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The Connection (La French), 2014.
Directed by Cédric Jimenez.
French police magistrate Pierre Michel wages an obsessive six-year battle to bring down Marseilles’ infamous “French Connection” drug ring.
A motorcycle weaves through the traffic where it connects with a car where the passengers are executed at point blank range. Meanwhile a police magistrate who is responsible for juveniles tries to convince a teenage female drug addict to go clean and tells his own story of how he was able to overcome his gambling problem. The two storylines become intertwined as the lawyer gets promoted to dismantle an infamous and ruthless drug network which has members of the police force, local and government officials on its payroll; the death of the young girl from an overdose ignites an obsession which will see him bend the rules in an effort to make that justice prevails. »
- Trevor Hogg
Transitioning from the TV industry to running a film studio hasn’t fared well for Rich Ross and Gail Berman, whose stints at the top of Disney and Paramount lasted around two years. Can Turner Broadcasting’s Michael Wright do any better at DreamWorks?
The films he inherits include Steven Spielberg’s adaptation of Roald Dahl’s children’s book “The Bfg,” which will hit theaters on July 1, 2016, and a Cold War spy thriller starring Tom Hanks that he also will direct. There’s also “The Light Between Ocean,” which started production this month, an adaptation of “The Ghost in the Shell” that Rupert Saunders will direct and “Las Madres.”
Here’s what Wright tells Variety he’s learned by watching the film industry from the sidelines, and launching hit series like Michael Bay’s “The Last Ship,” “The Closer” spinoff “Major Crimes,” “Legends,” “Rizzoli & Isles” and DreamWorks’ “Falling Skies »
- Marc Graser
'James Bond' villain Richard Kiel has passed away just three days shy of his 75th birthday.
James Bond villain Richard Kiel has passed away just three days shy of his 75th birthday.
Kiel died in a California hospital in Fresno, Calif. on Wednesday, Sept. 10. His cause of death has not been confirmed.
The 74-year-old actor was the villain Jaws in two of the Sir Roger Moore's Bond movies, The Spy Who Loved Me (1977) and Moonraker (1979), but to a younger audience, he's recognized for his cameo in Adam Sandler's 1996 comedy Happy Gilmore.
Moore, 86, reacted to his co-star's passing via Twitter, writing:
I am totally distraught to learn of my dear friend Richard Kiel's passing. We were on a radio programme together just a week ago. Distraught
— Sir Roger Moore (@sirrogermoore) September 11, 2014
The affection and love for Richard Kiel which people shared with me @Harrods book signing »
Remembered best as Jaws, the towering steel-toothed villain of James Bond movies, Richard Kiel has passed away at the age of 74. No cause of death was given. The news was confirmed late Wednesday evening by Kelley Sanchez, director of communications at Saint Agnes Medical Center. Richard Kiel's agent Steven Stevens also reported on the news, both parties refusing to provide further details.
Richard Kiel was a giant of a man, standing at 7-foot-2-inches. He captured the public's attention in the 1977 James Bond adventure The Spy Who Loved Me opposite Roger Moore. Jaws was a cable-chomping henchman who towered over his co-stars. The villain was so popular, he was brought back for the 1979 Bond adventure Moonraker. Of his advisory, Bond would quip, "His name's Jaws. He kills people."
Richard Kiel, the 7'2" actor best known for portraying steel-toothed villain Jaws in a pair of James Bond films, has died. He was 74. A spokesperson at Saint Agnes Medical Center in Fresno, California, confirmed Wednesday that Kiel was a patient at the hospital and died. Kiel's agent, Steven Stevens, also confirmed his death. Both declined to provide further details. Kiel famously played the cable-chomping henchman who tussled with Roger Moore's Bond in 1977's The Spy Who Loved Me and 1979's Moonraker. Bond quipped of the silent baddie: "His name's Jaws. He kills people." Despite his appearance in several other films and TV shows, »
- Associated Press
Richard Kiel, the 7'2" actor best known for portraying steel-toothed villain Jaws in a pair of James Bond films, has died. He was 74. A spokesperson at Saint Agnes Medical Center in Fresno, California, confirmed Wednesday that Kiel was a patient at the hospital and died. Kiel's agent, Steven Stevens, also confirmed his death. Both declined to provide further details. Kiel famously played the cable-chomping henchman who tussled with Roger Moore's Bond in 1977's The Spy Who Loved Me and 1979's Moonraker. Bond quipped of the silent baddie: "His name's Jaws. He kills people." Despite appearing in several other films and TV shows, »
- Associated Press
The towering actor who played the mercenary assassin Jaws in a pair of Roger Moore-era 007 movies and the enigmatic alien in one of the most famous episodes of The Twilight Zone died today. Richard Kiel would have turned 75 on Saturday. His agent of 35 years, Steven Stevens Sr, told Deadline that Kiel died this afternoon at St. Agnes Medical Center in Fresno, CA. The 7-foot-2 actor with the crooked smile got his start in early-1060s TV, appearing in such series as Laramie, Thriller and The Rifleman. He appeared in the 1962 sci-fi feature The Phantom Planet before landing the chilling Twilight Zone role. In “To Serve Man,” he played a representative of an advanced, giant alien race called the Kanamits, who alight on Earth amid what seems to be peace and good will. Kiel delivers a mysterious encrypted book to a meeting of the United Nations, and the episode soars from there. »
- Erik Pedersen
Summer movie season is a magic time of year when Hollywood traditionally rolls out its most appealing merchandise. It’s true that some summer movie seasons are better than others. This is our ranking of all the summer movie seasons since 1980 from worst to best.
On January 20th, 1975, Steven Spielberg and Universal Studios released Jaws. The movie landscape would be forever changed from that date. Jaws is widely credited as being the first blockbuster film because it was the first movie to make over $100 million (non-adjusted). The fact that the film had a meager $8 million budget meant that it was a huge cash cow for the studio and rocketed Spielberg to the the forefront of a new generation of filmmakers for a new era of movie mass-consumption. George Lucas and Spielberg followed up in 1977 with Star Wars, which became a sensational and very profitable hit. It helped to convince production »
- email@example.com (G.S. Perno)
Throughout the summer, an admin on the r/movies subreddit has been leading Reddit users in a poll of the best movies from every year for the last 100 years called 100 Years of Yearly Cinema. The poll concluded three days ago, and the list of every movie from 1914 to 2013 has been published today.
Users were asked to nominate films from a given year and up-vote their favorite nominees. The full list includes the outright winner along with the first two runners-up from each year. The list is mostly a predictable assortment of IMDb favorites and certified classics, but a few surprise gems have also risen to the top of the crust, including the early experimental documentary Man With a Movie Camera in 1929, Abel Gance’s J’Accuse! in 1919, the Fred Astaire film Top Hat over Alfred Hitchcock’s The 39 Steps in 1935, and Stanley Kubrick’s The Killing over John Ford’s »
- Brian Welk
Directors’ Trademarx is back! At least once a month, Cinelinx will chose one director for an in-depth examination of the “signatures” that they leave behind in their work. To kick things off again, we examine the trademark style and calling signs of Steven Spielberg as director.
No director is as well known, nor has had as much success in Hollywood as Steven Spielberg. He invented a style of filmmaking that audiences ate up in the 1980’s, single-handedly invented the modern blockbuster, and was influential in helping George Lucas make Star Wars. From a young age, Spielberg was fascinated by theater and film. In his teens, he used an 8mm camera to film movies with his friends. Later, he became an intern at Universal Studios, and the rest is history.
Spielberg’s career started small. First he directed segments of TV shows, and then later entire episodes. His success convinced the »
- firstname.lastname@example.org (G.S. Perno)
A must-see for students of Hollywood and would-be producers, Laurent Bouzereau’s inside-the-movie-biz documentary “Don’t Say No Until I Finish Talking: The Story of Richard D. Zanuck,” will be released on DVD this September, via Turner Classic Movies. Zanuck, the son of legendary 20th Century Fox co-founder and executive Darryl F. Zanuck, produced his first film, “Compulsion,” before he turned 25. He became president of a struggling Fox a few years later, only to be fired by his father, which led the younger Zanuck to jump to rival Warner Bros. as Executive Vice President. Richard Zanuck was the subject early in his career of one of the best Hollywood books ever written, John Gregory Dunne's "The Studio." (Read Anne Thompson's New York Times interview with Zanuck here.) Richard Zanuck later joined with the late David Brown to produce many of Steven Spielberg’s early movies, such as “The Sugarland Express” and “Jaws, »
- Jacob Combs
We write about the film business cynically as a business, but we’re a bunch of film geeks, really. I thought this when I experienced moments ago the closest thing a guy on his couch will face to a “Sophie’s Choice.” On Spike TV, there was the incomparable Roy Scheider slinging chum off the back of a boat, and a giant great white shark surfacing in Jaws, and Scheider telling Robert Shaw, “You’re gonna need a bigger boat.” And on AMC, at the same time, there’s Goodfellas, nearing its climax, when Karen Hill (Lorraine Bracco) is directed by Jimmy (Robert De Niro) to go in a storefront to pick out dresses. This after she sets up a meeting between Jimmy and her recently pinched husband Henry Hill (Ray Liotta), who’s about to go rat on his Lufthansa heist pal. What would have happened had Karen gone »
- Mike Fleming Jr
Shark Week concluded Saturday, and while, like in years past, this year’s 13 specials were all highly visual, music was equally integral. There’s essentially nothing but silence underwater, where much of the filming and action takes place, but musically, the specials are at the behest of the composers.
Michael Gatt, composer for Air Jaws: Fin of Fury, seized the opportunity. “What I love about Shark Week is that it’s a blank canvas,” Gatt says. “The sharks are actually quite dynamic as characters. They can be terrifying, but they’re also incredibly majestic, beautiful animals. Musically, we get to inform that emotion. »
- C. Molly Smith
In 1975, Steven Spielberg’s Jaws made theatergoers scared to swim in the ocean. Two years later, another movie made viewers wary of the sea: the Nazi zombies in Ken Wiederhorn’s Shock Waves. Like the antagonist of Jaws, the Nazi zombies stalk and kill humans, and fans of this cult classic can soon see these creepy soldiers in high definition with Blue Underground’s upcoming Blu-ray release of Shock Waves.
Coming to Blu-ray and DVD on November 25th and available to pre-order beginning on October 14th, Blue Underground’s release of Shock Waves will be displayed in 1080p high definition with DTS-hd master audio. The Special Edition DVD is a re-release of the version Blue Underground unveiled in 2003, with several new extras now included. Both releases have the following special features:
- Derek Anderson
Sunday was the beginning of Shark Week on the Discovery Channel, an annual celebration of the awesome might of these elegant creatures of the sea. But while Shark Week focuses largely on real sharks (well, real-ish) we wanted to commemorate the sharks that we enjoy the other 51 weeks of the year - the friendly and fearsome sharks that fill up our popular culture. Which pop-culture shark is best? And, just as crucially, which pop-culture shark is worst? We'd write more, but like a shark, this post needs to constantly move forward or else it dies. Onto the list, below! 23. Sharks »
- Nate Jones, @kn8
The 1980s were a time in which the science fiction and adventure film genres reigned supreme. Films like Raiders of the Lost Ark (1981), Ghostbusters (1984), and Back to the Future (1985) are three of strong examples of classic 80s films that expanded their respective universes to further installments. The sequel, while a sometimes surefire way of making money off of an already established and original idea, can at times continue the adventure and prolong the cinematic magic in wonderful ways.
Filmmaker George Lucas popularized the sequel concept in 1980 with a follow-up to 1977’s Star Wars: A New Hope. He had a vision when starting his space opera at episode #4 and The Empire Strikes Back furthered the adventures of Luke, Leia, Han, Chewbacca, R2-D2, and C3P0. It is thought by many to be far superior to its predecessor. A third installment soon followed and so did a prequel trilogy in 1999. These »
- Randall Unger
It can be such a beautiful happening when the natural forces of humanity and the wild kingdom can get together and establish a sense of harmony in motion pictures. Also, it can be a compelling yet regrettable conflict as well when man and beast decide to collide in the interest of big screen entertainment. Whatever the case may be certainly does not matter because the concept of beasts of all species (rather it be of the four-legged or two-legged variety) collectively clashing or cooperating sends a special message about triumph, tragedy and just plain tenderness.
In Beast of Burden: Top 10 Human-Animal Combinations in the Movies we will look at some of the best selections where man and animal co-exist whether it be in calmness or chaos. There is no doubt that one can come up with numerous top ten lists detailing their ideal man-animal themes in cinema. The struggle for »
- Frank Ochieng
Over at The Telegraph, Robbie Collin has chosen to take on the impossible, he's set out to create a list of films that tells the story of Hollywood "in terms of how one picture or director led to the next." It's a daunting task that creates an interesting narrative and he prefaces his ten selections saying: ...none of the individual works is "great" or "important" enough to drown out the others. I've avoided films such as Citizen Kane, Vertigo, Singin' in the Rain, Casablanca, Gone with the Wind, Lawrence of Arabia and The Godfather, not just because we already know they're great, but because their greatness might throw the story off-balance - although I wouldn't hesitate to describe any of the films that are on this list as a masterpiece. So how does his list shape outc Have a look: One Week (1920) - dir. Buster Keaton It Happened One Night (1934) - dir. »
- Brad Brevet
We’ve run a bunch of the speedrun videos from 1A4Studio in the past, including The Matrix, Star Wars Episode VI: A New Hope, The Big Lewbowski and Die Hard. 1A4Studio’s latest involves an animated speedrun of Steven Spielberg’s Jaws in 60 seconds. Watch the Jaws speedrun after the jump. Watch 1A4Studio’s new 60-secomd animated Jaws speedrun […]
The post Votd: Jaws Speedrun 60 Second Animation appeared first on /Film. »
- Peter Sciretta
In the early 20th century, when the public’s love affair with cinema began, we were first introduced to this beguiling new art form through its stars, and this is exactly how the powers that be wanted it. When the Hollywood studios ran the film industry like a tightly controlled, upper-class bordello, the emphasis was placed on the faces you could see, the actors, and a films director existed in some theoretical dark corner of the silver screen, practicing some ethereal cinematic wizardry that the plebeian film fan could never even hope to understand. As the Hepburns’, Davis’, Borgarts’, and Gables’ of the world began to age though, and their box office power diminished, the studios were briefly forced to let the inmates run the prison, handing over the keys to the pesky directors. Suddenly, the auteur was born.
While technically speaking, Auteur Theory, the belief that a »
- Christopher Lominac
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