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Legend of the Werewolf (1975)

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Reviews: 16 user | 7 critic

A travelling circus in 19th century France adopts and showcases a feral "wolf boy", who grows into adulthood only to kill the one-man band. He runs off to Paris, where he develops a jealous... See full summary »

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Title: Legend of the Werewolf (1975)

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Cast

Cast overview, first billed only:
...
Prof. Paul Cataflanque
...
Zookeeper
...
Maestro Pamponi
Roy Castle ...
Photographer
...
Etoile
Stefan Gryff ...
Max Gerard
Lynn Dalby ...
Christine
Renee Houston ...
Chou-Chou
Marjorie Yates ...
Madame Tellier
...
Tiny
Mark Weavers ...
Young Etoile
...
Boulon
Hilary Farr ...
Zoe (as Hilary Labow)
Elaine Baillie ...
Annabelle
Michael Ripper ...
Sewerman
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Storyline

A travelling circus in 19th century France adopts and showcases a feral "wolf boy", who grows into adulthood only to kill the one-man band. He runs off to Paris, where he develops a jealous, overprotective crush on a prostitute, leading him to attack her client, incurring a pursuit by a determined police surgeon. Written by Brian J. Wright <bjwright@acs.ucalgary.ca>

Plot Summary | Add Synopsis

Taglines:

A Tyburn Tale of Terror

Genres:

Horror | Mystery

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

27 March 1978 (Turkey)  »

Also Known As:

Plague of the Werewolves  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

David Rintoul receives an "introducing" credit. See more »

Goofs

At c. 23 minutes the freshly opened champagne has negligible fizz when it is poured. See more »

Quotes

Prof. Paul: He's all right; he won't harm you, but you musn't reject him!
See more »

Connections

Referenced in The Howling (1981) See more »

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User Reviews

for werewolf and Hammer freaks only
26 November 2003 | by (nashville, TN) – See all my reviews

I fall into the first category: anything with lycanthropy, I'm THERE! Peter Cushing is fantastic in this film. My particular favorite line he does as a throwaway, looking at a fresh corpse, "Oh, yes, that is VERY nasty." The red lens was a great idea, used effectively in its first scene, then poorly in every scene following. You don't really get a good look at the werewolf til two-thirds into the film and that's for the best. The time- lapse transformation scene starts out great, the next to last shot looks menacing and feral and you wish it'd stop there, then finishes with this silvery-white helmet head look that is nothing short of ludicrous looking in this, the revelatory scene.

The film is not without pathos, however. As an animal lover, I couldn't help but feel pity for Etoil as he was forced to beat one of the wolves in his zoo to death. And, you Hammer elitists out there, you cannot deny that the final sequence with Etoil and Christine is moving and poignantly tragic. Crawling through the sewers weezing "Christine...Christine...".

I confess: I own this on VHS, '87 Interglobal release. I got it when I was 8 and obsessed with werewolves, and I watched it constantly. Every other year or so, I pop it in and I'm not terribly disappointed. Not good, but better than a few Hammer films. So there.


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