Hard Times (1975)

User Rating:

7.2/10   

Director:

Walter Hill

Writers:

Walter Hill (screenplay) and
Bryan Gindoff (screenplay) ...

Release Date:

4 September 1975 (Netherlands)

Genre:

Action | Drama

Tagline:

New Orleans, 1933. In those days words didn't say much. [DVD]

Plot:

In the depression, Chaney, a strong silent streetfighter, joins with Speed, a promoter of no-holds-barred street boxing bouts...

Plot Keywords:

New Orleans | 1930s | Shirtless Men Fighting | Gambling | Reference To Napoleon

Cast

Charles Bronson	...	Chaney
James Coburn	...	Spencer 'Speed' Weed
Jill Ireland	...	Lucy Simpson
Strother Martin	...	Poe
Margaret Blye	...	Gayleen Schoonover
Michael McGuire	...	Chick Gandil
Felice Orlandi	...	Le Beau
Edward Walsh	...	Pettibon
Bruce Glover	...	Doty
Robert Tessier	...	Jim Henry
Nick Dimitri	...	Street
Frank McRae	...	Hammerman
Maurice Kowaleski	...	Caesare
Naomi Stevens	...	Madam
Lyla Hay Owen	...	Waitress

Also Known As:

Street Fighter (Philippines: English title)
The Streetfighter (UK)

Runtime:

93 min

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono

Certification:

Australia:PG | UK:AA (original rating) | West Germany:16 (f) | Finland:K-16 | Netherlands:12 | Norway:15 (video rating) | Norway:16 (original rating) | Singapore:NC-16 | Sweden:15 | UK:15 | USA:PG

Filming Locations:

New Orleans, Louisiana, USA

Company:

Columbia Pictures Corporation

Trivia:

In a 2006 interview director Walter Hill mentioned that he had been critical of the performance of Jill Ireland, who was Charles Bronson's wife at the time. When Hill went to Bronson's home to discuss this, Bronson wouldn't shake Hill's hand -- he just showed Hill in and poured him a drink. Hill said that he would have liked to work with Bronson on other films, but that Bronson refused to work with Hill again.

Goofs:

Anachronisms: Cheney rides into town at the beginning of the film on a train pulled by a diesel electric locomotive that did no exist at the time the film is set. Later Speed and Cheney ride back to New Orleans on a steam train that would be correct for the time.

Quotes:

Speed: [making a toast] To the best man I know. To the Napoleon of southern sports: me.

Movie Connections:

Referenced in Fight Club (1999)

The Original Fight Club? More In-Between

With this, his first directing job, Walter Hill showed his tendency for archetypal characters (see the later "The Driver" - where the characters didn't even have proper names - and, of course, "The Warriors"). Here, Bronson is 'The Fighter'...Coburn is 'The Hustler'...Martin is 'The Addict-Medic'...and so forth. Bronson's final opponent is simply named 'Street' while the big guy who damages The Hustler's automobile with a big hammer is just called 'Hammerman.' They all present striking, impressive figures; you don't easily forget any of them. They stride or shuffle through a page of history, in this case Depression-era New Orleans, nicely atmospheric as shown here. Times are hard. People need to be hard, as well. One way to make good money is in pick up fights, street fights in warehouses, on docks or, in one case of rich atmosphere, in the bayou.

Chaney, aka The Fighter, as played by Bronson, true to director Hill's method of archetypes, first appears on a slow moving train from places unknown. We never learn anything of his past history, even though there's about 50 years worth there. We learn only of his incredible hitting ability in the current time frame of the story's progression. In a way, Bronson was born to play this role: he's certainly not a young man here but he looks so tough we have no trouble believing he can wipe out men 20 years his junior. With the archetype of The Fighter, the story plays out like some Depression times fable, the tale of a mystery man or warrior arrived in a city to astonish all the onlookers with his formidable fighting abilities. The fights themselves are quite memorable; the viewer has the good fortune to witness these with the shouting hordes of betting men from the safety of a couch at home. We're a part of the spectacle, a guilty participant in a brutal spectator sport, a much more gritty version of modern boxing, and we wouldn't have it any other way.

The rest of the cast is super: Coburn was never better as Speed 'The Hustler' and Chaney's front-man/manager. It's mostly through him that we hear all the phrases and quips common to those places & times, and Coburn delivers them all with a gusto & panache few are capable of. You really believe he was born as the 19th century was ending, grew up in the twenties and adjusted to the Depression accordingly. You'll always remember his retorts to the bayou residents and his last insult about fish to Gandil, the bigshot. Speed and Chaney need each other and their relationship is another strong point; Speed is all about the money, sure, but you sense he has a strong admiration for Bronson's power and quiet nobility (this is confirmed at the end). As Poe, Strother Martin created & added another indelible character to the long list on his resume. Other actors would've been saddled with some of the odd dialog he has to deliver, but he just breezes through it like a song. Glover (Crispin's dad) is also very good as a loan shark, as is McGuire as the rich Gandil. Mention should also be made of the top two fighters (Tessier & Dimitri). The film needed characters who could pose a threat to Chaney and these two looked just as tough. Now if only Chaney would explain more about those 'in-betweens'... but he doesn't say much.