T, as most of his friends, lives in a self-constructed 'house', built on top of an old building in the city. Their one passion is 'combat'. Combat is a dance/streetfight during which the ... See full summary »
An old Jewish shop owner Mr. Shaddick ('Peter Falk') suddenly finds himself responsible for a little black boy named Herman Washington ('Aaron Meek') trying to escape the chaos of Harlem as... See full summary »
Jerry Ryan is wandering aimlessly around New York, having given up his law career in Nebraska when his wife asked for a divorce. He meets up with Gittel Mosca, an impoverished dancer from ... See full summary »
A group of US Navy weathermen taking measurements in the Gobi desert in World War II are forced to seek the help of Mongol nomads to regain their ship while under attack from the Japanese ... See full summary »
Enviromentalist Anne Richards goes to Washington D. C. to fight for getting legislation passed to save the last remaining sanctuary of the almost-extinct California Condor. She enlists the ... See full summary »
This film is a compendium of the facts and fiction of the events leading up to the disaster. For dramatic effect, Sabotage was chosen as the cause, rather than electricity lashing out at a couple of tons of hydrogen. Written by
Charles Holland <email@example.com>
The music the Countess plays on the Hindenburg's piano is part of Frederic Chopin's "Raindrop Prelude" in D flat major (op. 28/15). See more »
When the radio man receives the telegram regarding the death of Freda Halle, he puts it in an envelope, licks and seals it. When the message is handed to Col Ritter, he simply flips it open - it was not sealed at all. See more »
[Playing cards with the Countess, laying his hand down]
Full house! Sorry it's not strip poker, eh, Countess?
Ursula, The Countess:
[Laying her own hand down]
You'd be looking for a fig leaf. Straight flush!
See more »
I actually thought the crash sequence in "The Hindenburg" looked pretty realistic. The combination of newsreel footage and special effects was effective as it was often difficult to distinguish between the two.
Robert Wise was an editor on "Citizen Kane" and he skillfully combined studio shots with stock footage on that great film as well. What worked on both of these movies was that the new shots were matched with the archival footage in terms of quality. Scratches, shaky camera movements and other imperfections were added to the special effects sequences to blend better with the existing newsreels.
Sure the script has some flaws but let's face it, you watch a film like this to see the disaster and "The Hindenburg" delivers.
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