Seven segments related to one another only in that they all purport to be based on sections of the book by David Reuben. The segments range from "Do Aphrodisiacs Work?" in which a court ... See full summary »
A reporter in Iraq might just have the story of a lifetime when he meets Lyn Cassady, a guy who claims to be a former member of the U.S. Army's New Earth Army, a unit that employs paranormal powers in their missions.
The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn't ... See full summary »
A Russian is caught up in the Napoleonic invasion of his country. Much of the humor comes from the philosophic conversations that people break into in the midst of crisis situations. Written by
John Vogel <email@example.com>
The shots of the lion statues edited into the love scene between Boris and the Countess, and the shot of the soldier being shot in the eye through his glasses are parodies of similar statues in Battleship Potemkin (1925), shown during the Odessa Steps massacre scene. See more »
When Sonja accompanies Beethoven's "Spring" violin sonata, the music on the piano is visibly an orchestral score, whereas the piece they are playing is a duo. Besides, the "violinist" never moves his left hand's fingers. See more »
How I got into this predicament I'll never know. Absolutely incredible. To be executed for a crime I never committed. Of course, isn't all mankind in the same boat? Isn't all mankind ultimately executed for a crime it never committed? The difference is that all men go eventually, but I go six o'clock tomorrow morning. I was supposed to go at five o'clock but I have a smart lawyer. Got leniency.
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Russian composer Sergei Prokofiev is listed in the credits as "S. Prokofiev," just the way he would have been listed in the credits of a Russian film. See more »
One of Woody Allen's most entertaining and amusing comedies
Woody Allen films fall into different categories-his early films verge on slapstick while still being bitingly satirical (Sleeper, Bananas, Play It Again, Sam, among others) while his later works generally fall into one of two categories: contemporary social satire or nostalgic period pieces, generally set in the 1930s or 1940s. Love and Death is probably the most cerebral of the slapstick films and what I suspect a collaboration between Woody Allen, Ingmar Bergman and the Marx Brothers would have looked like had one ever taken place. Sight gags abound along with the philosophical discussions Woody Allen films have as a matter of course. It's a hilarious film that spoofs Bergman, the military, patriotism and, of course, love and death. Most highly recommended.
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