| Photos (See all 13 | slideshow) |
| Delphine Seyrig | ... | Jeanne Dielman | |
| Jan Decorte | ... | Sylvain Dielman | |
| Henri Storck | ... | 1st Caller | |
| Jacques Doniol-Valcroze | ... | 2nd Caller | |
| Yves Bical | ... | 3rd Caller | |
| rest of cast listed alphabetically: | |||
| Chantal Akerman | ... | Neighbor (voice) (uncredited) | |
Directed by | |||
| Chantal Akerman | (as Chantal Anne Akerman) | ||
Writing credits(in alphabetical order) | ||
| Chantal Akerman | ||
Produced by | |||
| Guy Cavagnac | .... | producer | |
| Alain Dahan | .... | producer | |
| Liliane de Kermadec | .... | producer | |
| Corinne Jénart | .... | producer | |
| Evelyne Paul | .... | producer | |
| Paul Vecchiali | .... | producer | |
Cinematography by | |||
| Babette Mangolte | |||
Film Editing by | |||
| Patricia Canino | |||
Art Direction by | |||
| Philippe Graff | |||
Makeup Department | |||
| Éliane Marcus | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Serge Brodsky | .... | assistant director | |
| Marianne De Muylder | .... | assistant director | |
| Marilyn Watelet | .... | assistant director | |
Art Department | |||
| Jean-Pol Ferbus | .... | assistant art director | |
Sound Department | |||
| Bénie Deswarte | .... | sound recordist | |
| Jean-Paul Loublier | .... | sound re-recordist | |
| Alain Marchall | .... | sound editor | |
| Françoise Van Thienen | .... | sound recordist | |
Editorial Department | |||
| Martine Chicot | .... | assistant editor | |
| Catherine Huhardeaux | .... | assistant editor | |
Other crew | |||
| Jean-Pol Ferbus | .... | assistant art editor | |
| Sami Frey | .... | making-of director | |
|
|
|
|
|
| Day of the Wacko | Together | Caché (Hidden) | Gummo | Flightplan |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Belgium section |
This is one of the few films that I would absolutely defend as a key work of contemporary art. This means that the narrative strategies, formal devices and content of this film place it as a major influence in literature, theory, theater and the visual arts. Quite simply this was a major breakthrough for feminist filmmaking (A major breakthrough for filmmaking period). The great Delphine Seyrig plays a woman (mostly silently) going about her daily tasks. And through penetrating observation we begin to realize the utter frustration and oppression of her life. The film is a thrilling, painful, existential document that really gives validation and agency to the struggle of women against the visible and invisible hands of patriarchy