New York private eye Shamus McCoy likes girls, drink and gambling, but by the look of his flat business can't be too hot. So an offer of $10,000 to finds some diamonds stolen in a daring ... See full summary »
Phil Gaines is a bitter, cynical cop who investigates the case of a dead stripper/porno actress found on the beach. Gaines is experiencing a troubled relationship with a hooker, and things ... See full summary »
Tucker is a chronic underachiever and a loser. A Vietnam war veteran who just can't seem to keep out of trouble, in the years since his discharge. The only thing he got out of the war was ... See full summary »
Zandy Allan purchases a mail-order bride, Hannah Lund. He treats her as a possession, without respect or humanity, until their shared ordeal as they struggle to survive develops in him a ... See full summary »
Foreign Legion Major Foster (Hackman), an American haunted by his memories of the recently-ended Great War, is assigned to protect a group of archaeologists at their dig. Foster's unit ... See full summary »
Ex-CIA hit-man running from his past (Malone) finds just how difficult it is to retire when he runs accross a small town controlled by mercenaries and a family that's resisting their ... See full summary »
Might be called "Sally Bowles Comes Home And Runs Liquor." Her character is almost a parody of her "Cabaret" role. Hackman is Buck Barrow with a comedy twist and Reynolds is perfecting that moron-suave character that he took to such heights in "At Long Last Love."
The film has the distinction of having had, if memory serves, three different endings. I saw the first in previews. A real curve ball in which the male leads get killed and Minelli is left bereft. They went back to the drawing board and the movie premiered with a tacked on scene shot much later which involved the three stars, with the tackiest of make-up jobs, rolling around in a bed in their "elderly" years. From what I can tell by watching it recently, they dropped that entirely and simply cut together some outtakes which they ran under the credits which give us the impression that everybody ended up okay.
There was also this mid-70's technique of film "flashing" which involved pre-exposing the stock to give the film a lighter, airier look. Taken to ridiculous extremes here, it almost looks as if someone just scratched up the lens faces with a Brillo pad.
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