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The Killer Elite (1975)

Mike Locke, who works for a private security firm affiliated with the CIA, is betrayed by his partner and left apparently crippled for life.

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Cast

Cast overview, first billed only:
...
Mike Locken
...
...
Cap Collis
...
Jerome Miller
...
Yuen Chung
...
Mac
...
Lawrence Weyburn
Tom Clancy ...
O'Leary
...
Tommie (as Tiana)
Walter Kelley ...
Walter
Kate Heflin ...
Amy
...
Josephine
Carole Mallory ...
Rita
James Wing Woo ...
Tao Yi
...
Bruce (as George Kee Cheung)
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Storyline

Mike Locken is one of the principal members of a group of freelance spies. A significant portion of their work is for the C.I.A. and while on a case for them, one of his friends turns on him and shoots him in the elbow and knee. His assignment, to protect someone, goes down in flames. He is nearly crippled, but with braces is able to again become mobile. For revenge as much as anything else, Mike goes after his ex-friend. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis

Plot Keywords:

cia | spy | revenge | partner | security | See All (264) »

Taglines:

MEN WANTED. Private company with C.I.A. contract seeks men willing to risk life. Perfect physical condition. Experience with weaponry, incendiaries, Karate/Judo. No loyalties. No dependents. Long career doubtful. See more »

Genres:

Action | Crime | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

19 December 1975 (USA)  »

Also Known As:

Assassinos de Elite  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(DeLuxe)|

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Martial Arts expert Hank Hamilton developed a new method of instructing the actors specifically for this film, in order to technically direct the savage kung fu battle on the decks and also from the crow's nest of the Mothball fleet. See more »

Goofs

When Mike's semi-permanent plaster casts are finally removed after many weeks or even several months, they cover surgical wound dressings with stitches under them, which are both also removed. Not only do the dressings show no signs of being in place for so long (they look very fresh and clean), but also the skin under the stitches shows no sign of the surgical incision at all, the skin is original and unbroken. See more »

Quotes

Mike Locken: [looking at fake taxi cab] Well it, uh, blends in all right. What else has it got that makes it so charming?
Mac: Gas tank is tucked under the rear seat. Steel plate wrap-around, reinforced bumpers. And it's a fully blown engine.
Mike Locken: How come we never used it before?
Mac: I just got it, Mike. Some union guy put it all together, bulletproof glass, and then they shot him in bed. I got it from his widow.
See more »

Crazy Credits

This film is a work of fiction. There is no company called Communications Integrity NOR ComTeg and the thought the C.I.A. might employ such an organization for any purpose is, of course, preposterous. See more »

Connections

Referenced in Dear Phone (1976) See more »

Soundtracks

Ramona
(1928) (uncredited)
Lyrics by L. Wolfe Gilbert
Music by Mabel Wayne
Sung by James Caan and Robert Duvall
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User Reviews

Lesser Peckinpah offering
18 November 2002 | by (Todmorden, England) – See all my reviews

I'm a huge fan of Sam Peckinpah's movies and I'm trying to write a comment about them all. However, this is one of the few that I'm less enthusiastic about, simply because it is not up to the high standard usually associated with the director (perhaps the studio tampering is partly to blame for that).

It's a spy flick about a not-very-nice unit of the CIA which tackles all the dirty, gritty jobs that nobody else wants. James Caan and Robert Duvall are in the organisation and are great friends, until Duvall accepts a bribe and tries to blow Caan's head off during an assignment. The rest of the movie follows Caan as he rehabilitates from the injury and sets about gaining his revenge.

The theme of honesty among savages made The Wild Bunch compelling, but here it is used to lesser effect. Peckinpah himself was a disgraced figure in Hollywood with his drug and drink problems at the time that this movie was made, and you often feel that he made it purely to keep working during such a difficult period. There's certainly a shortage of passion and belief in the material.

The best thing about the film is Duvall, but he disappears early and doesn't come back into it until near the end (and then only briefly). It also contains some good martial arts moments, although strictly speaking it is not a martial arts film. Other than that, it is definitely a low point in the Sam Peckinpah canon, and can only be recommended to those who are keen to watch all the director's movies rather than just the best ones.


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