As a youth, Vijay struggles as a dockworker. Eventually, he becomes a leading figure of the underworld, while younger brother, Ravi, is an educated, upright policeman. But in the end, it all comes down to, who does mother love more?
Abandoned by his American lover, a handsome teenager from the mountains journeys to Manila in an effort to support his family. With a popular call boy as his mentor, Paul enters the ... See full summary »
Produced at the height of the Vietnam War, Emile de Antonio's Oscar-nominated 1968 documentary chronicles the war's historical roots. With palpable outrage, De Antonio (Point of Order, ... See full summary »
Emile de Antonio
Harry S. Ashmore,
In the coal mining region of Pennsylvania, Wanda Goronski is constantly drinking to shut out the problems in her life. Having deserted her husband and infant children, Wanda sleeps on her ... See full summary »
Husband (senior ministry official) and wife find their house is riddled with listening devices put there by his own ministry. A harrowing night follows (reminiscent of 'Who's Afraid Of ... See full summary »
This movie was the first movie produced in Israel. It deals with the outbreak of hostilities during the war for independence in 1947. The memory from this movie was the sadness and ... See full summary »
The hidden nightlife of ordinary people living in Manila unveils. Lovers and families' conflicts are radically pitted against each other as they live in the night streets rampant with drugs... See full summary »
Lino Brocka's masterful study of a man's loss of innocence is a centerpiece of great Filipino cinema. The tale of young innocents traveling to the infamous city of Manila, and losing their way, has been told countless times, but "Manila: In the Claws of Neon" was the first, and this unflinching look at urban decay must have shocked people at the time. Bembol Roco is heartbreaking in his role as the small-town laborer who travels to Manila in search of his beautiful girlfriend, who has vanished without a word. With his baby face and puppy dog eyes, he conveys the image of the ultimate naive youth, and Hilda Koronel possesses the same pure quality, as his lost love, Ligaya.
Once in the clutches of the decadent metropolis, Julio is forced to either let go of his innocence, or be swallowed up by the ruthless, hardened characters around him. This same theme returns in Brocka's equally powerful "Insiyag." 'Maynila' is more than a study of lost innocence, of course. It is also an honest look at third World poverty, and the desperation that causes people to do things that they might not do otherwise, in order to survive. One of the film's most harrowing scenes features a scared and sickened Julio, lured into working at a sleazy male whorehouse. The character is obviously not homosexual, and being forced into having sex with men is the beginning of his own personal demise. The bloody, shocking climax of this film is one of the most memorable disturbing set pieces in film, and was borrowed from heavily, by Martin Scorsese a year later for his classic "Taxi Driver." Viewed back to back it becomes evident as the scenes in the hallway of the dark apartment tenement are virtually identical. Brocka's vision came first, too bad so few people are not aware of this beautiful film. Thought to be lost, due to improper storage of the film, this has surfaced on the internet, which is where i was able to finally see it. This one, and some other Filipino films are long overdue for restored DVD releases. If you can find it, see it.
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