"The Driver" is a specialist in a rare business: he drives getaway cars in robberies. His exceptional talent prevented him from being caught yet. After another successful flight from the ... See full summary »
A squad of National Guards on an isolated weekend exercise in the Louisiana swamp must fight for their lives when they anger local Cajuns by stealing their canoes. Without live ammunition ... See full summary »
During the Great Depression, the mysterious drifter Chaney befriends the promoter of illegal street fights Speed and they go to New Orleans to make money fighting on the streets. Speed is welcomed by his mistress Gayleen Schoonoverand invites his former partner Poe to team-up with them. Meanwhile Chaney has a love affair with the local Lucy Simpson. Speed has a huge debt with the dangerous loan shark Doty and borrows money to promote the fight of Chaney and the local champion Jim Henry, who is managed by the also promoter. Casey wins the fight, they make a lot of money but Speed is an addicted gambler and loses his share in the dice table. But Doty wants his money back and Speed's only chance is Chaney accepts to bet his own money that he is saving and fight a winner that Gandil brought from Chicago. Will he accept the challenge? Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Walter Hill thought the project could become more "up market" if he made it more like a Western and set it in the past; Lawrence Gordon was from New Orleans and suggested setting it in that city. Hill says the script incorporated elements of an earlier Western he had written, Lloyd Williams and his Brother. He wrote it in a style inspired by Alex Jacobs - "extremely spare, almost Haiku style. Both stage directions and dialogue." See more »
When Bronson starts shooting up Pettibons place he uses his left hand - cut - and he uses his right hand at the end of the scene. See more »
No question about that. Great period piece with fantastic action fight scenes and terrific finale. James Coburn is beautiful as an incredibly sleezy frontman for Bronson's stoic warrior. The only downside to this film is Bronson's fanatical obsession with employing his wife, Jill Ireland, in some elevated role in which she typically doesn't belong. A very tiresome habit and a major distraction in this movie, otherwise flawless. 9/10
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