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Scar Tissue (1975)
"La baby sitter" (original title)

5.4
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Ratings: 5.4/10 from 188 users  
Reviews: 7 user | 4 critic

A naive young girl is forcefully kidnapped while babysitting the son of a wealthy food mogul. Her and the boy are held hostage by an ex-stuntman and a vengeful movie star.

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(screenplay), (story), 4 more credits »
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Title: Scar Tissue (1975)

Scar Tissue (1975) on IMDb 5.4/10

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Cast

Complete credited cast:
...
Michelle
Sydne Rome ...
Ann
...
Vic, the kidnapper
...
Stuart Chase
John Whittington ...
'Boots' Peter Franklin
...
Lotte
Carl Möhner ...
Cyrus Franklin (as Karl Mohner)
Clelia Matania ...
Old neighbour
Marco Tulli ...
Commissaire Trieste
...
Inspector Carrara
Georg Marischka ...
Henderson
Renato Pozzetto ...
Gianni, Michélle's friend
Edit

Storyline

A naive young girl is forcefully kidnapped while babysitting the son of a wealthy food mogul. Her and the boy are held hostage by an ex-stuntman and a vengeful movie star.

Plot Summary | Add Synopsis

Genres:

Crime | Thriller

Certificate:

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Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

15 October 1975 (France)  »

Also Known As:

L.A. Babysitter  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)
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The photograph of uncredited muscle champion Arnold Schwarzenegger clearly appears on the front page of the newspaper hold by Renato Pozzetto. See more »

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User Reviews

Rehearsals for retirement.
8 August 2002 | by See all my reviews

Artistically,it represents the lowest point René Clément was to reach:he was wise enough to call it quits afterwards.

René Clément 's career had begun to decline,slowly but inexorably,during the sixties.His best works ("les maudits","jeux interdits" ,"Gervaise" and "plein soleil") were made before 1960,that is to say before the nouvelle vague's explosion.

"Plein soleil"(1959)is a movie we must come back to if we want to understand Clément's evolution:his first thriller,and the first version of Patricia Highsmith's "the talented M.Ripley",it was completely successful(although it was not really faithful to the novel),and Clement could believe he was a potential Hitchcock .All his subsequent movies bar two will be thrillers.They all boast an American star:Jane Fonda in "les félins",Charles Bronson in "le passager de la pluie" ,Faye Dunaway in "la maison sous les arbres",Robert Ryan in "la course du lièvre à travers les champs" and Robert Vaughn in this one.Another thing is obvious:they 're getting worse and worse(the movies not the actors!) as the years go passing by:only the first one,with his plot à la Boileau-Narcejac ,is still watchable today.

From "le passager de la pluie" onwards,René Clément showed ludicrous metaphysical pretensions ,quoting Lewis Caroll in the movie mentioned above,trying to mix suspense and subtile hidden meaning:"la course du lièvre..." spreads its action over 140 boring minutes.He hit rock bottom with "la baby sitter" (which was the real French title,I do not know where they found "jeune fille libre le soir"):the plot is so confused it's sometimes impossible to understand it.It seems that Clement had in mind a movie about torturers and victims.His directing is ponderous and lifeless,the cast is mediocre (Maria Schneider who starred in "last tango in Paris",Sydne Rome),the suspense absent,and the plot has more holes than Swiss cheese.Unlike "plein soleil",do not bother to remake.


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