| Photos (See all 21 | slideshow) |
| Sean Connery | ... | Daniel Dravot | |
| Michael Caine | ... | Peachy Carnehan | |
| Christopher Plummer | ... | Rudyard Kipling | |
| Saeed Jaffrey | ... | Billy Fish | |
| Doghmi Larbi | ... | Ootah | |
| Jack May | ... | District Commissioner | |
| Karroom Ben Bouih | ... | Kafu Selim | |
| Mohammad Shamsi | ... | Babu | |
| Albert Moses | ... | Ghulam | |
| Paul Antrim | ... | Mulvaney | |
| Graham Acres | ... | Officer | |
| The Blue Dancers of Goulamine | ... | Dancers | |
| Shakira Caine | ... | Roxanne | |
| rest of cast listed alphabetically: | |||
| Nadia Atbib | ... | Dancer (uncredited) | |
| Yvonne Ocampo | ... | Dancer (uncredited) | |
| Gurmuks Singh | ... | Sikh Soldier (uncredited) | |
| Kimat Singh | ... | Sikh Soldier (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits | ||
| John Huston | (screenplay) and | |
| Gladys Hill | (screenplay) | |
| Rudyard Kipling | (based on the story by) | |
Produced by | |||
| John Foreman | .... | producer | |
| William Hill | .... | associate producer (uncredited) | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Oswald Morris | (director of photography) | ||
Film Editing by | |||
| Russell Lloyd | |||
Casting by | |||
| Boaty Boatwright | |||
Production Design by | |||
| Alexandre Trauner | (as Alexander Trauner) | ||
Art Direction by | |||
| Tony Inglis | |||
Costume Design by | |||
| Edith Head | (wardrobe designed by) | ||
Makeup Department | |||
| George Frost | .... | makeup artist | |
| Patricia McDermott | .... | hairdresser (as Pat McDermott) | |
Production Management | |||
| Mohamed Abbazi | .... | production manager: Moroccan Unit | |
| David C. Anderson | .... | production manager (as David Anderson) | |
| Malcolm J. Christopher | .... | production manager (as Malcolm Christopher) | |
| Robin Douet | .... | production manager | |
| Ted Lloyd | .... | production supervisor | |
| Eva Monley | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Bert Batt | .... | first assistant director | |
| Chris Carreras | .... | second assistant director (as Christopher Carreras) | |
| Michel Cheyko | .... | second assistant director | |
| Michael D. Moore | .... | second unit director (as Michael Moore) | |
Art Department | |||
| Peter James | .... | set dresser | |
| Syd Nightingale | .... | construction manager (as Sidney Nightingale) | |
| Ron Quelch | .... | production buyer (as Ronald Quelch) | |
| Jack Stephens | .... | assistant art director | |
| Giulio Srubek Tomassy | .... | sculptor | |
| Jack Towns | .... | property master | |
| John Chisholm | .... | props (uncredited) | |
| Tom Jung | .... | poster artist (uncredited) | |
| Tom Jung | .... | poster designer (uncredited) | |
| Chris Seddon | .... | drapesman (uncredited) | |
Sound Department | |||
| Basil Fenton-Smith | .... | sound recordist (as Basil Fenton Smith) | |
| Leslie Hodgson | .... | sound editor (as Les Hodgson) | |
| Gordon K. McCallum | .... | sound recordist | |
| Terry Sharratt | .... | boom operator (as Terence Sharratt) | |
| Graham V. Hartstone | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Richard Parker | .... | special effects (as Dick Parker) | |
Visual Effects by | |||
| Wally Veevers | .... | optical effects | |
| Albert Whitlock | .... | matte artist | |
| Doug Ferris | .... | matte artist (uncredited) | |
Stunts | |||
| M. James Arnett | .... | stunt coordinator (as James Arnett) | |
| Jim Burk | .... | stunts (uncredited) | |
| William H. Burton | .... | stunts (uncredited) | |
| Joe Powell | .... | stunts (uncredited) | |
| Bob Simmons | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Maurice Arnold | .... | camera assistant | |
| Dennis Frazer | .... | key grip | |
| Alex Thomson | .... | second unit cameraman | |
| John Tythe | .... | chief electrician | |
| Eric Van Haren Noman | .... | camera operator (as Eric Van Harem-Noman) | |
| Kathy Fields | .... | still photographer (uncredited) | |
| Dennis Fraser | .... | grip (uncredited) | |
| John Golding | .... | focus puller: second unit (uncredited) | |
| Rexford L. Metz | .... | assistant camera: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Paul Vachon | .... | wardrobe master | |
| John Wilson-Apperson | .... | wardrobe supervisor (as John Wilson Apperson) | |
Editorial Department | |||
| Eunice Beharrell | .... | assistant editor | |
Music Department | |||
| Maurice Jarre | .... | conductor | |
| Herbert W. Spencer | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Jacques Cruchet | .... | transport manager | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Barbara Allen | .... | production secretary | |
| Latifa Irassi | .... | production secretary: Moroccan Unit | |
| M. Ram-Dani | .... | liaison: Moroccan Unit | |
| Bob Simmons | .... | master of horse | |
| Tony Williams | .... | location liaison | |
| Jim Huber | .... | stand-in: Michael Caine (uncredited) | |
| Annabelle King | .... | production assistant (uncredited) | |
| Emanuel L. Wolf | .... | presenter (uncredited) | |
Thanks | |||
| His Majesty King Hassan II of Morocco | .... | the producers thank for the co-operation given in the making of this picture (as H.M. King Hassan II of Morocco) | |
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Top of my list of 10 films. But I cannot believe ALL the user comments to date have completely missed the emotional foundation of the film. Read Kipling's "Tommy" aloud if you don't understand why Peachy and Daniel (NOT "Danny") seemed so desperate for a new place in life. Otherwise, the best movie all the participants (except Saied Jaffery...you really need to explore his Bollywood career) have ever worked. Although "Zulu" is a close near-miss for Caine.
"The Man Who Would Be King" is (as has been noted by others) one of the very rare occasions of a motion picture improving upon brilliant literature. My "A Complete Kipling", dog-eared as each volume is, has not been as often read as my VHS and then DVD of THIS film. Should a writer/director of John Houston's capacity (demonstrated, of course) appear on the scene, I'm willing to suggest a dozen other projects.