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Nashville (1975)

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Over the course of a few hectic days, numerous interrelated people prepare for a political convention as secrets and lies are surfaced and revealed.



Won 1 Oscar. Another 22 wins & 25 nominations. See more awards »


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Cast overview, first billed only:
Delbert Reese
Tommy Brown
Wade (as Robert Doqui)
Tricycle Man


Five days in the Nashville country and gospel music scene, filled with stars, wannabe stars, and other hangers-on - individual stories of this small group intertwined - provides a commentary on American society. The stars include: good ol' boy Haven Hamilton, whose patriotic songs leading up to the American bicentennial belie his controlling and ruthless nature; Barbara Jean, the country music darling who is just returning to Nashville and performing following recovery from a fire-related injury which may have taken more of an emotional toll than a physical one; and good looking and charismatic Tom Frank, one-third of the successful group Bill, Mary, and Tom, he who is trying to go solo, which masks his need to not be solo in his personal life as he emotionally abuses woman after woman in love with him, including Mary who is married to Bill. The wannabe stars include: Albuquerque, whose real name is Winifred, who is trying to run away from her husband Star in he not approving of her ... Written by Huggo

Plot Summary | Plot Synopsis


The Home of Country Music See more »


Comedy | Drama | Music


R | See all certifications »

Parents Guide:





Release Date:

21 September 1975 (UK)  »

Also Known As:

Nashville, i polis ton ekplixeon  »


Box Office


$2,200,000 (estimated)

Gross USA:

See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:

(magnetic prints)


Aspect Ratio:

2.35 : 1
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Did You Know?


All the band musicians used in the film were real musicians working in Nashville at the time. See more »


Two policemen directing traffic - one waving and another carrying a bullhorn - are visible in the middle of the interstate during the car crash as the bus crashes into the pileup. See more »


Bill: Is this just network or is it, uh...?
John Triplette: No, it's better, it's really better than network. It's going to be syndicated, so I mean, hell, they're going to be showing it for a year and a half
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Crazy Credits

The song "It Don't Worry Me" continues to play long after the end credits have stopped rolling. See more »


Referenced in We Blew It (2017) See more »


My Idaho Home
Written and Performed by Ronee Blakley
Lions Gate Music Co. / Sawtooth Music (ASCAP)
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User Reviews

a milestone in my filmgoing experience
21 August 2004 | by See all my reviews

I saw Nashville when it was first shown, billed as Altman's "birthday card" to America on the occasion of the bicentennial. The greatest tribute I can pay is that, despite its frequent shifts of location, many individual scenes and characterizations, as well as the overarching story line, remained vivid in my mind over the years before I was able to purchase the film on video. When I taught Film History at my college I used Nashville as the final examination for the course. After having viewed the film, students were instructed to identify the elements of film technique previously studied(such as overlapping dialogue, jump shots, widescreen, etc) in order to forward the narrative, as they were employed by Altman. In general, they did very well; even those who disliked the film. There are too many admirable performances for me to mention; however, those that remained most vivid in my mind over the years were those of Gwen Welles, Ronee Blakley, Henry Gibson, and Lily Tomlin. One last note of appreciation regards the fact that all the characters were introduced within the first twenty minutes at the airport; their personalities brought out in the highway scene;and their being brought together again, cyclically, during the last twenty minutes at the "Parthenon". It has been several years since I used Nashville for pedagogical purposes. When I purchased the DVD recently I found that, despite my numerous viewings and classroom analysis, the impact was virtually the same as when I first saw it in 1976. For me, it did not "murder to dissect" this personal milestone.

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