7.2/10
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Night Moves (1975)

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Los Angeles private detective Harry Moseby is hired by a client to find her runaway teenage daughter and he stumbles upon a case of murder and artifact smuggling.

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Nominated for 1 BAFTA Film Award. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Janet Ward ...
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Anthony Costello ...
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Ben Archibek ...
Charles
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Boy in Bar
C.J. Hincks ...
Girl in Bar
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Stud (as Maxwell Gail Jr.)
Susan Barrister ...
Ticket Clerk
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Storyline

Private detective and former football player Harry Moseby gets hired on to what seems a standard missing person case, as a former Hollywood actress whose only major roles came thanks to being married to a studio mogul wants Moseby to find and return her daughter. Harry travels to Florida to find her, but he begins to see a connection between the runaway girl, the world of Hollywood stuntmen, and a suspicious mechanic when an unsolved murder comes to light. Written by Gary Dickerson <slug@mail.utexas.edu>

Plot Summary | Plot Synopsis

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What private eye Harry Moseby doesn't know about the girl he's looking for... just might get him killed. See more »


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R | See all certifications »

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Release Date:

30 August 1975 (Italy)  »

Also Known As:

The Dark Tower  »

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(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In memory of David Doernberg. See more »

Goofs

When the crashed plane is found by Melanie Griffith's character, the dead pilot's face is being picked at by fish. The plane is supposed to have crashed in the ocean off the coast of Florida, but the fish are carp, which are strictly freshwater fish. See more »

Quotes

Arlene Iverson: Are you the kind of detective who, once you get on a case nothing can get you off it? Bribes, beatings, the allure of a woman...
Harry Moseby: That was true in the old days. Before we had a union.
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Connections

Referenced in The Sinister Saga of Making 'The Stunt Man' (2000) See more »

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User Reviews

The Real Mystery Is Figuring Out That Some Likable People Do Bad Things
5 March 2014 | by See all my reviews

Private investigator Harry Moseby (Hackman) has his hands full retrieving a teen runaway (Griffith) from the Florida Keys back to Los Angeles. A routine case shuffled off to him by a rival, the matter nevertheless evolves into a complicated multiple murder plot. Normally distant Harry has difficulty separating his personal feelings from the facts The first half of this film is such a dull and plodding downbeat soap opera that it challenges the patience of the viewer. The relationships of a group of emotionally broken people hinting at personal guilt over sordid pasts thrown together by less than ideal circumstances don't always tie in with the actual narrative. But they aren't really meant to.

The real mystery of the story rests within the human interactions and what is important vs what is trivial. Harry is in fact a very poor detective. He lets those few emotional connections he is able to make with people cloud his judgements whilst assuming guilt on the part of those he doesn't like. What makes him a hero nevertheless is that he doesn't quit even if it means discovering personal betrayal.

Telling moments are rife. The way different people react differently from each other is a continual source of confusion for Harry. His inability to connect with his own wife on an emotional level has made her feel alone even in their most intimate moments together. Yet he lets his guard down with the wrong kinds of complete strangers. It certainly isn't by choice.

This is a more sophisticated form of detective story in that it offers an examination of the mindset of the detective - one who happens to be emotionally vulnerable and even a tad fragile.


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