Arthur Goldman is a rich Jewish industrialist, living in luxury in a Manhattan high-rise. He banters with his assistant Charlie, often shocking Charlie with his outrageousness and ... See full summary »
When a German businessman causes a car accident with deadly consequences, the papers start digging into his past to find scandals. What they find causes him to reevaluate his own past during WW2 when he was in Greece.
Gustav Rudolf Sellner,
Gila von Weitershausen
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Historical depiction of the events preceding the political murder of Archduke Franz Ferdinand, would-be emperor of the Austro-Hungarian throne, in Sarajevo, June 28, 1914. A World War would... See full summary »
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Jon Bon Jovi,
A man comes to a small village to begin his new job as an attendant at the nearby castle. But everybody in the village claims that he surely must be mistaken, there is no need for an ... See full summary »
Arthur Goldman is a rich Jewish industrialist, living in luxury in a Manhattan high-rise. He banters with his assistant Charlie, often shocking Charlie with his outrageousness and irreverence about aspects of Jewish life. Nonetheless, Charlie is astonished when, one day, Israeli secret agents burst in and arrest Goldman for being not a Jewish businessman but a Nazi war criminal. Whisked to Israel for trial, Goldman forces his accusers to face not only his presumed guilt--but their own. Written by
Jim Beaver <firstname.lastname@example.org>
"Booth," is Schell. Nominated for an Academy Award, he came up against Jack Nicholson in "One flew over the cuckoo's nest." Watch each film, then gauge each actor's performance. Then do it again. As fine as Nicholson is, he is a couple of classes behind Schell. Schell spent years specialising in this type of role, and absolutely perfected it in "booth". Olivier and Brando must take a secondary role to Schell, and I say that fully remembering Olivier's monologue in Rebecca, which was absolutely riveting.
I have many favourite films, Cinema Paradiso, Schindler's List, The Train, Wake in Fright, The Producers, Casablanca, to name a few. My choice is fairly orthodox, you would have to agree! But Schell makes "booth" my number one choice as greatest film ever. And Max is the greatest practitioner of the craft of acting I have ever seen.
As for the controversy associated with this film, I can fully understand it. No one comes out smelling to good in this movie, but in the end, it is humanity on trial, and human failings are, or should be forgiven.
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