Phil Gaines is a bitter, cynical cop who investigates the case of a dead stripper/porno actress found on the beach. Gaines is experiencing a troubled relationship with a hooker, and things ... See full summary »

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Cast

Cast overview, first billed only:
...
...
...
Marty Hollinger
...
Sgt. Louis Belgrave
...
Paula Hollinger
...
Leo Sellers
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Santoro
...
Peggy Summers
...
Herbie Dalitz
...
Bus Driver
Colleen Brennan ...
Gloria Hollinger (as Sharon Kelly)
Chuck Hayward ...
Morgue Attendant
David Estridge ...
Albino
Peter Brandon ...
Minister
...
Jerry Bellamy
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Storyline

Phil Gaines is a bitter, cynical cop who investigates the case of a dead stripper/porno actress found on the beach. Gaines is experiencing a troubled relationship with a hooker, and things don't get any better when the dead girl's father launches his own investigation. Written by Kristian Krokfoss <krokus@online.no>

Plot Summary | Add Synopsis

Taglines:

She's the call girl. He's the cop. They both take their jobs seriously.


Certificate:

R | See all certifications »

Parents Guide:

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Details

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Release Date:

25 December 1975 (USA)  »

Also Known As:

All the Other Angels  »

Filming Locations:

 »

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The picture that Burt Reynolds and French actress Catherine Deneuve got to see was the French film A Man and a Woman (1966). 'Time Out' called this movie a "Remarkable contemporary film noir . . . Aldrich provides Reynolds and Deneuve with the ultimate tinsel role model of Lelouch's A Man and a Woman (1966)." Deneuve at the time that this movie was made had not worked with Claude Lelouch, the director of that French film. However, the two soon got to work together after this film on Second Chance (1976) and later again on Us Two (1979). See more »

Quotes

Lt. Phil Gaines: Don't you know where you live, Marty? Can't you smell the bananas? You know what country you live in? You live in Guatamala with color television.
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Connections

Referenced in Starsky and Hutch: Omaha Tiger (1976) See more »

Soundtracks

A Man and a Woman
by Francis Lai
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User Reviews

Thoughtfully moody modern noir
15 July 2005 | by (Wolverhampton, England) – See all my reviews

'Hustle' is an overlooked film, though it is easy to see why.

Stylistically it is very low-key with no notable flourishes or tricksiness. It boasts little in the way of 'action'. A hostage situation sequence seems to have been added purely to provide something in that line for fidgety Burt fans. It is profoundly cynical and resolutely (almost excessively) downbeat. But it is also very thoughtful, atmospheric, well acted and absorbing. A kind of modern dress companion piece to 'Chinatown'. And whilst not quite achieving the force and subtlety of that film, it remains highly creditable.

Reynolds is effective as the world weary cop in love with a French prostitute, a cipher whom Deneuve turns into a real person. Her character represents some sort of unattainable, glamorous continental dream to the policeman. This idea is explored and reinforced by numerous references and allusions to European cinema, culture and locale.

Burt looks uncannily like a youthful Brando and brings great restraint to a role which could have been horribly over-played. Ben Johnson, Eileen Brennan and Paul Winfield also all give good performances as beaten, screwed-up people. The outstanding turn, though, comes from Edward Albert as Leo Sellers, a wealthy and powerful businessman with dubious tastes and connections. This character is key to Steve Shagan's screenplay in the same way that John Huston's Noah Cross was to Robert Towne's 'Chinatown'. A persona symbolic of corruption and degeneracy, but also integral to the prosperity of the society he is such a part of. Sellers is a refined, intelligent man with a keen eye for people's weak spots and fingers deft enough to push all of their buttons at once. Mr. Albert brings him to life with a palpable evil.

'Hustle' is a film that I like to reacquaint myself with from time to time. Whilst Shagan's script is occasionally a tad overblown and too fruity for its own good, there are some great lines and moments. For me, it's noirish exploration of thwarted romanticism is pretty much irresistible.

A minor classic.


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