New York private eye Shamus McCoy likes girls, drink and gambling, but by the look of his flat business can't be too hot. So an offer of $10,000 to finds some diamonds stolen in a daring ... See full summary »
Tucker is a chronic underachiever and a loser. A Vietnam war veteran who just can't seem to keep out of trouble, in the years since his discharge. The only thing he got out of the war was ... See full summary »
W.W. is a happy-go-lucky crook who makes his living robbing gas stations through the drive-up windows. The Dixie Dancekings are a country music band trying to get their first big break. W.W... See full summary »
Phil Gaines is a bitter, cynical cop who investigates the case of a dead stripper/porno actress found on the beach. Gaines is experiencing a troubled relationship with a hooker, and things ... See full summary »
When call-girl Della gets caught in the middle of a drug bust at a hotel where she was meeting a trick, she is held hostage by a robber that busted in on the drug agents and the drug ... See full summary »
Aging stuntman Sonney Hooper is still on top as one of the best stuntmen in the business. But up and coming Ski is starting to do bigger and better stunts. Hooper has the experience to ... See full summary »
Zandy Allan purchases a mail-order bride, Hannah Lund. He treats her as a possession, without respect or humanity, until their shared ordeal as they struggle to survive develops in him a ... See full summary »
Slapstick and violence making strange bedfellows...
Liza Minnelli plays such a selfish harpy in "Lucky Lady" that it's easy to see why this film won her no new admirers. Fans of 1972's "Cabaret" were already softened to love Minnelli no matter what, but here director Stanley Donen seems intent on making Liza's character Claire as brittle and abrasive as possible. The lumbering plot, about a trio of rum-runners in the 1930s who outsmart the competition and fall into an oddly casual three-way love affair, isn't worked out cohesively in terms of the narrative (and the overlapping scenes of raunch, comedy, and mobster melodrama eventually cause impatience and resentment). At first it's a bit shocking to see Liza in bed between Gene Hackman and Burt Reynolds, however the movie isn't all about after-hours fun under-the-sheets; Donen turns the third act into a violent extravaganza (with a slapstick bent), including boats blowing up, guns going off, and dead bodies everywhere. The picture walks a shaky line between nostalgia and bloodshed, with echoes of "Bonnie & Clyde"'s jangly tone. Little of it jells, though the attempt is certainly a curious one. **1/2 from ****
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