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Directed by | |||
| Milos Forman | |||
Writing credits | ||
| Lawrence Hauben | (screenplay) and | |
| Bo Goldman | (screenplay) | |
| Ken Kesey | (novel) | |
| Dale Wasserman | (play version "One Flew Over the Cuckoo's Nest") | |
Produced by | |||
| Michael Douglas | .... | producer | |
| Martin Fink | .... | associate producer | |
| Saul Zaentz | .... | producer | |
Original Music by | |||
| Jack Nitzsche | |||
Cinematography by | |||
| Haskell Wexler | (director of photography) | ||
Film Editing by | |||
| Sheldon Kahn | |||
| Lynzee Klingman | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
Production Design by | |||
| Paul Sylbert | |||
Art Direction by | |||
| Edwin O'Donovan | |||
Costume Design by | |||
| Aggie Guerard Rodgers | |||
Makeup Department | |||
| Gerry Leetch | .... | hairdresser | |
| Fred B. Phillips | .... | makeup artist (as Fred Phillips) | |
Production Management | |||
| Joel Douglas | .... | unit production manager | |
| Irving Saraf | .... | post-production supervisor | |
| Joel Chernoff | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| William Saint John | .... | second assistant director (as William St. John) | |
| Irby Smith | .... | first assistant director | |
Art Department | |||
| Joe Acord | .... | construction coordinator | |
| Tom Bartholomew | .... | production painter | |
| Terry E. Lewis | .... | props (as Terry Lewis) | |
| Rudy Reachi | .... | assistant property master (uncredited) | |
Sound Department | |||
| Mark Berger | .... | post-production sound director | |
| Pat Jackson | .... | sound editor | |
| Larry Jost | .... | sound recordist (as Lawrence Jost) | |
| Mary McGlone | .... | sound editor | |
| Robert R. Rutledge | .... | sound editor (as Robert Rutledge) | |
| Kirk Schuler | .... | assistant sound editor | |
| Veronica Selver | .... | sound editor | |
| Gene Radzik | .... | Dolby consultant: 2001 5.1 remix (uncredited) | |
Stunts | |||
| Alan Gibbs | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bill Butler | .... | additional photography | |
| Dick Colean | .... | camera operator | |
| William A. Fraker | .... | additional photography (as William Fraker) | |
| Hugh K. Gagnier | .... | camera operator (as Hugh Gagnier) | |
| George Hill | .... | key grip | |
| Gary Holt | .... | gaffer | |
| Dennis Marks | .... | gaffer | |
| Walter Nichols | .... | best boy | |
| Peter Sorel | .... | still photographer | |
| Robert M. Stevens | .... | camera operator (as Robert Stevens) | |
| Bill Tenny | .... | gaffer | |
| Robert C. Thomas | .... | camera operator (as Robert Thomas) | |
| Doug Willis | .... | best boy | |
| Kyle T. MacDowell | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Aggie Guerard Rodgers | .... | costumer (as Agnes Rodgers) | |
Editorial Department | |||
| Richard Chew | .... | supervising film editor | |
| Arthur Coburn | .... | assistant film editor (as Art Coburn) | |
| Constance Field | .... | assistant film editor | |
| Bonnie Koehler | .... | assistant film editor | |
| Jay Miracle | .... | assistant film editor | |
Music Department | |||
| Ted Whitfield | .... | music editor | |
Transportation Department | |||
| Tom F. Thomas | .... | transportation captain (as Tom Thomas) | |
Other crew | |||
| Natalie Drache | .... | script supervisor | |
| Wayne Fitzgerald | .... | title | |
| Rhonda Kramer | .... | production office coordinator | |
| Leonard Lipton | .... | production assistant | |
| Frank Noonan | .... | location auditor | |
| Denise Schreiter | .... | location coordinator | |
| Jim Young | .... | location auditor | |
| Dean R. Brooks | .... | technical advisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
I went into this film with the knowledge that it had been the second film in history to win the 'top five' Oscars (for Best Picture, Best actor, Best actress, Best director and best screenplay) and has been praised as "one of Jack Nicholson's finest roles" and "one of the classics of the 70's". Naturally, after hearing all this, I had high expectations for One Flew over the Cuckoo's Nest. But nonetheless, I was surprised at how easily the film surpassed my expectations and easily led me to understand how it merited all that praise.
Based on the novel by Ken Kesey, the story follows Randle Patrick McMurphy (Jack Nicholson), who, in an attempt to get out of spending more time in prison, pleads insanity for his crime, and is therefore sentenced to time in a mental institution. This was McMurphy's intention, as he believes the conditions in a "crazy house" will be significantly easier to contend with than another harsh stay in prison. However, he quickly finds out that surviving the institution with it's desolate patients (including Christopher Lloyd, Danny DeVito, Vincent Schiavelli and an absolutely brilliant Brad Dourif as the stuttering Billy Bibbit) and the monstrously repressive Nurse Ratchet (Louise Fletcher, in a career defining role) is considerably harder than he imagined. McMurphy plays pranks, horseplay, and is generally defiant to the rules of the institution in an attempt to raise spirits. His constant optimism and reckless defiance to the out of date rules in the institution can be very uplifting, and often quite funny as well, but much of the movie can be very depressing - the generally decrepit state of the institution is a consistently (and intentionally) bleak background to a superb story with a truly bittersweet ending.
Jack Nicholson is at his best here, head and shoulders above other excellent performances such as in 'Chinatown' or 'As Good as it Gets'. McMurphy is an apparently unquenchable optimist, refusing to succumb to the defeated spirit of all the other patients. His livewire antics, inspiring the patients are generally uplifting, and when his indomitable spirit is finally broken, we really feel for him and his fellow patients. Nicholson conveys the essence of McMurphy to perfection, demonstrating his excellent understanding and interpretation of the character. When McMurphy announces that he is going to lift a huge stone fountain and hurl it through the window to escape, the other patients are so caught up in his intoxicating spirit of freedom that they honestly believe he can do it, despite the fact it would be impossible for a man much stronger than him. When McMurphy finally discovers that despite his best efforts, he cannot lift the fountain, he is so openly crushed that we can't help but feel for him. Beneath the frequent profanities and livewire antics, there are real human emotions, which come across as truly touching.
What can be said about One Flew over the Cuckoo's Nest which hasn't already been said? It has an excellent storyline, top notch acting, painfully bleak visuals, perfectly setting the tone for the movie, and alternates between being truly uplifting to devastatingly depressing. It features perhaps the most memorable film ending ever, next to a man on his horse riding off into the sunset, and leaves the viewer beaten down by the conflicting emotions, unaware what to think of the picture next to reveling in it's glorious entirety. It's hard to produce a final outcome any better than this.
-10/10