IMDb > Mandingo (1975)
Mandingo
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Mandingo (1975) More at IMDbPro »

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Overview

User Rating:
6.1/10   1,959 votes »
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Director:
Writers:
Contact:
View company contact information for Mandingo on IMDbPro.
Release Date:
25 July 1975 (USA) See more »
Genre:
Tagline:
Expect The Savage. The Sensual. The Shocking. The Sad. The Powerful. The Shameful. Expect The Truth.
Plot:
A slave owner in the 1840s trains one of his slaves to be a bare-knuckle fighter. Full summary » | Add synopsis »
Awards:
1 win See more »
User Reviews:
major studio film looks like low-budget exploitation See more (58 total) »

Cast

  (in credits order)

James Mason ... Warren Maxwell

Susan George ... Blanche Maxwell

Perry King ... Hammond Maxwell
Richard Ward ... Agamemnon
Brenda Sykes ... Ellen

Ken Norton ... Mede
Lillian Hayman ... Lucrezia Borgia
Roy Poole ... Doc Redfield
Ji-Tu Cumbuka ... Cicero

Paul Benedict ... Brownlee

Ben Masters ... Charles
Ray Spruell ... Wallace
Louis Turenne ... De Veve
Duane Allen ... Topaz
Earl Maynard ... Babouin
Beatrice Winde ... Lucy

Debbi Morgan ... Dite
Irene Tedrow ... Mrs. Redfield
Reda Wyatt ... Big Pearl
Simone McQueen ... Madam Caroline
Evelyn Hendrickson ... Beatrix
Stanley J. Reyes ... Major Woodford (as Stanley Reyes)
John Barber ... Le Toscan

Durwyn Robinson ... Meg
Kerwin Robinson ... Alph
Deborah Ann Young ... Tense
Debra Blackwell ... Blonde Girl
Kuumba ... Black Mother
Stocker Fontelieu ... Wilson
rest of cast listed alphabetically:
Edwin Edwards ... Gambler (scenes deleted)

Sylvester Stallone ... Young Man in Crowd (scenes deleted)
Warren Kenner ... (uncredited)
Laura Misch Owens ... Prostitute (uncredited)
Rosemary Tichenor ... Slave-Buying Woman (uncredited)
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Directed by
Richard Fleischer 
 
Writing credits
Kyle Onstott (novel)

Jack Kirkland (play)

Norman Wexler (screenplay)

Produced by
Dino De Laurentiis .... producer
Ralph B. Serpe .... executive producer (as Ralph Serpe)
 
Original Music by
Maurice Jarre 
 
Cinematography by
Richard H. Kline (director of photography)
 
Film Editing by
Frank Bracht 
 
Casting by
Lynn Stalmaster 
 
Production Design by
Boris Leven 
 
Set Decoration by
John P. Austin  (as John Austin)
 
Costume Design by
Ann Roth 
 
Makeup Department
Sugar Blymyer .... hair stylist (as Maryce Blymyer)
Hank Edds .... makeup artist (as George 'Hank' Edds)
 
Production Management
Peter V. Herald .... production manager
Stanley Neufeld .... post-production supervisor
 
Second Unit Director or Assistant Director
Frederic W. Brost .... first assistant director (as Fred Brost)
Gary Daigler .... second assistant director (as Gary D. Daigler)
Albert Shepard .... second assistant director
 
Art Department
Bill Wainess .... property master (as William Wainess)
 
Sound Department
James M. Falkinburg .... sound effects editor (as James Nelson)
William Randall .... production sound
Raul A. Bruce .... boom operator (uncredited)
Donald C. Rogers .... technical director of sound (uncredited)
John Wilkinson .... sound re-recording mixer (uncredited)
 
Special Effects by
Ira Anderson Jr. .... special effects
 
Stunts
Joe Canutt .... stunt coordinator
Alan Oliney .... stunt coordinator
Alan Oliney .... stunts (uncredited)
 
Camera and Electrical Department
Gene Kearney .... head grip
Ross A. Maehl .... gaffer (as Ross Maehl)
Calvin Maehl .... best boy electric (uncredited)
 
Casting Department
Hector Freeman .... casting assistant (uncredited)
 
Costume and Wardrobe Department
Jack Martell .... wardrobe
Joan Joseff .... costume jeweller (uncredited)
Andrea E. Weaver .... costumer: women (uncredited)
 
Editorial Department
Chris Kaeselau .... assistant editor
 
Music Department
Maurice Jarre .... conductor
Milton Lustig .... music editor
 
Other crew
Dino De Laurentiis .... presenter
Federico De Laurentiis .... assistant to producer
Alvin Greenman .... script supervisor
Robert F. Kocourek .... location auditor (as Robert Kocourek)
Albert J. Salzer .... location contact
 

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Additional Details

Also Known As:
Runtime:
127 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.78 : 1 See more »
Sound Mix:
Certification:
Australia:R | Finland:K-16 | France:-16 | Iceland:16 | Netherlands:16 | Norway:16 | Norway:15 (video rating) | Sweden:15 | UK:X (original rating) (cut) | UK:18 (video rating) (cut) | USA:R | West Germany:18

Did You Know?

Trivia:
Paul Benedict, who plays the trader Brownlee, must have really shocked people who recognized him from his television role at the time of the film's release, that of Harry Bentley, the neighbor in "The Jeffersons" (1975). In fact, the first sentence in the film is him asking how much a female slave and her infant was.See more »
Goofs:
Continuity: In the movie's first scene, as Brownlee inspects a row of slaves he smokes a cigar which is obviously lit (smoke, ash, etc). But when he clenches the cigar in his mouth and leans in to inspect a slave's teeth, the cigar changes to one that has never been lit. (Maybe a precaution against burning the other actor's face?)See more »
Quotes:
Hammond Maxwell:Cousin Charles, What the hell you doing, kissin on the mouth?
[Charles throws Katie to bed, removes his belt, and whips her with it]
Hammond Maxwell:What you doin that fer?
Charles:Makes a man feel good. She likes it too. Don't you pretty wench?
Katie:[Crying] Yes, master.
See more »
Movie Connections:
Referenced in A Haunted House (2013)See more »
Soundtrack:
Born in This TimeSee more »

FAQ

What are the differences between the International Version and the US DVD/BD by Legend Films/Paramount?
See more »
15 out of 21 people found the following review useful.
major studio film looks like low-budget exploitation, 19 January 2001
Author: thomandybish from Weaverville, NC

This film, despite some controversy about it's biracial sex scenes when it was initially released, seems to have faded from memory. Given the degree of sex, violence, and unadulterated exploitation of slavery in the antebellum South, that's a surprise, because I saw this flick nearly ten years ago and STILL can't forget it! Those whose image of the old South has forever been defined by GONE WITH THE WIND as romantic and chivalrous and pick up this movie in the video store(the cover art on the box resembles that famous pose with Gable and Leigh)thinking they're about to be trasported to Tara ought to run like Hell! James Mason and his lame son Perry King live on a plantation and own slaves body and soul. Well, at least the body part, as we see when Mason strings an errant slave upside down, strips him, and pattles his butt with a perforated paddle. Son King takes a more tender approach, as he sleeps with the female slaves, especially Brenda Sykes, whom he takes as his mistress. However, he marries Susan George to provide an heir, and presents her with a ruby choker. He also gives Sykes the matching earrings. When George learns of the relationship(Sykes wears the earrings while she serves dinner to George and King on their first night at the plantation), and Kings learns George has slept with her brother, the marriage hits the skids. George drowns her sorrows in lots of sherry and lots of Ken Norton, a slave Perry has purchased specifically for fighting other slaves for betting. George becomes pregnant, and when the baby comes, it hits the fan! It's hard to believe that anyone in 1975 could see this film as anything but exploitation of a very dark period in American history. Didn't anyone cringe at the sight of King going in to "take pleasure" from a female slave in a bed and the woman groans, "I too black for you", or Ken Norton standing stoically on the auction block of a slave sale while an old woman gropes around inside his loincloth? The video edition of this film I saw was from the early eighties, when movie studios did their transfers from the first worn-out prints the could grab, and may have had a muddy, faded look because of this, but it's hard to believe this thing came from a major studio. You'd certainly wouldn't know it from the production values, because the film looks as if the filmmakers didn't spend a penny more than they had to(we're treated to interior scenes inside a plantation house curiously devoid of furniture). With all these setbacks, it's hard to understand why this movie hasn't garnered even a semi-cult following. If you're in the mood to be offended on all levels and don't treasure some romanticized Hollywood image of the old South, grab MANDINGO.

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I actually enjoyed it up until Vmar033
The Mandingo did not go willingly into the Pit. shaaronie
DVD is (slightly) cut KidThalid
Regarding Muhammad Ali's Reaction to this Film Attillio
casting extras in the movies richardsan
Is this the movie....??? jake_randi_mom
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