1-20 of 52 items from 2015 « Prev | Next »
Yesterday, a new poster arrived for Jurassic World, along with the news that a new full-length trailer is coming this Monday. Today, we get yet another poster...And it's epic! Check out the scale of the Mosasaurus, never before seen in the franchise, as he takes a snack break. Tourists watch on as a great white shark is hunted down in what will surely be one of the best 3D IMAX moments of the year!
Steven Spielberg returns to executive produce the long-awaited next installment of his groundbreaking Jurassic Park series, Jurassic World. Colin Trevorrow directs the epic action-adventure from a screenplay he wrote with Derek Connolly. Frank Marshall and Patrick Crowley join the team as producers. Twenty-two years after the events of Jurassic Park, Isla Nublar now features a fully functioning dinosaur theme park, Jurassic World, as originally envisioned by John Hammond. After 10 years of operation and visitor rates declining, »
Think you know everything about Steven Spielberg's style? Think again. We've already seen and posted a shot-by-shot analysis of Jaws before (view that one here), but this latest one breaks down and analyzes the filmmaking techniques Spielberg used in one particular scene in his shark thriller classic Jaws (released in 1975). Specifically, Julian Palmer takes a look at the early beach attack scene in Jaws, where the young boy gets eaten. It's a detailed analysis (perhaps over-analysis) but includes very intelligent references that will allow anyone to understand how beautifully this scene is crafted, and just how talented Spielberg really is. There's always more to learn about filmmaking techniques from films old and new, so always keep watching. Narrated & directed by Julian Palmer, for 1848 Media (@1848Media), found via Fsr. The introduction: "Welcome to The Discarded Image. A new online video series that analyses and deconstructs well known pieces of cinema. »
- Alex Billington
“Spielberg at his most Hitchcockian.” That’s how the team behind The Discarded Image (a new video essay series focused on cinema) describes the beach scene in Jaws where Brody watches a ton of potential beach-loving victims, helpless to save a little boy who’s ripped apart by the shark. I can’t disagree. Mostly because Alfred Hitchcock also loved bad hats. The video does a striking and thorough job explaining how Steven Spielberg tortures the viewer by forcing them to identify with a powerless figure caught in the middle of a violently chaotic moment. It’s about framing, camera direction and dramatic irony. It’s also about color coordination, foreground imagery and the culmination of earlier character decisions. It’s also about a dozen other things that allow us to marvel at Spielberg’s genius and allow aspiring filmmakers to shudder at the sheer level of detail that goes into making something this powerful. I »
- Scott Beggs
There aren't too many directors who start off with their A-game right out of the gate, but Steven Spielberg is one of them. Jaws was only the young directors second (or third if you count Duel) feature and, as we all know, it was an enormous success both commercially and critically. Jaws remains one of my favourite films and it's one that I revisit quite often so I was thrilled to stumble upon this great video-essay by 1848 Media which analyses and deconstructs the beach scene »
- Kevin Fraser
It’s easy to say that Steven Spielberg is a master of visual storytelling, but there’s a lot to learn by watching a detailed breakdown of how of approaches a complex scene. While Jaws is an early effort from Spielberg, it already displays a deep understanding of cinematic language, and builds on lessons taught by directors such […]
The post Watch a Detailed Breakdown of the ‘Jaws’ Beach Scene appeared first on /Film. »
- Russ Fischer
There’s no arguing Steven Spielberg‘s Jaws is a masterpiece. An infinitely rewatchable thriller that’s quotable, entertaining and influential. One of the many places you see that influence today is the pop culture art world. Jaws is regularly one of the most reimagined properties out there. There have been full art shows dedicated to the film as […]
The post Cool Stuff: Amity Island Is Open And Closed In New ‘Jaws’ Poster By Ape Meets Girl appeared first on /Film. »
- Germain Lussier
With the recent success of both Jodorowsky's Dune and Lost Soul, the documentary on the never-made feature is alive and well. This success has, in some small part, fueled the desire to know more about certain cult films that were such unlikely successes. Director Enric Folch and his team want to examine in detail the cult-curio that launched Steven Spielberg's feature film career: Duel. A lowly TV Movie-Of-The-Week shot in 1971 over 13 days with no film stars, the visceral idea of a terrifying truck, whose driver we never see, for no apparent reason chases a lone driver along the desert roads of Southern California. Years before The Road Warrior, Jaws, and even The Hitcher, this tiny-budgeted film has planted deep roots of influence across genre cinema,...
[Read the whole post on twitchfilm.com...]
The horror genre is filled with great movies about animals turning against humans — from the creepy (Arachnophobia) to the campy (Anaconda) to the artistic (Razorback) to the gory (Savage Harvest) to the awesome (Deep Blue Sea) — but the number of legitimately terrifying examples can be counted on one two-fingered hand. There’s Steven Spielberg’s Jaws, Lewis Teague’s Cujo and… that’s it right? Seriously, I can’t think of any other genuinely scary movies about animal attacks. That changes with the release of Adam MacDonald‘s Backcountry. Alex (Jeff Roop) and Jenn (Missy Peregrym) are heading into the woods for a weekend getaway that they hope will help bring them closer together. Their relationship has been a bit rocky of late, and while she’s uninterested in the great outdoors he spent his childhood roaming the forest and feels confident she’ll come to appreciate the beauty of the park’s more memorable spots too »
- Rob Hunter
In a brand new series from Vimeo Channel 1848 Media, Julian Palmer analyzes and deconstructs iconic scenes and moments from recognizable films, and if the debut episode is proof of what’s to come, then “The Discarded Image” is going to be a must-watch series for any cinephile. Episode One of “The Discarded Image” examines one of the most heart-pounding scenes of the past four decades — the beach scene from “Jaws.” What’s so great about the episode (and, hopefully, the entire series) is that it doesn’t focus simply on the camera movements or blocking. Rather, the video’s scope reaches much farther. Palmer narrates a stunningly educational, information-packed quarter-hour that not only picks apart the scene in question, but does so within the context of Steven Spielberg’s work vis-à-vis other directors (most frequently Alfred Hitchcock), stylistic choices that define Spielberg’s career, his pre-production process, and his use of on-screen movement. »
- Zach Hollwedel
Louis Leterrier is in talks to helm In The Deep, the Black List script by Anthony Jaswinski about a lone surfer attacked by a shark and stranded on a reef must find a way back to shore before succumbing to her injuries. This is the script that sparked a feeding, or rather bidding frenzy, last September. It will be produced by Weimaraner Republic Pictures partners Lynn Harris and Matti Leshem. When it comes to shark movies, the high bar remains Steven Spielberg’s Jaws… »
The original film starred the "Jaws" actor as the pilot of an experimental helicopter being used by the Lapd to help control crowds during the 1984 Olympics. Not that well received as a film, it nevertheless has scored a cult following in subsequent years.
Marvel exec and screenwriter Craig Kyle will handle the script for the new version which is expected to focus on a drone rather than a chopper. One of the original film's themes was that of police force militarization, something which seems very timely considering recent events.
Source: Heat Vision »
- Garth Franklin
Your first thought of Roy Scheider may be Jaws or SeaQuest Dsv, but for me it will always be Blue Thunder. The 1983 action movie about a pilot using an enhanced military helicopter to patrol Los Angeles was one of my favorite movies growing up as a kid. The John Badham movie was not the greatest movie made but it had some pretty awesome aerial sequences. Now, the movie is being remade at Columbia Pictures with a significant change to the technology. According to The Hollywood Reporter, »
- Alex Maidy
Here are a bunch of little bites to satisfy your hunger for movie culture: Today is Friday the 13th, and in honor of the occasion, Neca Toys shared a teaser image of a new figure of Jason Voorhees as a young boy (via Topless Robot): Here's a very short cartoon showing why the Spider-Man movies can only take place in the big city (via Geek Tyrant): Check out a new Audi commercial inspired by Alfred Hitchcock's The Birds, involving drones instead of birds (via Design Taxi): If you've never read the original Peter Benchley novel that became Steven Spielberg's Jaws, here's a video presenting all the differences between book and movie (via Geek Tyrant): These Ghostbusters figures from Vinyl Idolz...
- Christopher Campbell
[Press Release] Los Angeles -- Universal Music Enterprises has announced a rollout of 26 individual soundtrack albums on vinyl – including John Williams’ scores to E.T. and Jaws; Blaxploitation classics like Willie Hutch’s The Mack, J.J. Johnson’s Willie Dynamite, Marvin Gaye’s Trouble Man and the hip-hop-flavored Juice; Oscar® winners such as The Godfather, Silence of the Lambs, Rocky and Good Will Hunting; and cult movies like Paul Thomas Anderson’s Boogie Knights, John Landis’ Animal House, Tim Burton’s Beetlejuice, Amy Heckerling’s Clueless and Spike Lee’s Do the Right Thing. The rollout got underway on January 20, with the release of Willie Hutch’s classic, much-sampled soundtrack to the 1973 movie The Mack, starring Max Julien and Richard Pryor, which was originally released on »
- Pietro Filipponi
After treating cinema fans for more than a decade, Ee's 2-for-1 ticket offer is coming to an end today (February 25). We'll certainly miss breaking up the week with a cut-price cinema visit, and the end of the promotion has made us all nostalgic about the classic Orange Wednesdays ads that started it all off.
Dubbed 'Orange Gold Spots', they starred Brennan Brown and Steve Furst as two clueless film execs listening to pitches from some of Hollywood's finest. Brilliantly lampooning the bean counter thinking of studio suits and the fragile creative egos of A-listers, the likes of Patrick Swayze, Macaulay Culkin and Carrie Fisher all stepped up to offer their increasingly compromised film pitches:
This early offering sought to capture that creative moment when the lightbulb flicks on... unfortunately Brown's dim-witted exec can't quite grasp what's dangling right in front of him. Stanley Kubrick would be livid. »
When the blockbuster movie was born in the late 70s, the stonking, foot stomper theme was in its prime. This is when John Williams made his name with scores for Jaws, Superman and Star Wars. The modern superhero boom can arguably be traced back to 1989’s Batman, and again, there was a memorable, hummable, infectious theme, this time courtesy of Danny Elfman.
But more recently, the glut of superhero pictures hasn’t produced anything like the same calibre of ‘hit themes.’ Iron Man has no big character theme, Thor neither, and Chris Nolan’s Batpictures don’t really scratch that itch at all.
- Brendon Connelly
This article contains a spoiler for the ending of Interstellar.
In case you missed it, the Oscars were this past weekend and Birdman was the big winner. The Academy’s choice to award Alejandro González Iñárritu's fever dream was a genuine shock, with Boyhood the running favourite for many months. Nonetheless, some things never change, and in that vein it's certainly a non-surprise the Academy also hardly noticed the most ambitious blockbuster of 2014: the Christopher Nolan space epic, Interstellar. Indeed, I use the phrase "non-surprise", because how could it be a winner when it was only nominated for the bare minimum of five Oscars in technical categories that are reserved as consolation prizes?
This is by all means par for the course with a film that has »
The human condition. It is a tricky and complicated concept for us mortals to grasp in terms of our ugly, unpredictable behaviors. However, when one applies a revealing spotlight on the animal kingdom and takes a look at their on-screen aggression against humans it becomes a whole new ballgame. Occasionally, the source of frustration embedded in these wayward creatures is often times triggered by the psychological prompting of the bad seed humans responsible for their behavioral tirade against nature and man.
In Creature Feature: Top Ten Animals Gone Bad in the Movies we will look at the bombastic beasts gone ballistic in cinematic society. Maybe you have your own selections of haywire critters out to cause random havoc? If so then they probably would suffice within the theme of this movie column when detailing the animals that run amok on land, by sea or in the air.
The selections for »
- Frank Ochieng
It’s It's an oft-echoed sentiment that movies are made in the cutting room, so the Academy Award for Best Film Editing is a cherished trophy indeed. First, some guild award stats: since 1963, the American Cinema Editors have correctly predicted the eventual Oscar winner 36 times (in years when the award has been split between Dramatic and Musical/Comedy Editing, the specific prize given has been noted): 1963: Harold F. Kress, “How the West Was Won” 1964: Cotton Warburton, “Mary Poppins” 1965: William Reynolds, “The Sound of Music” 1968: Frank P. Keller, “Bullitt” 1970: Hugh S. Fowler, “Patton” 1972: David Bretherton, “Cabaret” 1973: William Reynolds, “The Sting” 1975: Verna Fields, “Jaws” 1976: Richard Halsley and Scott Conrad, “Rocky” 1978: Peter Zinner, “The Deer Hunter” 1979: Alan Heim, “All That Jazz” 1980: Thelma...' »
Oscar-winning actor Richard Dreyfuss is headed to TV. The “Jaws” actor is set to star on “Madoff,” a multi-episode ABC drama centered around the rise and fall of the now-jailed financier Bernie Madoff, a spokesperson for the network told TheWrap. See Photos: 18 Real-Life Scandals That TV Ripped From the Headlines The actor will portray the infamous former stockbroker, who was convicted of fraud for his part in what became one of the biggest Ponzi schemes in U.S. history and sentenced to 150 years in prison in 2009. Lincoln Square Productions has teamed with ABC on the drama, which doesn’t yet have a premiere date, »
- Travis Reilly
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