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An idealistic Dutch colonial officer posted to Indonesia in the 19th century is cohvinced that he can make the kinds of changes that will actually help the local people he is in charge of, ... See full summary »
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Hans van Tongeren,
Sort of a cross between "Love Story" and an earthy Rembrandt painting, this movie stars Rutger Hauer as a gifted Dutch sculptor who has a stormy, erotic, and star-crossed romance with a ... See full summary »
Monique van de Ven,
When Michelle, the CEO of a gaming software company, is attacked in her home by an unknown assailant, she refuses to let it alter her precisely ordered life. She manages crises involving ... See full summary »
A dutch tv series that is about an exiled knigth and his Indian friend. Together they try to get his birth right papers back from an evil lord. During their quest they get help from a noble man who offers them a place in his castle.
The young girl Keetje moves to Amsterdam in 1881 with her impoverished family, and is led into prostitution in order to survive. In the process she sees the corrupting influence of money. Written by
Doug Shafer <email@example.com>
Disagreement over the script was not the only issue causing trouble during production. Director of photography Jan de Bont and actress Monique van de Ven had become a couple since meeting on the set of Turkish Delight (1973). De Bont was very uncomfortable with his wife's nude shots, which caused a tense atmosphere on the set. At one point, a local prostitute was hired to stand-in for van de Ven during a nude scene. Also, director Paul Verhoeven's wife Martine, a psychologist, was brought on the set to ease some of the tensions. See more »
I recorded this movie a few weeks ago from our local community television station Triangle's night broadcast. I was surprised to see this on their schedule, as it's usually the lowest rate affair. The situation was another example of a great work getting lost in another vast video copy collection.
I was excited to be seeing an early movie from a director I always admired. I'd only ever seen his Hollywood work, and was especially fond of his Sci-Fi classics growing up. As others recognize, Verhoeven unashamedly puts into his films, his honest impression of the societal constructs we humans consistently find ourselves in. That regular criticism of the complexities of human nature, beyond the norms of each film's particular genre, has always resonated with my world view.
I finally watched this film this morning. As it started it was obvious the image quality was very poor, not helped by early scenes being predominantly in the dark. Not surprisingly the character's voices were dubbed into English, but were often mismatched or exaggerated, unfitting for the film. It seems to be the UK version I saw, yet some accents were American. I always try to watch a film in it's original intended language, but it seems the foreign films on the local community station are only ever poorly dubbed video copies.
Despite the poor quality of the copy I saw (the video company's logo even popped up irregularly in the bottom corner of the image), this film really amazed me. Much of the reasons why have been detailed by the few other comments on this site. The biggest flaw of the story for me was that the film ended too suddenly. This seems a common element to films the further back in cinema history you go. I actually appreciate a well crafted credits sequence, easing the viewer out of the film's world, and allowing reflection. Even at nearly 2 hours long, I felt my interest would have been sustained for a little bit longer.
There is a DVD listed here with 5 of Verhoeven's films in their original Dutch form, with English subtitles. I'd like to see this one again, and the rest of his early creations, which others consider even better. Rutger Hauer is also a great, varied yet charismatic actor, and it seems his best work might be with Verhoeven.
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