| Photos (See all 21 | slideshow) |
| Corinne Cléry | ... | O | |
| Udo Kier | ... | Rene | |
| Anthony Steel | ... | Sir Stephen | |
| Jean Gaven | ... | Pierre | |
| Christiane Minazzoli | ... | Anne-Marie | |
| Martine Kelly | ... | Therese | |
| Jean-Pierre Andréani | ... | Eric, master II | |
| Gabriel Cattand | ... | The commander | |
| Li Sellgren | ... | Jacqueline (a model) | |
| Albane Navizet | ... | Andree | |
| Nadine Perles | ... | Jeanne | |
| Laure Moutoussamy | ... | Norah, the maid | |
| Henri Piégay | ... | Master I | |
| Alain Noury | ... | Ivan | |
| Florence Cayrol | ... | Yvonne (as Jehanne Blaise) | |
| Eva Carson | ... | Monique | |
| Sylvie Olivier | ... | Claire | |
| Bernard Jeantet | ... | Florent | |
| Jean-François Mathieu | ... | Regis | |
| Stéphane Macha | ... | Georges | |
| Vladimir Brajovic | ... | Master III | |
| Judith Novak | ... | Madeline | |
| Gabriel Briand | ... | Master lV | |
| Alain Jarry | |||
| Caroline Baudry | |||
| Puce | |||
| Vibeke Knudsen | ... | Model in photo-studio | |
| Roger Trapp | |||
| Pin Pin | |||
| Michèle Montel | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Robert Schootemeyer | ... | Master V (uncredited) | |
Directed by | |||
| Just Jaeckin | |||
Writing credits(in alphabetical order) | ||
| Dominique Aury | novel (as Pauline Réage) | |
| Sébastien Japrisot | ||
Produced by | |||
| Claude Giroux | .... | associate producer | |
| Gérard Lorin | .... | producer | |
| Éric Rochat | .... | executive producer | |
| Éric Rochat | .... | producer | |
Original Music by | |||
| Pierre Bachelet | |||
Cinematography by | |||
| Robert Fraisse | |||
| Yves Rodallec | |||
Film Editing by | |||
| Francine Pierre | |||
Art Direction by | |||
| Jean-Baptiste Poirot | |||
Set Decoration by | |||
| Olivier Paultre | |||
Costume Design by | |||
| Tan Giudicelli | |||
Makeup Department | |||
| Patrick Ales | .... | hair stylist | |
| Aïda Carange | .... | makeup artist | |
| Florence Fouquier D'Herouel | .... | makeup artist (as Florence Fouquier) | |
| Eric Wackers | .... | hair stylist | |
Production Management | |||
| Roger Fleytoux | .... | production manager | |
| Sylvain Hecht | .... | unit manager | |
| François Menny | .... | unit manager | |
| Patrick Poubel | .... | unit manager | |
Sound Department | |||
| Catherine Dubeau | .... | sound editor | |
| J.C. Duval | .... | sound | |
| Jean-Pierre Lelong | .... | sound effects | |
| Élisabeth Parnière | .... | sound editor | |
| Gina Pignier | .... | sound editor | |
| Claude Plouganou | .... | sound editor | |
| Alex Pront | .... | sound | |
| Laurent Quaglio | .... | sound | |
Camera and Electrical Department | |||
| Georges Pierre | .... | still photographer | |
| Yves Rodallec | .... | camera operator | |
Music Department | |||
| Matt Camison | .... | music arranger | |
| Matt Camison | .... | musical director | |
Other crew | |||
| Colette Crochot | .... | script supervisor | |
| Jean-Philippe Dupont | .... | location manager | |
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| Salò, or the 120 Days of Sodom | Salon Kitty | Crash | Delirio caldo | Emmanuelle |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
I admit I know little about the S+M/B+D lifestyle, but if this is any indication, it must be kind of like being in a bad European "art" film. This is one movie that truly does not deserve its notorious reputation(either in the negative or positive sense). It's just your typical silly and pretentious 70's Eurotrash. It is slightly less boring than the director's previous "Emmannuelle" (1974) but only slightly. The lead (and only conceivable reason to watch this nonsense) is Corrine Clery,who was later a second-string Bond girl eaten by vicious dobermans in "Moonraker". Clery spends most of the movie naked and being whipped by various men and women. This certainly sounds pretty sordid, but the movie (tastefully?) never shows the whip actually hitting her. And though she is almost constantly being flogged, there never seems to be a mark on her on her perpetually on-display body. She is also passed around by various men, but the sex scenes are even more circumspect than the whipping scenes. I'd enjoy watching Clery doing anything naked(mowing the lawn, painting a fence, digging a garden), but there's just nothing especially exciting here. Mostly, the movie consists of cheesy dialogue and idiotic libertine philosophizing. I don't know if you have to be a sadist to enjoy it, but you definitely have to be a masochist to sit through it.