Arthur Goldman is a rich Jewish industrialist, living in luxury in a Manhattan high-rise. He banters with his assistant Charlie, often shocking Charlie with his outrageousness and ...
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Following the suicide of an elderly Jewish man, a journalist in possession of the man's diary investigates the alleged sighting of a former SS captain, who allegedly commanded a concentration camp during WWII.
Slovakia during WW2. Tono lives a poor life, but the authorities offer him to take over the Jewish widow Lautman's little shop for sewing material. She is old and confused and thinks that ... See full summary »
Greg Powell is a disturbed ex-con who recruits Jimmy Smith (aka Jimmy Youngblood), a petty thief, as his partner in crime. Powell panics one night when the two of them are pulled over by a ... See full summary »
Arthur Goldman is a rich Jewish industrialist, living in luxury in a Manhattan high-rise. He banters with his assistant Charlie, often shocking Charlie with his outrageousness and irreverence about aspects of Jewish life. Nonetheless, Charlie is astonished when, one day, Israeli secret agents burst in and arrest Goldman for being not a Jewish businessman but a Nazi war criminal. Whisked to Israel for trial, Goldman forces his accusers to face not only his presumed guilt--but their own. Written by
Jim Beaver <email@example.com>
Prior to being a film, 'The Man in the Glass Booth' existed as both a novel and a play, both written by Robert Shaw. See more »
The Nazi Concentration Camps were run by the SS. The Wehrmacht (the regular Germany Army, also referred to as the Heer) was not directly involved in running the camps. Also The SS used it's own rank titles, so Dorf would have been known as a Standartenfuhrer instead of an Oberst (Colonel). See more »
This is my all-time favorite film. Maximilian Schell's Oscar-nominated performance completely dominates everything else on the screen. His long courtroom speeches are both disturbing and riveting. This is based on a book and play by Robert Shaw, who'll you'll probably remember as an actor from "The Sting", "Jaws" and "A Man for All Seasons". He disowned the movie version because of changes made. It has been too many years since I've seen the film, but I have re-read both book and play this month. I think a significant change to Col. Dorff's heritage was probably his objection. While I see his point, I think he overreacted. The film itself is a bit slow moving and everyone else is overpowered by Mr. Schell's breathtaking performance. But those flaws didn't kick in for me until I had seen the film a dozen or more times. It is a must see for Maximilian Schell's work- one of the greatest performances ever filmed.
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