The younger son of a working-class Jewish family in Montreal, Duddy Kravitz yearns to make a name for himself in society. This film chronicles his short and dubious rise to power, as well ... See full summary »
Jared Martin plays an aspiring film maker obsessed with the idea of Christ as a woman, and tries to film his vision with Sondra Locke as his subject. Supposedly based on a song by Leonard ... See full summary »
One night of 1881, Doc Holliday, a famous poker gambler, enters the 'No Name Saloon'. There, he challenges a man to poker, betting his horse against his opponent's wife. Doc wins and from ... See full summary »
A once-great silent film director, unable to make the transition to the new talkies, lives as a near-hermit in his Hollywood home, making cheap, silent sex films, and suffering in the knowledge of his sexual impotence, and apathetic about the plans to demolish his home to make way for a motorway. His producer and his producer's girlfriend come by to see how he is doing (and to supply heroin to the actress as her payment). The girlfriend stays to watch them filming, and is deeply impressed by his methods. When the actress goes to the bathroom, and dies there of an overdose, the girlfriend takes her place in the film. Then the producer returns... Written by
Steven Pemberton <Steven.Pemberton@cwi.nl>
Sitting at piano, Boy Wonder plays song Moonglow, written in 1934. The movie takes place at least three or four years earlier (characters repeatedly talk about a then-unknown actor named Clark Gable, already a big star by time song was written).
NOTE: "Moonglow" is not explicitly referenced as such, and is virtually identical to 1929's "Sweeter Than Sweet", so this may not be a goof. See more »
You're scared of something, you're trembling like a leaf.
I'm not scared of anything, sweetheart.
If you're not scared of anything, how come you never go out of your house any more, huh?
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The end credits are shown in black-and-white, against a backdrop of a silk cloth. It is also grainier and scratched in spots compared to the rest of the film. It is very reminiscent of the credits of vintage 30's melodramas. See more »
Inserts is a terrific little film. That plays like a stage play set in one room. Dreyfuss is terrific in the role of a washed up silent film director genius that has turned to making porn films. Ten times better than Boogie Nights in the statement it makes concerning the porn industry as it explores the birth of porn. See this forgotten gem. It was x-rated at the time of its release and that must have killed its box office potential.
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