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Jingi no hakaba (1975)
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Overview
User Rating:
Release Date:
15 February 1975 (Japan) morePlot:
A look at the life of renegade yakuza, Rikio Ishikawa, particularly the years from 1946 to 1950 when... more | add synopsisPlot Keywords:
Awards:
1 win moreUser Comments:
Sympathy For The Devil moreCast
(Credited cast)| Tetsuya Watari | ... | Rikio Ishikawa | |
| Tatsuo Umemiya | ... | Kozaburo Imai | |
| Yumi Takigawa | ... | Chieko Ishikawa | |
| Eiji Go | ... | Makoto Sugiura | |
| Noboru Ando | ... | Ryunosuke Nozu | |
| Hajime Hana | ... | Shuzo Kawada | |
| Mikio Narita | ... | Noboru Kajiki | |
| Kunie Tanaka | ... | Katsuji Ozaki | |
| Shingo Yamashiro | ... | Hiroshi Tamura | |
| Reiko Ike | ... | Teruko Imai | |
| Hideo Murota | ... | Yasuo Matsuoka | |
| Meika Seri | ... | Woman in the slums |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
Japan:94 minCountry:
JapanLanguage:
JapaneseColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
MonoCertification:
West Germany:16Fun Stuff
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Don't be misled. GRAVEYARD OF HONOR is not your typical Japanese Yakuza film. This genre most often depicts a battle between Good and Evil, or at the very least, the awareness of this struggle. Kinji Fukasaku, director of GRAVEYARD OF HONOR, has created a portrait of a character who is not cognizant of a single redeemable quality. Tetsuya Watari plays Rikio Ishikawa who was a real figure within the Japanese underworld in the years immediately following WWII. This man was clearly psychotic and was not to be restrained or regulated either by the police or leaders within his Yakuza brotherhood. Fresh out of jail, and then banished for attacking his own clan leader, he is sent to Osaka where he acquires a heroin habit. And, all along this downward slide, it is nearly impossible to generate any sympathy whatsoever for this reprehensible character. Fukasaku seems to suggest that US occupying forces were in some ways complicit in the corruption of post WWII Japan. As the US attempted to bolster Japanese self rule, it allowed the Yakuza's fortunes to prosper in phony democratic elections. However, in no way does this allow the viewer to empathize with the sadistically violent outbursts of Rikio Ishikawa. Kinji Fukasaku has crafted a film in which we watch as a malevolent anti-hero voraciously embraces the forces of darkness without a backwards glance.