Tracy, an aspiring designer from the slums of Chicago puts herself through fashion school in the hopes of becoming one of the world's top designers. Her ambition leads her to Rome spurring ... See full summary »
In this version of Oscar Wilde's tale, Dorian Gray is an actress who, desperate to become a worldwide star, makes a deal that switches her soul to her image on film, then proceeds to sleep ... See full summary »
Tired of the slave-like treatment of his team's owner, charismatic star Negro League pitcher Bingo Long takes to the road with his band of barnstormers through the small towns of the Midwest in the 1930's.
Billy Dee Williams,
James Earl Jones,
Anthony Perkins, a young sculptor with a weird penchant for waking up in strange hotels with his memory wiped clean and bloodied hands, invites a former professor (Michel Piccoli) to the ... See full summary »
A beautiful young woman sets her sights on an aging millionaire. She seduces him, and moves into his mansion with him. She soon tires of him, though, and after she gets rid of him, she goes after his son
Manuel Mur Oti
Tracy, an aspiring designer from the slums of Chicago puts herself through fashion school in the hopes of becoming one of the world's top designers. Her ambition leads her to Rome spurring a choice between the man she loves or her newfound success. Written by
Renee Ann Byrd <email@example.com>
The final shot of the film (an overview of the crowd gathered to hear Brian's speech) shows Tracy rushing up to Brian and madly embracing him, but moments earlier they had already walked up to each other in the middle of that crowd and kissed. See more »
The men love me, the women love me, the children love me... You're just jealous Brian 'cause no one loves you.
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This film is another vanity piece for the ultimate diva Diana Ross. This film is also a classic example of Berry Gordy's failed attempts to make Motown more than what it was, and that was one of the most influetial record companies in history. Gordy even went as far as to direct this film with mixed results. This is nothing but pure melodrama and Diana Ross overracts throughout the whole film. Only Billy Dee Williams and Jean-Pierre Aumont manage to do credible performances as the two men who love Ross' character and Anthony Perkins is at his creepy best as the psychotic photographer. Unfortunately, Diana Ross is wasted in this role, which tends to prove that she had only one good performance in her and, unfortunately, it was in her debut, Lady Sings the Blues.
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