Former football player and present private detective Harry Moseby gets hired on to what seems a standard missing person case, as an aging Hollywood actress whose only major roles came ... See full summary »
Chris Lloyd does NOT get along with his father Walter. Walter is too careful, cautious, and boring to Chris, and never tries anything new, and Chris had to live by the same standards when ... See full summary »
This story of four working-class kids in a small industrial town--who go their separate ways after high school in the innocence of 1961 and come together again at the end of the turbulent ... See full summary »
After incurring the wrath of the mob, a comic flees Detroit for Chicago taking the name "Mickey One." As he returns to the stage and becomes successful, he fears that the mob will track him... See full summary »
Penn & Teller enjoy playing jokes on each other. When Penn says on an interview show that he wishes he has someone threatening his life so that he "wouldn't sweat the small stuff," each of ... See full summary »
Cisco is an ex-rock star, famous in the 1960s, whose life and career has been a mess because of drugs. Now with a pregnant girlfriend he has a chance to start a new life. A corrupt cop, Leo... See full summary »
Former football player and present private detective Harry Moseby gets hired on to what seems a standard missing person case, as an aging Hollywood actress whose only major roles came thanks to being married to a studio mogul wants Moseby to find and return her stepdaughter. Harry travels to Florida to find her, but he begins to see a connection with the runaway girl, the world of Hollywood stuntmen, and a suspicious mechanic when an unsolved murder comes to light. Written by
Gary Dickerson <firstname.lastname@example.org>
Second of three collaborations between actor Gene Hackman and director Arthur Penn. The others were 1967's Bonnie and Clyde (1967) and 1985's Target(1985)_. 1975's Night Moves (1975) was the first of two of them where Hackman had the top-billed leading role. All three pictures were made in consecutive decades of the 1960s, 1970s and 1980s. See more »
Listen Delly, I know it doesn't make much sense when you're sixteen. Don't worry. When you get to be forty, it isn't any better.
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This is the perfect role for Hackman as the aging sports star unable to find his role in life once the playing days are over. He is the accidental jock, too sensitive to play the stereotype and so finding no sense of belonging. He has become a detective but he is a bumbling amateur compared to a Philip Marlowe type. He is shy and hestitant and is frequently made to feel discomfort by the seedy, untrustworthy people he comes into contact with. He has none of Marlowe's self assurance. It begs the question why has he become a detective? Maybe it is partly due to his abandonment by his father who years later Hackman tracks down only to fail in confronting him. He is condemned to search for people to whom he is of no importance.
This idea of the lonely seeker is Hackman's own turf. His affable charm conveys a sense of a lifetime's wrongheaded idealism. In the wrong job, deluding himself, looking for a way out. Eventually, he is able to see clearly and see how his drifting has allowed the people around him to manipulate him in their games. Unlike many of this film's peers such as 'Chinatown', 'Taxi Driver', 'The Long Goodbye', we are not left to be slightly repulsed by the lead actor's ways. Hackman plays the everyman character as an affable, amateur sleuth whose hestitancy and chronic lack of commitment give him a fallibility more recognizable to an audience.
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