Morris Mishkin is a elderly religious Jew in New York. His wife Fanny is very ill. He's a tailor, but he can't work because his back has given out. He doesn't even have enough money for ... See full summary »
In the late 19th and early 20th century, working conditions in Chile are abysmal. The workers of Marusia go on a strike, but the owners and the government decide to quell the mutiny, in blood if necessary.
Gian Maria Volonté,
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A journalist interviews an old woman who was forced into prostitution, just like many other Japanese women working in Asia outside of Japan during the first half of the 20th century. She worked in a Malaysian brothel called Sandakan 8.
Sharon and her ten year old son Bayo live in Tickle Cove on the shores of Bonavista Bay, Newfoundland like generations of their family have before them. Sharon hates her life there. She ... See full summary »
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Henrik Ibsen's enduring drama about a Nordic femme fatale - a neurotic, controlling, strong-willed woman who is nonetheless alluring to the males in her town. She is a solitary woman in a ... See full summary »
It's the 1920's. The Hermans - Harry Herman, his wife Annie Herman née Elias, their adolescent son David Herman, and Annie's father - are a Jewish family living in a small flat in the working class Jewish neighborhood of Montréal. David loves his "Zaida" (grandfather) with who he spends most Sundays driving around in their horse drawn wagon collecting junk - namely "rags, clothes, bottles" - to earn money. David also loves hearing his Zaida's stories about their Jewish culture, although most of those stories are made up and not based based on religious Jewish beliefs. Those stories are only one bone of contention between religious Zaida and secular Harry, as modern thinking Harry feels the stories are old fashioned hogwash and provide David with no grounding in what is real in life. Another issue of contention is money, as Harry is always dreaming of get rich schemes - the latest being to manufacture permanently creased and thus iron-less trousers - for which Zaida will not provide ... Written by
Some comments have pointed out that this is a movie that takes the child's POV. Well, that's true, but many films have done that and the tale they've told is sad (Ponette) or even harrowing (À ma soeur!). What this film captures is the divine reality that children and some adults are in contact with. It also relates the many other parts of a boy's role in a struggling Jewish Canadian family of the 20's, and does that quite well.
However, the mystery at the heart of life, the divine connection, that's what this film depicts best.
Alas, it's never been released in ANY consumer format! Who do we talk to about this injustice!
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