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183 out of 219 people found the following review useful:
One of the Greatest Thrillers Ever Made, 23 July 2004
Author:
eht5y from United States
'Jaws' is the original summer blockbuster, setting the standard by
which all others are measured. It's the Michael Jordan of cinema: there
will never be another 'Jaws,' simply because the film so profoundly
changed the way movies are made and marketed.
Based on Peter Benchley's bestselling novel, 'Jaws' centers around the
fictional North Atlantic resort island of Amity, which finds itself
terrorized by an enormous great white shark. Our hero is Martin Brody,
a New York cop who took the job as Chief of the Amity PD to get his
family out of the city and then finds himself in the midst of an
unprecedented crisis none of his prior experience has prepared him for.
The remains of young Christine Watkins are found on the beach, the
apparent victim of a shark attack(Chrissie Watkins' death scene at the
opening of the movie is one of the most legendary in the history of
film). Chief Brody wants to close the beaches, but is refused
permission by Mayor Larry Vaughn (Murray Hamilton) and the Amity
selectmen, all of whom fear that news of a shark attack off of Amity
will threaten the summer tourist trade, on which the town depends for
its very survival. The Mayor and his lackies persuade Chief Brody that
such incidents are always isolated, and, inexperienced in such matters,
he grudgingly agrees to keep quiet.
Consequently, the shark kills again (and again), and Chief Brody
eventually finds himself dealing both with his own moral guilt for
agreeing to hush up the first shark attack and with an enormous human
and social catastrophe which appears to be his sole responsibility.
Help comes first in the form of Matt Hooper (Richard Dreyfuss, in the
role that propelled him to stardom), an icthyologist and oceanographer
dispatched to Amity to lend his expertise. Together, Hooper and Brody
struggle in vain against both the shark and Mayor Vaughan, who is
certain that keeping the beaches open for the sake of the town's
economy (and his own real-estate business) is worth the gamble.
Finally, Brody and Hooper charter an expedition with the enigmatic,
vaguely malevolent Quint (Robert Shaw), Amity's most feared and
respected shark hunter, to find and kill the shark and save the town
from financial disaster. What ensues is an epic, archetypal man vs.
beast quest that would make Herman Melville and Joseph Campbell proud.
Our shark, it turns out, is way above average size, terrifically swift
and powerful, and uncannily smart, to boot. Hooper, the scientist, is
awestruck at having encountered the Bigfoot of the sea; Quint, the
crafty fisherman with a serious chip on his shoulder against sharks,
realizes he has met the ultimate test of his skills; Brody, who swims
poorly and is afraid of water, must overcome abject fear and
disorientation just to maintain his composure.
Robert Shaw's Quint is one of the greatest anti-heroes the movies have
ever seen. He is funny and frightening all at once, and the famous
soliloquy in which he recalls the tragic sinking of the USS
Indianapolis--where, over the course of a week waiting for rescue, at
least 90 US Navy personnel died from shark attack wounds--is one of the
most chilling and unforgettable performances ever committed to film.
'Jaws' is the movie that made Steven Spielberg's career, and it's among
his finest. It's easy to forget because of his enormously successful
blockbusters that Spielberg is a phenomenally skillful and artful
director. His timing is superb, he mixes horror with comedy to
brilliant effect, he gets great performances out of his actors, and his
love for special effects has never overwhelmed his understanding of the
importance of story and character.
That said, the most brilliant aspect of 'Jaws' was a serendipitous
accident.
The special effects team had yet to fully troubleshoot 'Bruce,' the
mechanical shark, by the time filming was to begin. Under tight budget
restraints and enormous studio pressure, Spielberg had no choice but to
press on while his crew labored vainly to make the shark work in the
cold and corrosive north Atlantic seawater. To compensate for the
absence of the non-functional fake shark, Spielberg used shots from the
shark's point of view and John Williams' famous two-note theme to
create the illusion of the shark's presence in the early scenes.
Fortunately the crew was ultimately able to get Bruce into operational
status in time to film the big showdown, and some of the scenes are
filled in with live-shark footage filmed by Australian underwater video
pioneers Ron and Valerie Taylor. Consequently, the audience's fear is
magnified by the fact that, for the majority of the film, they cannot
see the shark, creating suspense towards the climax of the
confrontation between man and beast on Quint's fishing boat.
'Jaws' succeeds on almost every level. It is terrifying without being
grotesque, and spectacular without being unbelievable (if the shark
looks a little fake, remember that, at the time 'Jaws' was released,
'Space Invaders' was on the cutting edge of computer graphics design
and there was no such thing as 'Shark Week on the Discovery Channel').
Roy Scheider's Brody is a quintessential everyman, an average guy beset
by fear and guilt who finds himself in extraordinary circumstances and
rises to the occasion. Dreyfuss' Hooper is brash and brave enough not
to come off as nerdy or self-righteous, and his friendship with Brody
becomes the backbone of the movie (Spielberg and screenwriter Carl
Gottlieb wisely deviated from the novel in regards to the character of
Hooper, who was originally Brody's nemesis). Robert Shaw's Quint is a
modern-day Captain Ahab, a worthy foe for the malevolent shark. The
suspense is potent and the action thrilling, but the humor, emotion,
and character development make this movie much more than a summer
blockbuster.
130 out of 144 people found the following review useful:
If this movie scares you to the point where you can't go back into the water, then Spielberg has done job well done, 13 April 2003
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Author:
Kristine (kristinedrama14@msn.com) from Chicago, Illinois
Jaws is a movie the I grew up with, it's like the first real horror
film I ever watched. What a great one to start with, right? This movie
not only scarred me out of the water, I was afraid to go to the
bathroom! I thought Jaws was going to pop up out of the toilet and bite
my butt! :D I know it was silly, but that was how much Jaws effected
me. I know also that it has not lost it's effect to this day. I'm
questioning, because it seems like all the terrific horror films came
out of the 70's.
Jaws is based on the best seller book by Peter Benchley. Steven
Spielberg, before he was STEVEN Spielberg turned this horrifying book
and made it into a reason to hate sharks. He brilliantly took what
could have been a cheesy movie and turned it into a classic that will
never be forgotten. To this day, I still need a friend to hold onto,
it's that score! Duh na... duh na.... dun dun dun dun.... Oh, my gosh,
that music just scares the heck out of me! On such a low budget, Jaws
not only turned into one of the greatest horror movies of all time, it
turned into one of the greatest movies, period.
Jaws starts off with one of the most terrifying scenes in horror movie
cinema, a young pretty girl goes into the water and is brutally
attacked and killed by an unknown creature in the water. The next day
Chief Brody investigates suspecting a shark attack, and urges the
mayor, Larry Vaughn, to shut down the beach, but afraid of a panic and
less tourists, Larry ignores the chief's suggestions and keeps the
beach open leading to another attack on a young boy. Brody calls in
Matt Hooper, a marine scientist to see if they can find the shark. But
when another attack ensues and almost kills Brody's young son, Michael,
he, Matt, and a cocky man, Quint go out to find Jaws themselves.
This turns into several of the greatest cinematic scenes of all time,
like the "Indianapolis" speech brilliantly given by Quint, how he
describes seeing his first shark was just so intense and you couldn't
turn away from the screen. Then, one thing that is interesting about
this movie, you do not see the shark until Brody is just chucking blood
to attract the shark over his shoulder and Jaws appears roaring out of
the water! "We're gonna need a bigger boat!" he replies to Quint. And
then the scene where Jaws jumps onto the boat and Quint is trapped
sliding into Jaw's, well, jaws! That's the scene that nightmares are
made out of! Jaws is one of my favorite films of all time. It's one of
those films that should never be missed, because it is so important. To
many, including myself, the shark looks fake, but it's your imagination
that gets with you. Spielberg embraced that and you could tell there
was just something special about him. Jaws will scare you out of the
water just like The Exorcist scared you to the church!
10/10
167 out of 221 people found the following review useful:
"You yell barracuda, everybody says, 'Hunh, what?' You yell shark, and we got a panic on our hands on the Fourth of July.", 14 August 1998
Author:
TacoBilly from North Hollywood, CA
This is the movie that started it all. I'm not talking about the Hollywood
blockbuster, or the insane madness that sent thousands of misunderstood
Great Whites to their deaths, I'm talking about the beginning of my
interest in movies. This is the movie that did it.
I couldn't tell you how old I was when I first saw it, but I do remember
this is the movie I made my parents rent time and time again when we went
to the video store. This is the movie that drove my parents and some of my
friends nuts while I watched it day after day after day when my mom gave it
to me for Christmas. This is the movie that made me want to turn a real
interest in the movies from just a hobby and into a career. For that, I owe
Spielberg, Benchley, Scheider, Shaw, Dreyfuss, Williams, Fields and
everyone else a sincere and heart-felt thank you.
I own this movie on every format in which it is available. I love it that
much. I've probably seen it between 200 and 300 times. I guess you can say
it is an obsession. A sick obsession.
The plot, the pacing, the editing, the score, the acting, and, oh yes, the
shark. Who cares that is fake? By the time we finally get to see it, do we
care? Truly, a more suspenseful movie was never made. Several come close,
but none quite reaches the primal level the JAWS does. No other film so
effectively taps into our fear of the unknown, and then gives it a riveting
score to boot. No other movie grips us so strongly with heart stopping
suspense that we find ourselves nearly falling off our seats. And no other
movie leaves us feeling so spent and wasted after a viewing.
And the reason for all the fear, suspense and emotional withdrawal is not
top-notch special effects. It was the mid-70's. You can barely apply top
-notch to anything of that era. The reason the movie does all that to us is
that it is a great story. It is filled with real people, who have real jobs,
and who have real fears. And who must now confront a real shark. Can you
think of anything more terrifying that getting on a rickety, leaky boat to
kill a 25-foot shark when you already have a paralyzing fear of the water?
I can't. And Martin Brody sure can't.
And so, no matter what ranking JAWS may get on AFI's list of the 100
greatest movies, or TV Guides list of the top 50 movies, or any list for
that matter, JAWS will always come in number one on mine.
Steven, Peter, Roy, Robert, Richard, John, and Verna -- thank you. Not for
just giving me a sense of direction in my life, not for just making me want
to be a screenwriter, but also for making a movie that still thrills me as
much now when I watch it as when it did when I saw it for the very first
time.
132 out of 177 people found the following review useful:
Not your average fish story..., 23 September 2001
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Author:
WehoSteve (Stevekroll@hotmail.com) from Los Angeles
Widely regarded as the film that began the "summer movie blockbuster era",
JAWS (1975) was also rightfully one of the year's most critically acclaimed
movies. It was also the recipient of an Academy Award Nomination for Best
Picture and a winner of Oscars for film editing (Verna Fields) and music
score (John Williams). One of the reasons the film received no acting nods
is that everyone involved is so good, how could one single out just one or
two? (I personally feel Robert Shaw should have gotten a Best Actor
nomination, however). Roy Scheider is wonderful as New York cop Martin
Brody, who has relocated to a small coastal island town, only to have his
bad case of "aquaphobia" put to the ultimate test. Richard Dreyfuss is
perfectly cast as a shark expert and provides some truly funny comic bits
along the way. Lorraine Gary (who director Steven Spielberg says was the
first person to be cast for the film) does an excellent job of being the
concerned wife and mother. Finally, there's Murray Hamilton, who gives one
of the best performances of his career as Mayor Vaughn, who seems to be more
concerned about the economy of the town than the safety of the residents. In
a way, Vaughn is really the film's villain. Solid cast indeed. The
screenplay (by Peter Benchley and Carl Gottlieb) is tight and well-written,
as is Spielberg's direction. Whether it was the mechanical shark's failure
to operate correctly or Spielberg's decision to simply see less of the shark
until the end of the film, the "less is more" idea works perfectly,
particularly in the opening scene, which is chilling to this day.
One thing I do want to add: if you choose to watch this film at home, do
yourself a favor and rent or buy the WIDESCREEN version. The full-screen pan
and scan version is a travesty that ruins the great camerawork that
Spielberg and cameraman Bill Butler made. I always recommend the widescreen
version but it is especially important for JAWS.
No offense to fans of ONE FLEW OVER THE CUCKOO'S NEST, but this is the film
that should have taken home the Oscar gold. Grade: A+
63 out of 91 people found the following review useful:
An instant classic!, 10 March 2004
Author:
TruPretender from Sundance, Utah
When I first saw the film, "Jaws" I was immediately frightened by the unseen terror that pulls the human psychosis to the depths of the ocean...literally! Steven Spielberg had made himself the most successful director of all time when he went all out with this one! Running to the back of the house and turning all the lights on were just a few things I resorted to after watching the opening for the first time!!! I Never watched anymore of it until 1-3 years later. I was highly hesitant because to a young child, a skinny dippers suffering to the wrath of the giant unknown mouth was the most horrifying sequence in film history at the time...and it still is now! Once I finally got the courage to view the film, I was still in for a lot of suprises. The cinematography is superb in its ruthless attempt to bring the audience to the depths of a powerful ocean, and to the eyes of the dark, wretched creature the inhabits it. The story of the killer shark attacking the only unfortunate island in the world is more than scary. It could have been any place in the world, and it had to be Amitty Island. The shark could have easily lost it's way in the swaying currents of the ocean, but as the opposite inhabitants of the beach get angry, this big mother is here to stay! The technique is wild, absolutely wild, and John Williams score earned more than an oscar for it! Creepy piano notes enter this films titles, and the blue depths of the uncharted territory beneath the sea let us all know that no sense, however small, was to be spared. The first victim, alone will haunt those who view it for the rest of their days, and the rest of the story is more like a battle. This strange battle is often more focused on understanding the other side. What Brody, Quint, and Hooper must do is plunge into the depths themselves, and seek out the unruly monster of the sea. The common theme in this terrific classic is survival, and why not? Survival is a natural instinct to all animal alike. The shark must survive, as it makes so clear by snagging unsuspecting swimmers, but also the people, they to have to survive, but the island is not big enough for both man and fish together. Always a joy to experience over and over again, this film is the ultimate scare show to end them all! Sometimes, a lot of us fans can not seem to get enough of this instant classic!
66 out of 102 people found the following review useful:
The Ultimate Popcorn Movie, 1 September 2000
Author:
tfrizzell from United States
"Jaws" is a thrill-ride of suspense that continues to deliver the goods to the audience 25 years later. The plot is somewhat thin: a large shark is terrorizing the tourists at the local beach. However, with that said Steven Spielberg's direction is amazing. The young director (only 28 at the time) showed unlimited potential that would only increase with age. A great accomplishment that could have been a multi-million dollar bust. 5 stars out of 5.
74 out of 121 people found the following review useful:
Spielberg turns weak story into a cinematic masterpiece., 19 July 2004
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Author:
Boba_Fett1138 from Groningen, The Netherlands
Every once in a while the right talented people are at the right place
together and come up with a masterpiece. "Jaws" is definitely one of
those movies, that is thanks to the amazing cast and the crew the
classic masterpiece that it is today.
Let's face it, the story is dumb and silly and in a way very average.
Spielberg magically turns the silly story into a tense exciting
thriller with brilliant dialogue and classic scene's. Mark my words,
"Jaws" is a movie that will never be considered outdated.
Everything in the movie works so well! The acting, the dialogue, the
tension, the typical Spielberg humor, the music, everything! It's hard
to name just one thing why this movie is such a masterpiece. It is the
mix of everything combined that makes the movie work. Probably my
favorite thing about the movie would be the dialogue, they are very raw
and performed well by the perfect cast. Another thing of course would
be the music and I'm not just talking about the main theme but about
the entire musical score in general.
The cast is great but they are mainly great together. All of the
Scheider/Shaw/Dreyfuss scene's are like three ingredients thrown
together and the end result of it is pure gold.
And than Bruce the shark. Yes, he really looks believable even now
days.
A real classic masterpiece that launched Spielberg's career
10/10
http://bobafett1138.blogspot.com/
52 out of 78 people found the following review useful:
Spielberg at the top of his game, 11 November 2003
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Author:
MF210 from Baltimore
My Rating: **** out of ****.
Steven Spielberg is one of the best American directors working today. He has
made many films that have been hailed as classics. Yet before the Dinosaurs,
Holocaust, Peter Pan, UFO's, and Indy there was the Shark. Jaws represents
one of the masterpieces on Spielbergs resume. It is also probably the
"Quintessential Spielberg Film."
Jaws was very popular when released, it was the gighest grossing film of
1975. It spawned three sequels, which were all inferior. In fact, no film
about Sharks or any killer fish has been able to come close to the level of
Jaws.
The genius in Jaws is its ability to build suspense. The Shark is never
really shown till near the end of the film. When ever the Shark is
approaching its victims, we get the Sharks point of view, instead of seeing
the Shark. These POV shots combined with John Williams very effective score,
make the scenes when the Shark is about to devour his victims much more
effective.
Evry actor does a nice job with their performances. Roy Scheider brings
Martin to life. Martin is not a showy character but Scheider is able to make
us like him. Richard Dreyfuss exhibits energy in his performance as Matt
Hooper. Robert Shaw is very effective as Quint, that Indiannapolis speech is
still very chilling to me. Lorraine Gary and Murray Hamilton also give solid
support.
People always talk about how fake the Shark looks. I think its passable but
today it would definitely be done by CGI. However, the Shark is not seen
that much in the film so its not that big of a deal.
I would like to say Jaws is Spielbergs best film, Schindlers List closely
follows. But I would like to see Close Encouners and the Indiana Jones films
again. I did not like Close Encounters the first time, and I like the
Indiana Jones films but they never stood out to me. If these films dont
surpass Jaws, then it is definitely Spielberg's best film.
29 out of 39 people found the following review useful:
A well-made film which efficiently manipulate its elements of suspense and horror..., 9 August 2003
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Author:
ironside (robertfrangie@hotmail.com) from Mexico
*** This review may contain spoilers ***
The film opens with a shot of a group of teenagers enjoying a campfire
out on Amity beach... A couple leaves the group for a midnight swim...
The silhouette of a woman is seen in full flight toward the sea... Her
dress, bra, and panties fly toward her drunk admirer who can't make a
fist to catch them...
In a delicate splash, Chrissie goes swimming in the cold ocean, drawing
herself into deeper water... When a wave of pressure lifts her up and
eases her down, her face begins to show a certain fear... Her eyes go
to the beach where her friend, too drunk to stand, is struggling with
his shoe...
Chrissie turns and starts for shore... But her expression freezes...
Something terrible is hurting her underneath... She struggles with all
her forces, but she is soon submerged in a horrifying scene...
Police Chief Martin Brody (Roy Scheider) reacts quickly to the news of
shark attack, and emerges with enough poster-board, wooden stakes,
nails, paint and brushes to close every beach on the island...
But as Amity is a beautiful summer resort with clean air, clear water,
and beautiful white sand beaches... Mayor Larry Vaughn (Murray
Hamilton) tries with his town officials to convince the insecure police
chief to file the incident as a 'boating accident.'
Brody reluctantly agrees, but later regrets his decision after few more
fatal incidents... The shark has claimed Amity Island as his
territory...
Quint (Robert Shaw), an eccentric old shark killer, offers to kill the
menacing Great White Shark for ten thousand dollars...
Matt Hooper (Richard Dreyfuss), an arrogant young oceanographer, proves
that the giant shark that killed Christine Watkins is still on the
loose... 'They caught a shark. Not the shark,' he determines... and
predicts future outbursts of attack activity in the area...
Brody, Quint and Hooper become allied in a life-and-death hunt... They
go after the monstrous creature with rifles and poison pistols... They
try to tire him, slowing him down with coiled ropes and barrels... They
fight him with everything, harpoons, poles, gaffs and compressed air
tanks...
Shaw is absolutely convincing as the colorful master fisherman whose
obsession for destroying sharks was triggered by an actual incident in
World War II...
Scheider is quiet likable as the dedicated family man who doesn't even
like the water, swimming or boating... His line to Quint ('You're going
to need a bigger boat.") suggests a specific cause...
Dreyfuss manages to humanize the picture while stealing it...
Spielberg alarms us with unexpected twists, and heart-stopping scenes
wonderfully engaging... His grasp for sustaining the feeling of terror
comes not only from what we see, but from what we're afraid we're going
to see... He uses an imposing classical score to prepare the audience
for something really scary that is about to show up...
With every breath, every thought, heart beat and movement, the realism
of the increasing menace is present from the opening to the end... And
believe me, we are never allowed the relief of looking away from the
screen
47 out of 76 people found the following review useful:
A landmark film., 15 March 2001
Author:
G.Spider from UK
Far from being a monster movie, this is a realistic and gritty example of a town which relies on summer trade having its beaches invaded by a dangerous shark. There are genuinely suspenseful sequences, a first-rate soundtrack and believable people. The character development of the three men in the boat shows there's a lot more to this film than just a rubber fin. I'd recommend this and Jaws 2 to any fan of drama/thrillers.
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