IMDb > Nashville (1975)
Nashville
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Nashville (1975) More at IMDbPro »

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Overview

User Rating:
7.8/10   14,685 votes »
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Up 8% in popularity this week. See why on IMDbPro.
Director:
Writer:
Joan Tewkesbury (written by)
Contact:
View company contact information for Nashville on IMDbPro.
Release Date:
21 September 1975 (UK) See more »
Genre:
Tagline:
Wild. Wonderful. Sinful. Laughing. Explosive. See more »
Plot:
Over the course of a few hectic days, numerous interrelated people prepare for a political convention as secrets and lies are surfaced and revealed. Full summary » | Full synopsis »
Awards:
Won Oscar. Another 23 wins & 24 nominations See more »
User Reviews:
An often-misunderstood masterpiece - full of life like no other movie See more (146 total) »

Cast

  (in credits order) (verified as complete)

David Arkin ... Norman
Barbara Baxley ... Lady Pearl

Ned Beatty ... Delbert Reese

Karen Black ... Connie White

Ronee Blakley ... Barbara Jean
Timothy Brown ... Tommy Brown

Keith Carradine ... Tom Frank

Geraldine Chaplin ... Opal

Robert DoQui ... Wade (as Robert Doqui)

Shelley Duvall ... L. A. Joan

Allen Garfield ... Barnett

Henry Gibson ... Haven Hamilton

Scott Glenn ... Pfc. Glenn Kelly

Jeff Goldblum ... Tricycle Man

Barbara Harris ... Albuquerque

David Hayward ... Kenny Fraiser

Michael Murphy ... John Triplette
Allan F. Nicholls ... Bill (as Allan Nicholls)
Dave Peel ... Bud Hamilton

Cristina Raines ... Mary

Bert Remsen ... Star

Lily Tomlin ... Linnea Reese
Gwen Welles ... Sueleen Gay

Keenan Wynn ... Mr. Green
James Dan Calvert ... Jimmy Reese
Donna Denton ... Donna Reese
Merle Kilgore ... Trout
Carol McGinnis ... Jewel
Sheila Bailey ... Smokey Mountain Laurel
Patti Bryant ... Smokey Mountain Laurel
Richard Baskin ... Frog
Jonnie Barnett ... Himself
Vassar Clements ... Himself
Misty Mountain Boys ... Themselves
Sue Barton ... Herself

Elliott Gould ... Himself

Julie Christie ... Herself
rest of cast listed alphabetically:

Steve Earle ... Concert-goer (uncredited)
Maysie Hoy ... Maysie Hoy (uncredited)
Bill Jenkins ... Announcer at Airfield (uncredited)
Thomas Hal Phillips ... Hal Phillip Walker (uncredited)

Patrick Reynolds ... Grand Ole Opry Performer (uncredited)

Gailard Sartain ... Man at Lunch Counter (uncredited)

Howard K. Smith ... Howard K. Smith (uncredited)
Joan Tewkesbury ... Tom's Lover / Kenny's Mother (uncredited) (voice)

Directed by
Robert Altman 
 
Writing credits
Joan Tewkesbury (written by)

Produced by
Robert Altman .... producer
Scott Bushnell .... associate producer
Robert Eggenweiler .... associate producer
Martin Starger .... executive producer
Jerry Weintraub .... executive producer
 
Original Music by
Arlene Barnett 
Jonnie Barnett 
Karen Black 
Ronee Blakley 
Gary Busey 
Juan Grizzle 
Allan F. Nicholls 
Dave Peel 
Joe Raposo 
 
Cinematography by
Paul Lohmann (director of photography)
 
Film Editing by
Dennis M. Hill  (as Dennis Hill)
Sidney Levin 
 
Set Decoration by
Robert M. Anderson (uncredited)
 
Makeup Department
Marvin C. Thompson .... makeup artist (as Tommy Thompson)
Ann Wadlington .... hair stylist
 
Second Unit Director or Assistant Director
Alan Rudolph .... assistant director
Tommy Thompson .... assistant director
 
Art Department
Robert M. Anderson .... property master (as Bob Anderson)
 
Sound Department
Randy Kelley .... assistant sound editor
Chris McLaughlin .... sound
Richard Portman .... sound re-recording mixer
William A. Sawyer .... sound editor
James E. Webb .... sound (as Jim Webb)
Richard Oswald .... sound effects editor (uncredited)
Donald C. Rogers .... technical director of sound (uncredited)
Fred Schultz .... multi-track dailies transfer operator (uncredited)
Dan Wallin .... sound re-recording mixer (uncredited)
 
Camera and Electrical Department
Randy Glass .... electrical gaffer
Edmond L. Koons .... camera operator (as Ed Koons)
Eddie Lara .... grip
J. Michael Marlett .... electrical gaffer (as Mike Marlett)
Harry Rez .... grip
Robert Reed Altman .... second assistant camera (uncredited)
 
Costume and Wardrobe Department
Jules Melillo .... wardrobe
 
Editorial Department
Tony Lombardo .... assistant editor
Tom Walls .... assistant editor
Mark Eggenweiler .... assistant editor (uncredited)
Maysie Hoy .... assistant editor (uncredited)
 
Music Department
Richard Baskin .... music arranger
Richard Baskin .... music supervisor
Gene Eichelberger .... music recordist
Johnny Rosen .... music recordist
Daniel J. Johnson .... assistant music editor (uncredited)
Ken Johnson .... music editor (uncredited)
Dan Wallin .... score mixer (uncredited)
 
Transportation Department
Gene Clinesmith .... driver (uncredited)
 
Other crew
Stephen Altman .... production assistant (as Steve Altman)
Jac Cashin .... assistant to producer
Elaine Di Bello Bradish .... production secretary (as Elaine Bradish)
Angel Dominguez .... production assistant
Mark Eggenweiler .... production assistant
Roger Frappier .... production assistant
Ron Hecht .... production assistant
J. Allen Highfill .... production assistant (as Allan Highfill)
Maysie Hoy .... production assistant
Joyce King .... script supervisor
Kelly Marshall .... production coordinator
Dan Perri .... title designer
Thomas Hal Phillips .... political campaign
Noreen Beasley .... assistant: Dan Perri (uncredited)
Lary Crews .... production assistant (uncredited)
 
Crew believed to be complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
159 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
4-Track Stereo (magnetic prints)

Did You Know?

Trivia:
Award winning fiddler and actor Johnny Gimble makes a cameo appearance during the last big stage scene when he does a 'walk on' with his fiddle and joins fiddler Vassar Clements and the rest of the band as they perform.See more »
Goofs:
Incorrectly regarded as goofs: When attempting to interview Tommy Brown, Opal says that she is from the BBC. When questioned, she explains that this stands for the British Broadcasting Company. It actually stands for the British Broadcasting Corporation. This was intentionally done to insinuate that Opal doesn't actually work for the BBC and was an impostor. Geraldine Chaplin confirmed this in a 2000 interview in Premiere magazine.See more »
Quotes:
Barnett:[In Barbara Jean's hospital room] Now, where's Barnett goin'? Where am I goin'? Hmm?
Barbara Jean:King of the Road.
Barnett:Why am I goin' there?
Barbara Jean:To see Connie.
Barnett:And why am I doin' that?
Barbara Jean:To thank her for singin' at the Opry.
Barnett:Now, who am I doin' that for?
Barbara Jean:You're doin' it for me.
Barnett:That's right. Now, I'm walkin' out now. What do you say as I walk out? You say bye-bye.
Barbara Jean:Bye.
[...]
See more »
Movie Connections:
Soundtrack:
It Don't Worry MeSee more »

FAQ

This FAQ is empty. Add the first question.
66 out of 82 people found the following review useful.
An often-misunderstood masterpiece - full of life like no other movie, 21 July 2003
Author: moviefan08 (moviefan08@yahoo.com) from Columbus, Ohio

Much like some of the other comments about "Nashville" that are circulating around IMDB, the reviews I've seen of Robert Altman's 1975 Oscar contender have been completely adulatory or completely dismissive. Contrary to some comments I've read, "Nashville" looks as prescient and magnificent now as it appeared to some critics nearly thirty years ago. Dated? Absolutely not. "Nashville" is a movie about people more than anything else, but a political campaign van that appears throughout the movie shows the unavoidable nature of politics in people's lives in the 70's. Has that changed since then? It's even more true now, with our war in Iraq and all of the conflicting viewpoints that exist. Annoying overlapping dialogue? To dismiss this unique trait of "Nashville" is to hate the trademark of director Robert Altman. Do people wait their turn as if reading from a screenplay in real life? Muddy cinematography? Certainly not - to show a Nashville vibrant with colors that don't really fit (a crime that most visually overachieving movies commit) would distract from Altman's amazing focus on the relationships of the characters that he builds so well. And the characters....the dozens of cast members lend terrific support to a film that moves forward constantly while never seeming to move too fast, leaving time for moments of poignancy and heartbreak, as well as unintentionally hilarious moments (as every good pseudo-documentary film has). Who can forget Lily Tomlin gazing at her deaf children tenderly as their father completely ignores them as they speak? Or the moment Keith Carradine performs his Oscar-winning "I'm Easy" in front of a night club crowd? Really, "Nashville" is filled with great moments ALL the time that make the nearly three-hour film unmissable, but nothing in the world can prepare the patient viewer for the film's breathtaking finale which seems even more moving today in the midst of everything. Forget the "National Anthem" or "The Battle Hymn of the Republic." The gospel-esque strains of "It Don't Worry Me" make it the American song for the ages, in an American film that ranks among the best of its kind.

Was the above review useful to you?
See more (146 total) »

Message Boards

Discuss this movie with other users on IMDb message board for Nashville (1975)
Recent Posts (updated daily)User
one scene that I've never been able to understand zbthunderwood
Why no blu ray? rudden
The Mr. Green and Martha storyline - spoilers Valentino55
Timeless classic that applies to today (major spoilers) Writerchamp13
what was the name of the stupid bike? rezbipul-1
Does anyone else wish they'd re-release the soundtrack w/ extra music? fakecountryallstar
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