Im Lauf der Zeit
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Kings of the Road (1976) More at IMDbPro »Im Lauf der Zeit (original title)


2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010

8 items from 2016


Viceland Announces New TV Show Orders and Renewals

16 November 2016 1:39 PM, PST | TVSeriesFinale.com | See recent TVSeriesFinale news »

Viceland has announced three new TV series. The Payday TV show just premiered last Friday. In addition, Big Night Out and Bong Appétit premiere in December. Get the scoop on these new series, after the jump.The cable channel has also renewed Kings of the Road for a second season, as well as Weediquette, for a third. Learn more from this Viceland press release.Read More… »

- TVSeriesFinale.com

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Viceland Launches Three New Series, Renews ‘Kings of the Road,’ ‘Weediquette’

15 November 2016 11:58 AM, PST | Variety - TV News | See recent Variety - TV News news »

Viceland, the newest channel from Vice Media and A+E Networks, will premiere three new series by the end of the year — “Payday,” followed by “Big Night Out” and “Bong Appétit.”

DirecTV is also expanding distribution of Viceland to be included in its Select, Entertainment and Choice packages, as well as the entry-level package on DirecTV Now when it launches.

“Payday,” which just had its debut on the network, follows “four 20-somethings over the course of a single pay-period to see how they live, spend, struggle, and thrive, tracing the fortunes of this emerging generation,” according to the network. The series airs Fridays.

Big Night Out” follows Vice U.K.’s Clive Martin as he travels the globe and discovers and experiences rave culture around the world. The show premieres Dec. 14.

The following night on Dec.15, “Bong Appétit,” will premiere hosted by Vice’s Abdullah Saeed. The show explores the “making and consumption of high-end cannabis-infused foods »

- Arya Roshanian

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‘The Beautiful Days Of Aranjuez’ Trailer And Clips: First Look at Wim Wenders’ Divisive Film

16 September 2016 10:26 AM, PDT | Indiewire | See recent Indiewire news »

Wim Wenders’ “The Beautiful Days of Aranjuez” has received mostly negative reviews on this year’s fall festival circuit. IndieWire’s own Ben Croll gave the film a D grade and said that it’s “ploddingly, achingly dull,” and other reviews have described it as “inert and exasperatingly supercilious,” “prettily sunlit but otherwise insufferable,” and “a literal representation of how creatively bankrupt Wim Wenders has become.” An adaptation of Peter Handke’s two-hander play by the same name, the film features a conversation between a man (Reda Kateb) and a woman (Sophie Semin) as they discuss their childhoods, memories, sexual experiences, and more. Watch a trailer and clips from the film below.

Read More: The Essentials: The 10 Best Wim Wenders Films

Wenders has made plenty of acclaimed films over the course of his four-decade long career. His Road Movie trilogy – “Alice in the Cities,” “The Wrong Move,” “Kings of the Road »

- Vikram Murthi

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New to Streaming: ’10 Cloverfield Lane,’ Wim Wenders Road Trilogy, ‘Eternal Sunshine,’ and More

3 June 2016 8:20 AM, PDT | The Film Stage | See recent The Film Stage news »

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon Instant Video, and more (note: U.S. only). Check out our rundown for this week’s selections below.

10 Cloverfield Lane (Dan Trachtenberg)

Forget the Cloverfield connection. The actors who were in this film didn’t even know what the title was until moments before the first trailer dropped. Producer J.J. Abrams used that branding as part of the wrapping for its promotional mystery box, but the movie stands perfectly alone from 2008’s found-footage monster picture. Hell, 10 Cloverfield Lane perhaps doesn’t even take place »

- The Film Stage

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Wim Wenders: The Road Trilogy

16 May 2016 4:26 PM, PDT | Trailers from Hell | See recent Trailers from Hell news »

A major talent of the New German Cinema finds his footing out on the open highway, in a trio of intensely creative pictures that capture the pace and feel of living off the beaten path. All three star Rüdiger Vogler, an actor who could be director Wim Wenders' alter ego. Wim Wenders' The Road Trilogy Blu-ray The Criterion Collection 813 1974-1976 / B&W and Color / 1:66 widescreen / 113, 104, 176 min. / available through The Criterion Collection / Street Date May 30, 2016 / 99.95 Starring Rüdiger Vogler, Lisa Kreuzer, Yetta Rottländer; Hannah Schygulla, Nasstasja Kinski, Hans Christian Blech, Ivan Desny; Robert Zischler. Cinematography Robby Müller, Martin Schäfer Film Editor Peter Przygodda, Barbara von Weltershausen Original Music Can, Jürgen Knieper, Axel Linstädt. Directed by Wim Wenders

Reviewed by Glenn Erickson

This morning I 'fessed up to never having seen David Lynch's Lost Highway. Now I get to say that until now I've never seen Wim Wenders' »

- Glenn Erickson

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Hof Film Days founder Heinz Badewitz dies at 74

14 March 2016 2:54 AM, PDT | ScreenDaily | See recent ScreenDaily news »

World’s second longest-serving film festival director died last week while attending Graz film festival.

Filmmakers in Germany and beyond are mourning the passing of Heinz Badewitz, the founder of the Hof Film Days, who died unexpectedly last week at the age of 74 whilst attending last week’s Diagonale - Festival of Austrian Film in Graz.

Badewitz was the world’s second longest-serving film festival director after Chicago’s Michael Kutza (who launched his festival in 1964) and was planning Hof’s 50th anniversary in October.

Hailing from Hof in Northern Franconia, Badewitz had moved to Munich in the early 1960s to train as a cameraman and soon became part of the Munich film scene, later working as location manager on such films as Wim WendersKings Of The Road and The American Friend, and assistant director for Bob Fosse’s Cabaret and Norman Jewison’s Rollerball.

In addition, he was involved in the selection of German films for »

- screen.berlin@googlemail.com (Martin Blaney)

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Wim Wenders Road Trilogy, Altman's 'The Player,' Nicholas Ray's 'In A Lonely Place,' And More Hit Criterion In May

17 February 2016 6:03 AM, PST | The Playlist | See recent The Playlist news »

It's time to start budgeting for the next wave of Criterion releases. The boutique home-video label have unveiled their slate for May, and it's even more impressive than usual, with some true treats for cinema buffs. So you might want to start clearing some space on your shelves. The big attraction of the month is the release of Wim Wenders' Road Trilogy. Comprised of "Alice In The Cities," "Wrong Move," and "Kings Of The Road," these are a terrific trio of early works by the director, and for those only familiar with his more recent films, they may be surprised by their looseness and how much different in tone they are. Criterion will be bulking up the box set with shorts "Same Player Shoots Again" and "Silver City Revisited," plus audio commentaries, interviews, and more. Read More: The Essentials: The 10 Best Wim Wenders Films Shifting gears, Robert Altman's »

- Kevin Jagernauth

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In a Lonely Place: On Wim Wenders’ Road Movie Trilogy

29 January 2016 11:11 AM, PST | The Film Stage | See recent The Film Stage news »

In his 1969 short film 3 American LP’s, the 24-year-old Wim Wenders, in the kind of feat of earnestness that can befit a young man, attempts to match his two greatest interests” America’s landscapes and its rock-and-roll music. If we’re to pick perhaps the most endearing eye-roller from this “rockist” mission statement, one can look no further than Wenders describing a Creedence Clearwater Revival album as being “like chocolate.”

But this isn’t necessarily an atypical moment in his filmography, as Wenders has always skirted the line of, for lack of a better word, corniness — if not just telegraphing his influences to at-times-obnoxious degrees, also with a kind of sentimentality both formally and politically speaking. Consider Wings of Desire‘s glossy look, which could so easily be reconfigured into a perfume-commercial aesthetic, or even just the title of one of his later, forgotten films; The End of Violence.

Yet »

- Ethan Vestby

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2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010

8 items from 2016


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