| Jack Palance | ... | Devil Anse Hatfield | |
| Steve Forrest | ... | Randall McCoy | |
| Richard Hatch | ... | Johnse Hatfield | |
| Karen Lamm | ... | Rose Ann McCoy | |
| James Keach | ... | Jim McCoy | |
| John Calvin | ... | Cotton Top | |
| Robert Carradine | ... | Bob Hatfield | |
| Gerrit Graham | ... | Calvin McCoy | |
| Morgan Woodward | ... | Ellison Hatfield | |
| Virginia Baker | ... | Levicy Hatfield (as Virginia Baker Palance) | |
| Joan Caulfield | ... | Sarah McCoy | |
| Joe Estevez | ... | Troy Hatfield | |
| Brooke Palance | ... | Mary Hatfield | |
| Jim Bohan | ... | Cap Hatfield | |
| Charley Young | ... | Allifair McCoy | |
| Darrell Fetty | ... | Tolbert McCoy | |
| Dick Dinman | ... | T. C. Crawford / Narrator | |
| rest of cast listed alphabetically: | |||
| Dennis Bowen | ... | Randall McCoy Jr. | |
| Charlie Briggs | ... | First Deputy | |
| Jack Garner | ... | Second Man | |
| Kurt Grayson | ... | Phamer McCoy | |
| Cal Haynes | ... | Second Deputy | |
| Tom Roy Lowe | ... | Preacher Ance Hatfield | |
| Christopher Norris | ... | Nancy McCoy | |
| Parke Perine | ... | First Man | |
| Scott P. Plummer | ... | Twinville McCoy | |
Directed by | |||
| Clyde Ware | |||
Writing credits(in alphabetical order) | ||
| Clyde Ware | ||
Produced by | |||
| George Edwards | .... | producer | |
| Charles W. Fries | .... | executive producer (as Charles Fries) | |
| Tony Ganz | .... | associate producer | |
Original Music by | |||
| Ken Lauber | |||
Cinematography by | |||
| Fred Jackman Jr. | |||
Film Editing by | |||
| Nick Archer | |||
Casting by | |||
| Eddie Foy III | |||
Art Direction by | |||
| Tom Rasmussen | |||
Set Decoration by | |||
| John Franco Jr. | |||
Costume Design by | |||
| Tom Rasmussen | |||
Makeup Department | |||
| Josephine McCarthy | .... | hair stylist | |
| Ron Snyder | .... | makeup artist (as Ronald Snyder) | |
Production Management | |||
| Claude Binyon Jr. | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Joseph M. Ellis | .... | assistant director | |
| William R. Poole | .... | second assistant director (as William Poole) | |
Art Department | |||
| Eugene Booth | .... | property master | |
Sound Department | |||
| Ray Alba | .... | sound effects editor | |
| Harold M. Etherington | .... | sound mixer (as Hal Etherington) | |
| Bert Schoenfeld | .... | sound effects editor | |
Special Effects by | |||
| Roger George | .... | special effects | |
Camera and Electrical Department | |||
| Bill Curtis | .... | gaffer (as William Curtis) | |
| Arnold L. Rich | .... | camera operator (as Arnold Rich) | |
Costume and Wardrobe Department | |||
| Dorothy Barkley | .... | wardrobe: women (as Dorothy A. Barkley) | |
| Frank Tauss | .... | costumer | |
Editorial Department | |||
| Don Chu | .... | assistant editor | |
Music Department | |||
| John Fresco | .... | music supervisor | |
| Ken Lauber | .... | conductor | |
| Ken Lauber | .... | orchestrator | |
| John Fresco | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| H.A. 'Ham' Miller | .... | transportation captain | |
Other crew | |||
| Donna Ashbrook | .... | production assistant | |
| Malcolm Stuart | .... | production executive | |
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| Mountain Mafia | Mountain Justice | The Power Divine | The Karate Kid | The Big Cat |
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| Full cast and crew | Company credits | IMDb Action section |
| IMDb USA section |
As an actual descendant of the feud, this is really 70's Hollywood at its flimsiest. Trust me, after having my family's history portrayed in comic strips, cartoons, outdoor dramas, old films and so on, this one is probably the worst as it is trying to be considered somewhat accurate, rather than what it should be which is just sheer entertainment. At least they don't portray the families as being toothless, brainless hicks. If that's one thing positive I can say, it's that. The ending is even totally off. I would have to say that even if you have the chance to watch this for free on television, I would probably see if there is some re-run of Beavis and Butthead somewhere