At the instigation of a grieving father, a Los Angeles cop investigates the suspicious circumstances of a girl's apparent suicide.

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Cast

Cast overview, first billed only:
...
...
...
Marty Hollinger
...
Sgt. Louis Belgrave
...
Paula Hollinger
...
Leo Sellers
...
Santoro
...
Peggy Summers
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Herbie Dalitz
...
Bus Driver
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Gloria Hollinger (as Sharon Kelly)
Chuck Hayward ...
Morgue Attendant
David Estridge ...
Albino
Peter Brandon ...
Minister
...
Jerry Bellamy
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Storyline

Phil Gaines is a bitter, cynical cop who investigates the case of a dead stripper/porno actress found on the beach. Gaines is experiencing a troubled relationship with a hooker, and things don't get any better when the dead girl's father launches his own investigation. Written by Kristian Krokfoss <krokus@online.no>

Plot Summary | Add Synopsis

Taglines:

She's the call girl. He's the cop. They both take their jobs seriously. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 December 1975 (USA)  »

Also Known As:

All the Other Angels  »

Filming Locations:

 »

Box Office

Budget:

$3,050,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (Glen Glenn Sound)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The movie was produced by Robert Aldrich and Burt Reynolds under their RoBurt company. The company name is an amalgam of their first names, Ro (for Robert) and Burt. See more »

Quotes

Lt. Phil Gaines: Don't you know where you live, Marty? Can't you smell the bananas? You know what country you live in? You live in Guatamala with color television.
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Connections

Features Branded (1950) See more »

Soundtracks

Mission Impossible
Music by Lalo Schifrin
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User Reviews

 
classic aldrich
10 April 2011 | by See all my reviews

Great, underrated film noir, expertly written, master class of the genre. Begs to be rediscovered. If you are a purist of noir, then this is a gift to you, courtesy of Aldrich. There is so much more to Burt Reynolds than people give him credit, and he proves it here. I may be alone in this, but i got the impression the film was lit for black and white and comes off badly in colour - the contrast is too extreme, and ultimately works against the film. Curiously, when i tuned it to b/w it looked incredible - as moody and mean as Aldrich would would have intended. And Deneuve isn't as bad as the critics made out. if you love noir and have a problem with this film, i can't begin to understand why.


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