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Nashville (1975)

R  |   |  Drama, Music  |  21 September 1975 (UK)
7.8
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Ratings: 7.8/10 from 15,375 users  
Reviews: 147 user | 95 critic

Over the course of a few hectic days, numerous interrelated people prepare for a political convention as secrets and lies are surfaced and revealed.

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Title: Nashville (1975)

Nashville (1975) on IMDb 7.8/10

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Won 1 Oscar. Another 23 wins & 24 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Norman
Barbara Baxley ...
Lady Pearl
...
Delbert Reese
...
...
Timothy Brown ...
Tommy Brown
...
...
...
Wade (as Robert Doqui)
...
...
...
...
...
Tricycle Man
...
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Storyline

This movie tells the intersecting stories of various people connected to the music business in Nashville. Barbara Jean is the reigning queen of Nashville but is near collapse. Linnea and Delbert Reese have a shaky marriage and 2 deaf children. Opal is a British journalist touring the area. These and other stories come together in a dramatic climax. Written by Reid Gagle

Plot Summary | Plot Synopsis

Taglines:

The damnedest thing you ever saw! See more »

Genres:

Drama | Music

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 September 1975 (UK)  »

Also Known As:

Nashville, i polis ton ekplixeon  »

Box Office

Budget:

$2,200,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(magnetic prints)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The house that is Haven Hamilton's (Henry Gibson) home was actually the house that Robert Altman and his family stayed in during the filming of Nashville. See more »

Goofs

In the crowd near the end of the film, Kenny Fraiser is just wearing his regular blue shirt he has worn through out the film. However, after Barbera Jean starts singing solo, we see him come into the crowd wearing a brown jacket. See more »

Quotes

Opal: Let me see. Um, have you any children?
Linnea Reese: Yes, I have two children. I have a boy and a girl.
Opal: Oh, isn't that nice. How old are they?
Linnea Reese: Twelve and eleven.
Opal: Do they want to be singers like their mummy?
Linnea Reese: Uh, well, my children are deaf. They're... They are deaf. They were born deaf.
Opal: Oh, my God, how awful. It's so depressing.
Linnea Reese:
  • Now, just a minute. That's not so. I wish you could see my boy.



Opal: Oh, I couldn't.
Linnea Reese: He has the most incredible personality.
[...]
See more »

Crazy Credits

The opening credits are modeled after a 1970s era TV commercial for a "greatest hits" record album compilation, with the actors in the film announced by a DJ as if they were artists whose songs were featured on the album. See more »


Soundtracks

Bluebird
Written by Ronee Blakley
Performed by Timothy Brown
Lions Gate Music Co. / Sawtooth Music (ASCAP)
See more »

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User Reviews

 
a milestone in my filmgoing experience
21 August 2004 | by (elgin, illinois) – See all my reviews

I saw Nashville when it was first shown, billed as Altman's "birthday card" to America on the occasion of the bicentennial. The greatest tribute I can pay is that, despite its frequent shifts of location, many individual scenes and characterizations, as well as the overarching story line, remained vivid in my mind over the years before I was able to purchase the film on video. When I taught Film History at my college I used Nashville as the final examination for the course. After having viewed the film, students were instructed to identify the elements of film technique previously studied(such as overlapping dialogue, jump shots, widescreen, etc) in order to forward the narrative, as they were employed by Altman. In general, they did very well; even those who disliked the film. There are too many admirable performances for me to mention; however, those that remained most vivid in my mind over the years were those of Gwen Welles, Ronee Blakley, Henry Gibson, and Lily Tomlin. One last note of appreciation regards the fact that all the characters were introduced within the first twenty minutes at the airport; their personalities brought out in the highway scene;and their being brought together again, cyclically, during the last twenty minutes at the "Parthenon". It has been several years since I used Nashville for pedagogical purposes. When I purchased the DVD recently I found that, despite my numerous viewings and classroom analysis, the impact was virtually the same as when I first saw it in 1976. For me, it did not "murder to dissect" this personal milestone.


34 of 49 people found this review helpful.  Was this review helpful to you?

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Why no blu ray? rudden
am i the only one who didnt like it? banddirector23
Does anyone else find this to be hysterically funny in parts? classicleno
Should Ronnee have won the oscar? RueMcClanahan
Favorite Song heffrc
one scene that I've never been able to understand zbthunderwood
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