A poor, elderly white woman living in a tenement in a black ghetto is befriended by a neighborhood boy, and the two of them form a mutually beneficial relationship: he provides her ... See full summary »
Ernest Harden Jr.,
A Jewish man who owns a Brooklyn deli asks his domineering uncle for a loan so he can buy his dream restaurant in Manhattan, but the uncle demands that he give up his Gentile girlfriend ... See full summary »
A tough rich female ranch owner in Africa wants to cut off the water supply to the locals, since she holds them responsible for the murder of her husband. She hires two charming gunrunners as help but they suspect her shady competitor.
Louis Gossett Jr.,
Though not first released until early 1975, the picture was filmed in 1974, which was the thirtieth anniversary year of the death of mob boss Louis 'Lepke' Buchalter, who had been executed by the electric chair thirty years earlier in 1944. See more »
Thomas E. Dewey is depicted in the film as the prosecutor of Lepke's murder trial. However, this was a state court case that Dewey was not even involved in as it was not his jurisdiction. The real prosecutors who sent Lepke to the electric chair were Brooklyn D.A. William O'Dwyer and Assistant D.A. Burton Turkus. See more »
It's bad enough I have to pay those wops. Now I have to pay you too? Tomorrow the Irish will come. So enough...kill me already!
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Brutal, straightforward bio-pic of the notorious Jewish gang boss. Writers Wesley Lau and Tamar Hoffs tell their sprawling story with fidelity to the headlines and nary a hint of what made this complicated mobster-cum-family man tick. (Curiously, there's never a mention of Lepke's infamous Murder Inc. operation, opting instead to concentrate on his drug trafficking and extortion enterprises.) Luckily, Tony Curtis' riveting performance fills in what the writers' have neglected, transforming Lepke Buchalter into a disturbingly three-dimensional character. Tossing off Yiddishisms with a sneer, keeping his impish smile to a minimum, he plays Lepke as a stone-faced ruthless street thug with a yen for power and conservative family values. It's as though Sidney Falco from "Sweet Smell of Success" had finally taken over J.J. Hunsecker's column. Whether snarling out death orders or tremulously asking his prospective father in law for permission to marry, Curtis invests the role with a skillful understatement (as well as a Bronx boy's veracity).
In the film's best scene, a queasy mixture of eroticism and complex emotions, Lepke is on the lam and holed up in a trollop's apartment. As the woman brazenly tempts him, Curtis silently and eloquently conveys the anguish of a lonely man struggling to remain faithful to his wife.
The director Menachem Golan is rarely this subtle, striving for ethnic texture and period color and overdoing both. Grubby hook-nosed Jews, swarthy pasta-eating Italians, and outsize Fedoras are shoved in our face. The violence is luridly overblown (a prostitute gets an ice pick thrust in her neck during lovemaking), and sometimes downright preposterous (a plate of spaghetti camouflages an explosive device). But just try to turn away from Curtis. With Anjanette Comer as Lepke's doting wife; Milton Berle, surprisingly restrained as her father; Barry Miller as the young Lepke; Vaughn Meader as an unlikely Walter Winchell.
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