Jared Martin plays an aspiring film maker obsessed with the idea of Christ as a woman, and tries to film his vision with Sondra Locke as his subject. Supposedly based on a song by Leonard ... See full summary »
The British National Health System is skewered in this comedy set in a rundown London hospital. The hospital is filled with wacky staff members and patients, and the film strives to get all... See full summary »
Follows the lives of three unrelated teenagers as they run away from their respective homes, each for different reasons. Arriving in Chicago, one tries to make good with his life only to ... See full summary »
The younger son of a working-class Jewish family in Montreal, Duddy Kravitz yearns to make a name for himself in society. This film chronicles his short and dubious rise to power, as well ... See full summary »
Annabella Allori (Margie Newton) attends the last moments of her dying brother (Dario Casalini), who tells her about a tape cassette which has recorded all aberrations suffered by him and ... See full summary »
Margit Evelyn Newton,
A once-great silent film director, unable to make the transition to the new talkies, lives as a near-hermit in his Hollywood home, making cheap, silent sex films, and suffering in the knowledge of his sexual impotence, and apathetic about the plans to demolish his home to make way for a motorway. His producer and his producer's girlfriend come by to see how he is doing (and to supply heroin to the actress as her payment). The girlfriend stays to watch them filming, and is deeply impressed by his methods. When the actress goes to the bathroom, and dies there of an overdose, the girlfriend takes her place in the film. Then the producer returns... Written by
Steven Pemberton <Steven.Pemberton@cwi.nl>
Sitting at piano, Boy Wonder plays song Moonglow, written in 1934. The movie takes place at least three or four years earlier (characters repeatedly talk about a then-unknown actor named Clark Gable, already a big star by time song was written). See more »
OK, Miss Cake, let us see exactly how far down into it we can get.
Uh, into what?
Into the valley of indecency.
Well, that's a pretty crummy way of looking at it.
The trick, Miss Cake, is not to look at it at all, but simply limp to the edge of patience and let yourself fall.
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The end credits are shown in black-and-white, against a backdrop of a silk cloth. It is also grainier and scratched in spots compared to the rest of the film. It is very reminiscent of the credits of vintage 30's melodramas. See more »
It's Sure Good To Know That Your Rope Can Still Rise
This odd little film is typical of Dreyfus's early work, like "Duddy Kravitz", with an intriguing performance in an odd role. Dreyfus plays The Boy Wonder, a once highly talented silent film director who, by the early 30s, has become a ghost story, directing stag films for a living. While no actual connection is made, I believe that The Boy Wonder was also a name for Fatty Arbuckle, who this could easily "be" -- years after the scandalous incident that ruined his career.
This film also gets interesting performances from Jessica Harper ("My Favorite Year"), Veronica Cartwright, and, long before his toon experience, Bob Hoskins.
It takes place entirely within a house, during a single morning, and could easily be done as a stage play. It would classify as a fairly common "Slice of Life" film, excepting for the rather strong nudity and sexual content. In fact it was a bit scandalous when it was released, as an "X" movie with a major star like Dreyfus in it.
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