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An old mother and her middle-aged daughter, the aunt and cousin of Jacqueline Kennedy Onassis, live their eccentric lives in a filthy, decaying mansion in East Hampton.
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Cast

Credited cast:
...
Herself
...
Herself
Brooks Hyers ...
Himself - Gardener
Norman Vincent Peale ...
Himself (voice)
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Storyline

The Maysles brothers pay visits to Edith Bouvier Beale, nearing 80, and her daughter Edie. Reclusive, the pair live with cats and raccoons in Grey Gardens, a crumbling mansion in East Hampton. Edith is dry and quick-witted - a singer, married but later separated, a member of high society. Edie is voluble, dresses - as she puts it - for combat in tight ensembles that include scarves wrapped around her head. There are hints that Edie came home 24 years before to be cared for rather than to care for her mother. The women address the camera, talking over each other, moving from the present to events years before. They're odd, with flinty affection for each other. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

mansion | cat | garden | singer | raccoon | See All (124) »


Certificate:

PG | See all certifications »

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Details

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Release Date:

27 September 1975 (USA)  »

Also Known As:

Két nő - egy ház  »

Box Office

Opening Weekend:

$13,845 (USA) (6 March 2015)

Gross:

$30,966 (USA) (13 March 2015)
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Company Credits

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the film, it appears as though Lois Wright only gave a box to Edith Bouvier Beale for her birthday. However, she also gave Edith the sign that reads, "The Great Singer, Big Edith Bouvier Beale". See more »

Quotes

[first lines]
Edith 'Little Edie' Bouvier Beale: What're you doing down there? You staying there?
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Connections

Referenced in College Boys Live (2009) See more »

Soundtracks

People Will Say We're in Love
Music by Richard Rodgers & Oscar Hammerstein II
Performed by Edith 'Little Edie' Bouvier Beale
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Frequently Asked Questions

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User Reviews

 
Very Sad, Very Human, Oft Funny...but with a whiff of exploitation
15 September 2003 | by (Chapel Hill, NC, USA) – See all my reviews

I was speechless and devastated after my first viewing of this - many parts of GREY GARDENS are very funny and unbelievably surreal - documentary of not, this really gives Fellini or David Lynch a run for their money in the weirdsville sweepstakes. I kept focusing on how these women (who are clinically way beyond eccentric) reveal their own humanity in the most surprising of ways, and I wonder whether their retreat from the world was prompted by something beyond the stuffiness of life in the unreal blue-blood universe, perhaps some abuse, or perhaps simply a streak of defiance and rebellion that spiralled out of their control and took on a life of its' own. This might be one of the greatest ever films that comes dangerously close to exploitation, without going completely over the edge - as the Edies do their thing, I kept noting things like the empty gin bottles in the rubble-strewn bedroom, cats urinating on the bed, racoons emerging from holes in the walls, and the final scene seemed incredibly sad - like a child's birthday party gone seriously wrong. Very definitely worth seeing and seeking out - you'll never forget it, but very disturbing.


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