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Mandingo (1975)

 -  Action | Romance  -  25 July 1975 (USA)
6.1
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Ratings: 6.1/10 from 2,016 users  
Reviews: 58 user | 43 critic

A slave owner in the 1840s trains one of his slaves to be a bare-knuckle fighter.

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Title: Mandingo (1975)

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Cast

Cast overview, first billed only:
...
...
...
Richard Ward ...
Brenda Sykes ...
...
Lillian Hayman ...
Roy Poole ...
Ji-Tu Cumbuka ...
...
...
Charles
Ray Spruell ...
Wallace
Louis Turenne ...
De Veve
Duane Allen ...
Topaz
Earl Maynard ...
Babouin
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Storyline

Slave owner Warren Maxwell insists that his son, Hammond, who is busy bedding the slaves he buys, marry a white woman and father him a son. While in New Orleans, he picks up a wife, Blanche, a "bed wench," Ellen, and a Mandingo slave, Mede, whom he trains to be a bare-knuckle fighting champion. Angered that Hammond is spending too much time with his slaves, Blanche beds down Mede. Written by Allen Smithee

Plot Summary | Add Synopsis

Taglines:

Expect The Savage. The Sensual. The Shocking. The Sad. The Powerful. The Shameful. Expect The Truth.

Genres:

Action | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 July 1975 (USA)  »

Also Known As:

Mandingo - O Fruto da Vingança  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Technicolor)

Aspect Ratio:

1.78 : 1
See  »
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Did You Know?

Trivia

Edwin Edwards, the governor of Louisiana at the time, was cast as a gambler and several scenes were filmed but excised before release. Upon the advice of his public relations staff, Edwards decided the potential damage to his public image when the salacious content of the film was revealed would be too great. See more »

Goofs

During Mede's first fight in the city, he and his opponent are wrestling on the grass. When they roll over the floor, the grass is moving like a slipping carpet would, revealing it to be a sheet of artificial green, probably lying on the floor of a sound stage. See more »

Quotes

Hammond Maxwell: Cousin Charles, What the hell you doing, kissin on the mouth?
[Charles throws Katie to bed, removes his belt, and whips her with it]
Hammond Maxwell: What you doin that fer?
Charles: Makes a man feel good. She likes it too. Don't you pretty wench?
Katie: [Crying] Yes, master.
See more »

Connections

Referenced in Jeopardy!: Episode #26.153 (2010) See more »

Soundtracks

Born in This Time
Music by Maurice Jarre
Lyrics by Hi Tide Harris
Sung by Muddy Waters
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Unsurprisingly divides audiences, but Mandingo is at least a film worth seeing
15 April 2008 | by (Beverley Hills, England) – See all my reviews

Mandingo seems to divide it's audience strongly between love and hate and that's not really surprising; the film features some real nasty elements and the way that it's all done with a highly quality 'period drama' sort of style means that it will likely miss it's supposed intended audience - although it seems to have found a good fan base among exploitation fans. The film is liable to shock modern audience for its racial themes and strong racial tone; it didn't bother me all that much to be honest as it suits the film within it's context and helps to enforce its exploitative nature, which in turn makes Mandingo more powerful. The film takes place in the south of America during the 1840's and the main focus of the plot is on slavery. White farm owner Hammond Maxwell one day discovers the fighting talent of one of his black slaves and soon decides to toughen him up for battle with other slaves. He's sympathetic with his slaves and soon becomes affectionate with one of the women, which doesn't sit well with his wife Blanche who, for revenge, forces the top fighter to sleep with her.

Anyone going into this film expecting a serious look at slavery will be either disappointed or annoyed (maybe both), but if you go into it expecting some nasty exploitation, you might find a lot to like. The film gives an unflinching look at a more primitive society and it actually more shocking for its tone and implications than the events that take place in it (although the film does include plenty of racism, torture and rape scenes). The way that the film depicts the black slaves as animals makes for uncomfortable viewing and the way that society was segregated into 'white masters' and 'black slaves' is always enforced on the viewer. The performances sit better with the exploitation side of the film rather than the serious drama side as none of them are particularly brilliant; although the three leads do fit into their roles well. Overall, this is clearly not a film for everyone and I'm not in any way saying that the film's bad reputation is in any way undeserved; but Mandingo is certainly an interesting film and I would say it is at least worth seeing.


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