's ONE FLEW OVER THE CUCKOO'S NEST is without question one of the greatest movies ever made and I think it also contains some of the greatest assembled acting that you're ever going to witness.

Randle McMurphy (Jack Nicholson) is put into a hospital where he's going to be evaluated and right from the start this rebel butts heads with the main nurse (Louise Fletcher). That's pretty much all you need to know about the story because the great characters and the remarkable story just captures you and doesn't let you go until the end credits.

There's a lot of credit that deserves to be shared in why this film is so special but you really have to start with Nicholson. If you look at his filmography during this period, it's really remarkable to see the type of roles he was doing. It's also easy to see how these type of films certainly wouldn't be made in today's age and time. Today rebels are shown to be tough guys with no weak spots but films like FIVE EASY PIECES, CARNAL KNOWLEDGE and this one show that the tough rebel can also be highly flawed and not always win.

Nicholson's performance here is simply flawless and there's not one false move throughout. It doesn't matter if he's just laughing at what's going on around him or connecting with one of the other characters. It's really hard to think of anyone in the history of cinema doing more with the role than what Nicholson did. Fletcher is also extremely good but for other reasons. It's not so much her "performance" but the simple ways she looks at the other characters. She expresses so much with her eyes that you can see why she's able to get the Nicholson character to bring out so much anger and rage. The supporting cast members are all flawless in their own right and really make this one of the most memorable assemble pieces ever put together. Brad Dourif certainly deserves special attention as the troubled Billy.

Everything from the music score to the editing to the way the story is build is done with such perfection that I really have no problem in calling this one of the greatest films ever made. The film is full of emotional highs and lo's but this is yet another reason it's so memorable.
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10/10
One of the Last Anti-Establishment Films of the 1970s
evanston_dad8 August 2007
"One Flew Over the Cuckoo's Nest" is about the triumph of the human spirit, but it's depressing as hell.

Jack Nicholson gave the last of his great performances before he started playing parodies of himself, and Louise Fletcher plays one of the screen's greatest villains, the only role this forgotten actress was really ever known for. Their battle of wills in a mental institution symbolizes the battle of humanity against oppressive authoritarianism, and if Nicholson's character happens to lose this particular battle, the movie implies, humanity is determined to win the war.

Looked at now in historical context, this film was one of the last gasps of anti-establishment film making. Vietnam was ending, American political corruption was starting to fade into memory, and the boom years of the 1980s were not far away. "Cuckoo's Nest" stands as one of the supreme examples of what made 1970s film making great.

Grade: A+
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10/10
Get Mad If You Want To! This Is Very Realistic!
dataconflossmoor14 August 2007
This is undeniably one of the best films ever made in the history of movie making.. In 1975, "One Flew Over The Cuckoo's Nest" swept all four major academy awards... Best Actor (Jack Nicholson) Best Actress (Louise Fletcher) Best Direstor (Milos Foreman) and, of course, Best Picture!! Only on very rare occasion does this occur... Only a handful of films may lay claim to such an honor!! "One Flew Over The Cuckoo's Nest" is a stunning portrayal of mental illness, and how even the most affluent nation on earth (The U.S.A.) is totally unequipped to deal with it properly!! Jack Nicholson's performance in this movie is one of the greatest performances ever by an actor... The array of all the psychologically debilitating diseases was itemized to a flawless state of depressing realism.. The emotional explanations for the dysfunctional dispositions with everyone in "One Flew Over The Cuckoo's Nest" were so astutely broken down that it evoked a concise indication that not just any producers, directors, actors or actresses could partake in this film!! Such a depiction upholds the proverbial contention that if you are not mentally disturbed when you go into the "Booby Hatch" you will be when you get out of it!! In the case of Jack Nicholson's character, he seemed relatively non-culpable for any intense psychiatric affliction, it was a matter of slight discrepancies!! It is as if he was severely punished for not finishing his cereal at breakfast time!! The talent in this movie is incredible.. I liked the television show "Taxi" and it stands to reason why... So many of the actors who starred in "One Flew Over The Cuckoo's Nest" were in the T.V. Show "Taxi" too!! The gripping conversation which dealt with a man who was impotent was perhaps the single most poignant part of this film!! The line I remember in particular was "Do me a favor and don't be on my side, okay"... In the "normal" world, the average person is burdened in his ability to communicate with someone else due to a conflict of interests!! In the case of a poorly funded mental health facility, this apocalyptic predicament manifests itself horrendously, and thus has an intolerable proliferation!! Authorities in the mental hospital are restricted by a serious lack of funding, so they are quick to generalize!! The overall situation which garners societal sympathy at a mental health facility is categorized as "sad" and platitudes such as "we will do all we can" are everybody's precarious form of consolation!!! Mental illness gets a generic label, and, from there, becomes something which is basically swept under the rug!! Here is where the film "One Flew Over The Cuckoo's Nest" expounds on their abysmal dissertation concerning mental illness!!

"One Flew Over The Cuckoo's Nest" was based on a true story!! Mr McMurphy (Jack Nicholson) was a lone rebel from start to finish with this film!! Whatever the orderlies or the nurses would say, he would disagree with!! It was always an issue that could not be looked at rationally by one patient or the other that compounded the dilemma of mental anguish... Such a plight became the culprit to a lack of thorough communication, and thus invoked an overreaction from the administration of the hospital!! You are branded mentally ill and that is all anyone has to know!! The total lack of egalitarian commiseration with administration was why McMurphy was so belligerent!! The status quo was to subject patients to grave consequences for their actions... Are the nurses and administrators wrong for doing this? Usually not!! It was the gray matter in this film that made it so intellectually riveting!! Mental health patients are often times aware of the fact that they are vilified in the same manner you would a bunch of seven year old kids for not doing their school work!! Their self respect gets relegated to a bureaucratic mandate, and all of this is subconsciously and consciously demoralizing!! If someone were to have a conversation with Charles Manson, they would realize so many depraved patterns of illogical behavior to him, however, if Charles Manson were to say that two plus two equals four, the correct answer does not get changed to five!! What is the point of this example? Mental health patients are not inaccurate in every assessment that they make, just because they are labeled mentally challenged!! What was Mr McMurphy's contention with so many issues is that he would assume a premise of mutual self respect when engaging in an argument with an orderly... This is not a case of defiance, rather an instance of a one on one debate... How quickly the administration would then resort to the cop out of "Well!!" "What do you expect!!" "This guy is mentally ill"

I have never seen a film like this one!! "Woman Under The Influence" which was made around the same time was incredibly spellbinding as well... "One Flew Over The Cuckoo's Nest" however, is something which should be put in a category all by itself!! Director, Milos Foreman articulates cerebral despondence to a state of dissonant plausibility with this film!! This becomes an avenue for political debate... Foreman's movie breaks ground on mental illness being one big cacophony of our nation's failure to communicate!! Louise Fletcher is tremendous as Nurse Ratched, her dedication to the tenets of disciplinary policy became vicariously ruthless, her devotion to this standard was extremely deep rooted!! Nurse Ratched's insolence was an aspect of infuriation that was in of itself amazingly thought provoking!! As I have previously mentioned, Jack Nicholson was excellent as McMurphy, the mental health patient who reoriented the ideology of what it means to deal with mental illness... Tremendous film, maybe the best American film ever made... Do you think that sounds strong? Watch the movie first and then tell me I am exaggerating!! REMARKABLE!! UTTERLY REMARKABLE!!
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Storytelling that Imprisons
tedg30 December 2002
Warning: Spoilers
Spoilers herein.

This film is hypnotic. The actors lead with skill, Nicholson is just right, the story is very accessible and the combination hits home. Why should I be unhappy?

Because I know the book. Now, I have no illusion about books and translation into film. But it bothers me when I think about why I am drawn into this film, and the book helps me understand why.

Kesey's work was from the perspective of the damaged mind of the Indian. It was Nabokovian in dealing with created realities, realities that did not exist but were confabulated as an artifact of us entering some diseased eye. The whole point was there is no anchor of right and wrong.

Forman is a talented storyteller, but before he is an artist, he is a Czech. And Czechs (at least in those days) live in only one world: a world where some forces in society unjustly imprison the rest in ways that imprison all. It is a real world, a dark broken world illuminated only by brief flashes of tenacious individualism. Self-immolation. Svankmajer stuff -- check him out.

The problem with this vision of 1975 is that it uses the very same techniques it rails against: there really is a good -- it says -- there really is an institutional bad in Forman's world. Cartoonish films are as common as grass, but this one rankles. The institution of Hollywood selfishly changed the ambiguous, morally shifting world of Kesey into a simple morality play knowing that we would be hypnotized with its very clarity. Shame I say -- where's the sink?

You want fine Nicholson? You'll find him in the ambiguous, multilayered Chinatown.

Ted's Evaluation -- 2 of 4: Has some interesting elements.
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9/10
Now I know why they closed?
Sylviastel9 July 2014
This film is a brutal commentary and observation about mental health services in the United States. Many of these facilities have since closed. Many of these patients would be homeless on the streets. I only saw bits and pieces of the film in the past. Finally to see it altogether, Jack Nicholson is perfect as McMurphy. Nurse Ratched is well played by Louise Fletcher. Nurse Ratched is seen as the villain and labeled one of film history's villains. I don't see Nurse Ratched that way though. I don't know her enough. I believe she is doing her job which is difficult heading a psychiatric ward. I guess we see her coldness and true nature at the end when she discovers Bill's indiscretion. She uses it against him cruelly which leads him to tragedy. But I still don't think Nurse Ratched is this monster.
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10/10
A wonderful film
planktonrules6 March 2009
Warning: Spoilers
Before I discuss this exceptional film, I need to point out that there is a lot of truth to this film if you are looking for what it was like in psychiatric hospitals in the 1950s and into the 60s. The hellish practices and dehumanization was definitely true of many facilities during this era. However, today, many of the horrific abuses are no longer relevant. So, while some will point to this film as proof that psychiatry in general is evil personified (such as the Scientologists), for the most part, this isn't the case today. Shock treatment is rarely done today and when it is, it's nothing like it is portrayed in the film and it actually has therapeutic value when all else fails. Lobotomies are also thankfully a thing of the past. So, while debating the pros and cons of hospitalization and medications is reasonable today, don't assume the film is in any way like psychiatric institutions today--many of which have been closed or severely reduced in size as well as the length of stay of the average patient.

The film begins with a cocky sociopathic criminal, McMurphy (Jack Nicholson), being sent to a psychiatric hospital from prison. It seems McMurphy thinks that by "playing crazy" he'll have an easier time and shorter stay in a hospital instead of prison. However, over time, he comes to see that a mental hospital is a pretty sick place--particularly when it comes to the crazy staff who run the place. McMurphy responds to this system by constantly fighting it and trying to subvert their needless rules and control. Some of this is very funny (such as the fishing trip) and you can understand why he would fight the oppressive ways of the hospital. In the end, however, the system ultimately crushes him like so many others. The conclusion is certainly something you won't forget!

Although Jack Nicholson was great in the film as were the rest of the ensemble cast, the star in the film was Louise Fletcher. She played the coldest and most awful nurse in the history of film. Her tough performance truly made the film. Otherwise, if she hadn't been so utterly devoid of humanity, the film just wouldn't have worked. Oddly, the film's producers had a hard time accepting her for the job--and she was the last one cast in the film.

Exceptional in every way--the writing, acting and direction. The only reservation I have regards the misuse of the film by anti-psychiatry groups. However, I am glad the film was made as the abuses of the industry need to be understood and not forgotten.
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9/10
I'm not stuck in here with you, you're stuck in here with me!
Kubris15 December 2012
Have you ever found a piece of old schoolwork and realized how dumb you were? That now, with all of your more developed skills, you could've done that same assignment to a higher degree of quality or ease? That's how I felt watching One Flew Over the Cuckoo's Nest for the second time. 2 years ago I enjoyed the plot, characters, and ending, but now, 2 years and over 150 films later, I can appreciate One Flew Over for what it is: a masterpiece of fiction, and a deceptively challenging piece of art.

I'll jump past the plot synopsis and get to the heart of the film: R.P. MacMurphy. The slacker, rebel, that kid in class who just wouldn't listen. How can you deal with a character like MacMurphy? Is something wrong with him? This is a major thematic point in Cuckoo's Nest, and the answers aren't simple. What gives someone the right to make choices for another? What is the point that someone can't think for themselves? Is there a point? Questions beget questions, especially around the idea of "authority".

That authority is personified by Nurse Ratched. She looks like an authority figure: icy glare, skull- like face. Instantly you dislike the nurse. You're pointed in that direction by the patients. But personally, when looking at her character objectively, I didn't find her bad for most of the film. Let me elaborate: a few weekends ago I met an children's organ transplant doctor. It is the most noble of work, but visually I could tell it took a toll on him. He wasn't rude, or volatile, or detached, but what he described himself as "serious". Working in healthcare, seeing things go wrong, that wears you down. I believe Ratched, working (for a long time), hearing mental patients yell about trivial things such as cigarettes, day after day, takes its toll. You wouldn't be a cheerful soul after years of that. Of course at the end she does flex her cruelty and we really grow to resent her, but for most of the film I thought she was just doing her job.

This is a great film to analyze because it's so opinionated. Two similar people can see it, and based off of their own experiences will draw very different conclusions about the message and characters. Many others hate Nurse Ratched. I'm sure there are those out there who don't like MacMurphy. Some will say control is necessary, others that freedom is the most important thing out there. Cuckoo doesn't really force you into believing one certain way.

The hospital itself if juxtaposing: the setting is a plain, boring hospital with drab white everything, but the characters are quirky and colourful. I loved them all, and didn't find anyone really annoying: Chezwick's extremity, Tobar's big reactions, the Chief, General, Billy, and a near- silent Stanley Kubrick-alike. This band of misfits are a joy to watch, and have some laugh-out-loud moments like Martini eating the dice and the basketball game.

Despite the hospital setting, Cuckoo is a generally smile-inducing film with a fantastic script that develops its characters well for the conclusion. And oh, the end. It is really a twist, but the second you realize what's happened, how the chips have fallen, you give an audible gasp. This is one of the great film endings, bitter and sweet, but very satisfying. It may even bring a tear to your eye. 9.4/10
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