A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Mille is a... See full summary »
This movie tells the intersecting stories of various people connected to the music business in Nashville. Barbara Jean is the reigning queen of Nashville but is near collapse. Linnea and Delbert Reese have a shaky marriage and 2 deaf children. Opal is a British journalist touring the area. These and other stories come together in a dramatic climax. Written by
Each actor was required to write and perform their own songs for the movie. See more »
In the scene at the Grand Ol' Opry, Haven Hamilton gives the zip code for Vanderbilt Hospital as "27322". The hospital's zip code is actually "37232". See more »
What's the matter with you? Ain't you gonna talk to me? Did it go all right?
I had to do me a striptease tonight in front of all those men... in order to get to sing at the Parthenon with Barbara Jean.
Oh, shit, Sueleen, I... That's dreadful! That's terrible, girl! I mean... I don't know how to tell you this, but I been meanin' to... you can't sing. You may as well face the fact you cannot sing. You ain't never gon' be no star. I wish you'd give it up. They gon' kill ya. They ...
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In the opening credits, the featured actors and actresses are announced by a radio deejay as though they were country music stars. See more »
I loved this movie. Loved it! I just saw this on widescreen DVD and had never seen it before. It's the first movie I have seen in a few years that had me smiling from ear to ear as it ended, not because it was a feel-good movie but because it was so exhilarating to see a work so flawlessly assembled, so marvellously written and acted, and finally one so overflowing with the collective creative energy of the cast and crew. There are more memorable characters and vignettes in this one two hour and 40 minute movie than in all the movies from the movies I have seen from the year 2000. M*A*S*H and The Player are the only other two Altman films I have ever seen, and I hesitate to see anymore as how can any of them be as good as NASHVILLE?
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