Former football player and present private detective Harry Moseby gets hired on to what seems a standard missing person case, as an aging Hollywood actress whose only major roles came ... See full summary »
Chris Lloyd does NOT get along with his father Walter. Walter is too careful, cautious, and boring to Chris, and never tries anything new, and Chris had to live by the same standards when ... See full summary »
This story of four working-class kids in a small industrial town--who go their separate ways after high school in the innocence of 1961 and come together again at the end of the turbulent ... See full summary »
After incurring the wrath of the mob, a comic flees Detroit for Chicago taking the name "Mickey One." As he returns to the stage and becomes successful, he fears that the mob will track him... See full summary »
Penn & Teller enjoy playing jokes on each other. When Penn says on an interview show that he wishes he has someone threatening his life so that he "wouldn't sweat the small stuff," each of ... See full summary »
Former football player and present private detective Harry Moseby gets hired on to what seems a standard missing person case, as an aging Hollywood actress whose only major roles came thanks to being married to a studio mogul wants Moseby to find and return her stepdaughter. Harry travels to Florida to find her, but he begins to see a connection with the runaway girl, the world of Hollywood stuntmen, and a suspicious mechanic when an unsolved murder comes to light. Written by
Gary Dickerson <firstname.lastname@example.org>
Second of three collaborations between actor Gene Hackman and director Arthur Penn. The others were 1967's Bonnie and Clyde (1967) and 1985's Target(1985)_. 1975's Night Moves (1975) was the first of two of them where Hackman had the top-billed leading role. All three pictures were made in consecutive decades of the 1960s, 1970s and 1980s. See more »
How do you resist Delly?
Oh, I just think good, clean thoughts, like Thanksgiving, George Washington's teeth.
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Terrific film noir, benefits from a great performance by Gene Hackman
One of the unsung films of the seventies and probably the last focused film of director Arthur Penn. This tongue in cheek, intense drama stars Gene Hackman as Harry Moseby, an L.A. detective suffering marital problems who takes on a case to find a missing girl ( a young Melanie Grifith) of a famous actress. Hackmans character tracks her to the Florida Keys as the convoluted plot makes many unexpected twists and turns. It's Penn's taunt direction and Gene Hackman, (truly one of the best actors of the last thirty years) charisma which makes the film worth watching. Bruce Sutrees photography and Alan Sharps script should also be noted.
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