A giant great white shark arrives on the shores of a New England beach resort and wreaks havoc with bloody attacks on swimmers, until a local sheriff teams up with a marine biologist and an old seafarer to hunt the monster down.
A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
After a space merchant vessel perceives an unknown transmission as distress call, their landing on the source moon finds one of the crew attacked by a mysterious life-form, and soon realize that its life cycle has merely begun.
It's a hot summer on Amity Island, a small community whose main business is its beaches. When new Sheriff Martin Brody discovers the remains of a shark attack victim, his first inclination is to close the beaches to swimmers. This doesn't sit well with Mayor Larry Vaughn and several of the local businessmen. Brody backs down to his regret as that weekend a young boy is killed by the predator. The dead boy's mother puts out a bounty on the shark and Amity is soon swamped with amateur hunters and fisherman hoping to cash in on the reward. A local fisherman with much experience hunting sharks, Quint, offers to hunt down the creature for a hefty fee. Soon Quint, Brody and Matt Hooper from the Oceanographic Institute are at sea hunting the Great White shark. As Brody succinctly surmises after their first encounter with the creature, they're going to need a bigger boat. Written by
Robert Shaw ad-libbed the "Here lies the body of Mary Lee" line after director Steven Spielberg prompted him to give Brody's wife (on the dock) a hard time. Asked later where he quoted it from, as it would require getting a license and release from the author to be used in the film, Shaw said that was unlikely, as it was off an old grave marker in Ireland. See more »
When Chief Brody throws the air tank into the sharks mouth, he throws it in bottom first meaning the valve part is sticking out of the sharks mouth. Later, when the shark is charging him and Chief Brody is shooting at the tank, it's reversed and now the bottom of the tank is sticking out of the sharks mouth. See more »
"You yell barracuda, everybody says, 'Hunh, what?' You yell shark, and we got a panic on our hands on the Fourth of July."
This is the movie that started it all. I'm not talking about the Hollywood blockbuster, or the insane madness that sent thousands of misunderstood Great Whites to their deaths, I'm talking about the beginning of my interest in movies. This is the movie that did it. I couldn't tell you how old I was when I first saw it, but I do remember this is the movie I made my parents rent time and time again when we went to the video store. This is the movie that drove my parents and some of my friends nuts while I watched it day after day after day when my mom gave it to me for Christmas. This is the movie that made me want to turn a real interest in the movies from just a hobby and into a career. For that, I owe Spielberg, Benchley, Scheider, Shaw, Dreyfuss, Williams, Fields and everyone else a sincere and heart-felt thank you. I own this movie on every format in which it is available. I love it that much. I've probably seen it between 200 and 300 times. I guess you can say it is an obsession. A sick obsession. The plot, the pacing, the editing, the score, the acting, and, oh yes, the shark. Who cares that is fake? By the time we finally get to see it, do we care? Truly, a more suspenseful movie was never made. Several come close, but none quite reaches the primal level the JAWS does. No other film so effectively taps into our fear of the unknown, and then gives it a riveting score to boot. No other movie grips us so strongly with heart stopping suspense that we find ourselves nearly falling off our seats. And no other movie leaves us feeling so spent and wasted after a viewing. And the reason for all the fear, suspense and emotional withdrawal is not top-notch special effects. It was the mid-70's. You can barely apply top -notch to anything of that era. The reason the movie does all that to us is that it is a great story. It is filled with real people, who have real jobs, and who have real fears. And who must now confront a real shark. Can you think of anything more terrifying that getting on a rickety, leaky boat to kill a 25-foot shark when you already have a paralyzing fear of the water? I can't. And Martin Brody sure can't. And so, no matter what ranking JAWS may get on AFI's list of the 100 greatest movies, or TV Guides list of the top 50 movies, or any list for that matter, JAWS will always come in number one on mine. Steven, Peter, Roy, Robert, Richard, John, and Verna -- thank you. Not for just giving me a sense of direction in my life, not for just making me want to be a screenwriter, but also for making a movie that still thrills me as much now when I watch it as when it did when I saw it for the very first time.
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