10 items from 2012
Geraldine Page in "Interiors"Years ago I took a weekend writing retreat to visit my great friend Nick (who you know and love as the man behind Nick's Flick Picks) and while discussing Julianne Moore in Safe and that weirdly specific mini Jodie Foster genre of Women Trapped in Small Spaces (planes, panic rooms... closets) we agreed that our mutual favorite kind of movie was not Dramas, Comedies, Musicals, or Horror but the rarely discussed Women Who Lie To Themselves™ subgenre -- we had to name it but it is so a genre!
You've seen multiple movies from this collection even if you didn't know it existed. In these awesome films, the female protagonist spends more time conversing with her own self delusion than with any actual co-star. The musical anthem of this celluloid sisterhood is Sally Bowles "Maybe This Time" from Cabaret (1972) and the patron saint is surely Eve »
- NATHANIEL R
The halfway mark. Gulp. What do we have to show for it? Perhaps a renewed sense of purpose? We're crawling our way back after a very difficult May/early June. Here were ten highlights from the month that was.
Frock of Ages Joanna & I had a laugh -- make that several-- discussing recent premiere fashions
How Long Since You've Seen The Matrix? A look back at the beloved 1999 reality bender. "There is no spoon."
True Blood Sinks / Teen Wolf Rises time to pass the (supernatural) torch
On Screen Beauty and Jean Harlow who died young
Oscar Prediction Updates it had to be done.
- NATHANIEL R
Previously on Season 3 of Hit Me With Your Best Shot...
Today we're officially back to weekly "Best Shot" posts with François Truffaut's biotragedy The Story Of Adele H (1975). For nearly thirty years French beauty Isabelle Adjani held the record for the Youngest Best Actress Nominee of all time; she was 20 when Adele H made her an international star. To add to Adjani's Oscar Curio factor, she still holds another record: she's the only actor or actress ever nominated twice for French language performances. Nomination #2 came for another biotragedy Camille Claudel (1988). [Marion Cotillard surely hopes to tie that particular Best Actress record later this year in Rust and Bone (2012).]
Adjani all but vanished from screens round about the time she and Daniel Day-Lewis procreated and split. The sensational Queen Margot (1994) and the reviled Diabolique (1996) with Sharon Stone were her last big draws so I assume many readers are unfamiliar and that this Best Shot subject would be a fresh choice. I did not however make the connection that »
- NATHANIEL R
We return to Season Three of the collaborative series Hit Me With Your Best Shot with not one but two tales of love-madness. I hadn't meant to pair them but I was so late with Possessed and it was time to bring the series back with The Story of Adele H. So there they were, two brunette screen goddesses Joan Crawford and (today's birthday girl) Isabelle Adjani, double-teaming me with their crazy-making sob stories of unrequited love. We'll cover Adele H tomorrow (yes, I'm running behind) but tonight, the first of these two Best Actress Nominated pictures.
This 1947 noir stars the inimitable Joan Crawford as Louise, a woman who we meet after the events of the picture have taken place, wandering around in a daze looking for a man named "David". She is soon in a mental hospital and her back story, the story, begins to emerge. David (the »
- NATHANIEL R
"Hit Me With Your Best Shot" returns from its month-long hiatus in two weeks. Will you join us? I'll try to catch up soon with Possessed (1947) which had terrible timing given my father's passing. Other than a short upcoming moment with Joan Crawford, what's next?
Wednesday June 27th - The Story Of Adele H. (1975)
For Isabelle Adjani's birthday (and considering that Victor Hugo madness will be heading our way at Christmas time) we'll look back at François Truffaut's Oscar nominated tale of obsessive love. Trivia: Adjani held the "youngest Best Actress nominee" record for three decades until a certain Whale Rider teared up.
*Thursday* July 5th -Picnic (1955)
Technically this is a Labor Day movie as opposed to 4th of July but the point is who wants to sit at home blogging on Independence Day? I've never seen this - hence the choice - but I hear it's »
- NATHANIEL R
"French film director, producer and screenwriter Claude Miller, whose works include The Best Way to Walk [Le meilleur facon de marcher, 1976] and Class Trip [La classe de neige, 1998], has died aged 70," reports the Afp. "'A sad day, Claude Miller is dead,' tweeted the Cannes Film Festival, at which Miller was awarded the special jury prize in 1998 for Class Trip. Among other renowed works by the filmmaker are La Petite Voleuse (The Little Thief ) which starred Charlotte Gainsbourg; Garde a Vue (Custody) in 1981; and Mortelle Randonnee (Mortal Circuit) in 1983."
Just a couple of weeks ago, Jonathan Rosenbaum posted his 1994 review of The Accompanist (1992): "Miller started out promisingly as an assistant to some key French filmmakers during the 60s, including Robert Bresson (Au hasard Balthazar), Jacques Demy (Les demoiselles de Rochefort), and Jean-Luc Godard (Weekend). He then served as production manager or production supervisor on Godard's Two or Three Things I Know About Her and La chinoise and no »
Film-maker best known for film starring a young Charlotte Gainsbourg as a teenage serial thief has died
Before becoming a director himself, Miller worked for a number of noted new wave directors: he acted as assistant director on Robert Bresson's Au Hasard Balthazar, Jacques Demy's Les Demoiselles de Rochefort, and Jean-Luc Godard's Weekend, before becoming production manager for a string of films by François Truffaut, including Bed and Board, Day for Night and The Story of Adele H.
With Truffaut's encouragement, Miller moved into a higher profile role, making his directorial debut in 1976 with The Best Way to Walk. His first significant success, however, was the multi-award-winning police procedural thriller Garde à Vue, with Lino Ventura and Michel Serrault.
In the mid-80s, Miller »
- Andrew Pulver
Jean Dujardin kissing Oscar statuette Best Actor Oscar winner Jean Dujardin kisses his Oscar statuette at the Governors Ball 2012. For his performance as a fading silent-film star in Michel Hazanavicius' The Artist, Dujardin became the first Frenchman to win an Oscar in the acting categories: Charles Boyer, Maurice Chevalier, and Gérard Depardieu had all been nominated before, but none of them had ever won. (Photo: © A.M.P.A.S.) The list of Frenchwomen who either won or were nominated for Oscars in the acting categories is much more extensive. The French-born, American-raised Claudette Colbert was the Best Actress of 1934 for Frank Capra's comedy It Happened One Night. The other French Best Actress Oscar winners are Simone Signoret for Jack Clayton's 1959 British drama Room at the Top and Marion Cotillard for Olivier Dahan's French-language Edith Piaf biopic La Vie en Rose. Additionally, Juliette Binoche was a »
- Andre Soares
It still provides a chuckle
The history of The Academy Awards is littered with strange and inexplicable happenings: Revealed shortcomings, spontaneous pushups, "The winner is Paul Newman," Sandahl Bergman's interpretive dance to "Eye Of The Tiger" (admittedly, one of the highlights of my life).
And of course ... Snow White rolling on the river.
But aside from the odd ceremony moments, and the fashion drama on the red carpet, it's the Oscar errors in judgment that we remember the most.
A few weeks ago we discussed the Oscar nomination Sins Of Omission, so let's now take a look at the performers who actually won, and how The Academy still blew it.
The 2005 nominees for Best Actor were:
David Strathairn in Good Night and Good Luck
Terrence Howard in Hustle & Flow
And The Oscar Went »
For its doodle marking what would have been François Truffaut's 80th birthday today, Google needed an iconic image. Not Catherine Deneuve or Gérard Depardieu in The Last Metro (1980) or Isabelle Adjani in The Story of Adele H. (1975) or even Jeanne Moreau in Jules and Jim (1962), but rather, and most obviously, the young Antoine Doinel on the beach. The doodle's not exactly the famous final freeze frame but nevertheless very recognizably the young Jean-Pierre Léaud in what would be both the director's and the actor's debut feature, The 400 Blows (1959).
"It's fascinating to consider the similarities and the differences between François and Antoine," wrote Kent Jones in a 2003 essay for Criterion on Antoine and Colette (1962), the short film in which Antoine, all of 17, falls in love for the first time. Kent Jones notes that Truffaut has shifted the "cultural meeting ground" of the young lovers "from the cinematheque," where Truffaut, »
10 items from 2012
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners