A comic feature film about an underachieving writer who sets out to write his masterpiece, but is confounded when one of its characters steps into his real life and introduces him to a life of sin and corruption.
A woman goes to previously all-male boarding school on a scholarship. She begins to separate herself from her boyfriend in order to devote more time to her new environment. Over a course of... See full summary »
Hit man Cleve approaches writer/cop Dennis about a story for his next book: How Cleve made a living, working for one of the most powerful politicians in the country. To get the story right,... See full summary »
Anna Maria, a single woman in her 50s, devotes her summer vacation to doing missionary work, so that Austria may be brought back to the path of virtue. On her daily pilgrimage through ... See full summary »
On the beaches of Kenya they're known as "Sugar Mamas" -- European women who seek out African boys selling love to earn a living. Teresa, a fifty-year-old Austrian and mother of a daughter ... See full summary »
A grisly murder occurs in Maruyama-cho, Shibuya, Tokyo - a love hotel district - a woman was found dead in a derelict apartment. Kazuko (Miki Mizuno) is a police officer called to ... See full summary »
A once-great silent film director, unable to make the transition to the new talkies, lives as a near-hermit in his Hollywood home, making cheap, silent sex films, and suffering in the knowledge of his sexual impotence, and apathetic about the plans to demolish his home to make way for a motorway. His producer and his producer's girlfriend come by to see how he is doing (and to supply heroin to the actress as her payment). The girlfriend stays to watch them filming, and is deeply impressed by his methods. When the actress goes to the bathroom, and dies there of an overdose, the girlfriend takes her place in the film. Then the producer returns... Written by
Steven Pemberton <Steven.Pemberton@cwi.nl>
Neither of the two Transamerica United Artists logos used during the 1970s were featured at the movie's beginning. The old black-and-white UA logo, the first, is displayed at the start of the film instead. This was the one that was used between 1919 and 1967, and was the logo used during the 1930s era when the movie was set. See more »
Sitting at piano, Boy Wonder plays song Moonglow, written in 1934. The movie takes place at least three or four years earlier (characters repeatedly talk about a then-unknown actor named Clark Gable, already a big star by time song was written).
NOTE: "Moonglow" is not explicitly referenced as such, and is virtually identical to 1929's "Sweeter Than Sweet", so this may not be a goof. See more »
The end credits are shown in black-and-white, against a backdrop of a silk cloth. It is also grainier and scratched in spots compared to the rest of the film. It is very reminiscent of the credits of vintage 30's melodramas. See more »
This films plot centers around the making of, probably one of the first, porn movies, Sadly when it was released it was pre-arthouse cinemas and pre-video, so it was lumped in with second rate soft porn flic houses around soho London. Consequently it died a lonely death. Around this time Art house cinemas were starting to emerge in University towns which is how I caught it late night in Edinburgh. I was just knocked out by it's sharp drama wrapped in a comedy that launched incredibly incisive comment. Bob Hoskins character as the wannabee hood getting irate when he discovers that Richard Dreyfuss's character, the has-been director, has removed the camera from the tripod, in shear enthusiasm, as he filmed the sexual act. 'How is that going to look!' 'It's not going to look, it's going to be looked at!' retorts Richard Dreyfuss character. The economy of the lines are brilliant! Yes this is a one room drama, which is a tall order for cinema and few have conquered it but this film does brilliantly.
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