IMDb > Autopsy (1975)

Autopsy (1975) More at IMDbPro »Macchie solari (original title)

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Armando Crispino (written by)
Lucio Battistrada (written by)
View company contact information for Autopsy on IMDbPro.
Release Date:
June 1977 (USA) See more »
It'll take you... apart! See more »
A pathology med student and a priest team up to investigate a wave of suicides blamed on sun spots and discover a number of them to be actual murders. Full summary » | Add synopsis »
Plot Keywords:
User Reviews:
Pay No Attention to Those Corpses Having Sex... See more (32 total) »


  (in credits order)

Mimsy Farmer ... Simona Sanna

Barry Primus ... Father Paul Lenox
Ray Lovelock ... Riccardo
Carlo Cattaneo ... Lello Sanna (as Carlo Cataneo)
Angela Goodwin ... Danielle
Gaby Wagner ... Betty Lenox
Massimo Serato ... Gianni Sanna
Ernesto Colli ... Ivo
Leonardo Severini ... Caretaker
Eleonora Morana ... Eleonora
Antonio Casale ... Inspector Silvestri
Giovanni Di Benedetto ... Professor Mari
Pier Giovanni Anchisi ... Archivist at Criminal Museum (as Piero Anchisi)
Maria Pia Attanasio ... Aunt Elvira
Sergio Sinceri ... Doctor
Pupino Samona ... Doctor with beard (as Pupino Samonà)
rest of cast listed alphabetically:
Bruno Alias ... Man in Restaurant (uncredited)
Antonio Anelli ... Man in the Hotel Hall (uncredited)
Massimo Ciprari ... Audience Watching Car Race (uncredited)
Luciano Foti ... Painter in Casino (uncredited)
Cindy Girling ... Blonde Corpse (uncredited)
Margherita Horowitz ... American Tourist (uncredited)
Carla Mancini ... Nurse (uncredited)
Giuseppe Marrocco ... Man at Casino (uncredited)
Giulio Massimini ... Waiter (uncredited)
Franco Moruzzi ... Bystander (uncredited)
Enrico Palombini ... Pool Attendant (uncredited)
Alessandra Vazzoler ... Fat Corpse (uncredited)
Sandra Wolff ... American Tourist (uncredited)
Luciano Zanussi ... Doctor at Autopsy (uncredited)

Directed by
Armando Crispino 
Writing credits
(in alphabetical order)
Lucio Battistrada  written by
Armando Crispino  written by

Produced by
Leo Pescarolo .... producer (as Leonardo Pescarolo)
Original Music by
Ennio Morricone 
Cinematography by
Carlo Carlini 
Film Editing by
Daniele Alabiso 
Art Direction by
Elio Balletti 
Costume Design by
Mario Ambrosino 
Makeup Department
Giancarlo De Leonardis .... hair stylist
Renzo Francioni .... makeup artist
Production Management
Antonio Paoletti .... unit manager
Egidio Quarantotto .... production manager
Second Unit Director or Assistant Director
Lorenzo Magnolia .... assistant director
Art Department
Elio Balletti .... set designer
Sound Department
Nick Alexander .... dubbing editor
Ugo Celani .... sound recordist
Camera and Electrical Department
Vittorugo Contino .... still photographer
Sergio Martinelli .... camera operator
Renato Mascagno .... assistant camera
Costume and Wardrobe Department
Wanda Croce .... seamstress
Aldo Giuliani .... wardrobe assistant
Editorial Department
Rosalba Giacobbe .... assistant editor
Other crew
Luciano Foti .... production coordinator
Ninni Reginato .... script supervisor

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Macchie solari" - Italy (original title)
"Corpse" - USA (alternative title)
"The Victim" - USA
See more »
USA:85 min (edited version) | 100 min (uncut version)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Australia:R18+ | Canada:16+ (Quebec) | France:16 | Italy:VM18 | UK:18 | USA:R | USA:Unrated (special edition)

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8 out of 10 people found the following review useful.
Pay No Attention to Those Corpses Having Sex..., 19 August 2000
Author: GroovyDoom from Haddonfield, IL

The opening of this film might leave one wondering as to what the remaining story could be about. Turns out the director must have felt the same way, since the beginning has little to do with the rest of the film. The blatant use of simulated autopsy footage is what the American distributor played off of when they retitled the film "Autopsy". If you check out the trailer, you can see they were trying to pass this off as centering on reanimated corpses or...well, I'm not sure exactly what they were aiming for, but it's all a clever disguise, since the film is yet another tepid giallo.

I have to give the director credit for giving this the feel of a nightmare, but that may also be simply a poorly conceived narrative and a choppy script. Argento can get away with those kinds of things sometimes due to his visual flair, but in this case it falls flat.

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