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Gone with the West (1975)

After being framed, a cowboy is sent to jail. After his time is served, he leaves with vengeance in his heart. Soon he meets a young Native American woman and together they go to settle their score with a small town and its corrupt leader.

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Cast

Cast overview, first billed only:
...
Jebediah Kelsey
...
Little Moon
...
Mimmo, Stage Robber
Barbara Werle ...
Billie
...
Sheriff of Black Miller
...
Kid Dandy
...
Old Little Moon / Narrator
Mike Lane ...
Shark
Kenneth Adams ...
Artie (as Kenny Adams)
...
Smithy
Elmore Vincent ...
Jerry
Anne Barton ...
Smithy's Wife
L. Andy Stone ...
Old Jud
Paul Bergen ...
Singing Cowboy
Elizebeth Leigh ...
Gail
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Storyline

After being framed, a cowboy is sent to jail. After his time is served, he leaves with vengeance in his heart. Soon he meets a young Native American woman and together they go to settle their score with a small town and its corrupt leader.

Plot Summary | Add Synopsis

Genres:

Western | Action

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

September 1975 (USA)  »

Also Known As:

Little Moon and Jud McGraw  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

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Did You Know?

Trivia

At the end of the film, Little Moon says to Jebediah that he has killed everyone but the cameraman. Jebediah turns around and shoots the cameraman (who falls to the ground with the camera now filming from a low angle) breaking the fourth wall. See more »

Goofs

When Little Moon kills the hare/ rabbit with the sling, the shots of the hare/ rabbit show it to be in a completely different environment - more grass, less rocks. See more »

Connections

Edited into Messiah of Evil (1973) See more »

Soundtracks

A Man
Words and Music by Roger Davenport and Bob Ross
See more »

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User Reviews

 
GONE WITH THE WEST (Bernard Girard, 1975) BOMB
14 April 2008 | by (Naxxar, Malta) – See all my reviews

One of the more memorable sequences in MESSIAH OF EVIL (1973) features a major supporting character meeting her doom while at a movie screening preceded by the trailer for GONE WITH THE WEST; by sheer coincidence, within the same week I rented the former on DVD, I also came across the latter – having rented this particular budget-priced Western collection primarily because it also included THE JACKALS (1967), a remake of William A. Wellman's YELLOW SKY (1948) which I intend to revisit presently in tribute to its recently deceased co-star, Richard Widmark! The footage seen in MESSIAH OF EVIL – of a mean-looking gunslinger played by Sammy Davis Jr.(!) – promised a fun movie but, even if his cameo did prove to be its brightest spot, having now had the misfortune to sit through the damn thing in its entirety, it's perfectly clear now that the trailer had been inserted only because GONE WITH THE WEST was an as-yet unreleased debacle which needed all the exposure it could get!

This truly lamentable attempt at a Western spoof was evidently shot prior to James Caan attaining stardom with THE GODFATHER (1972) and, although he does manage a couple of decent bits, he is a long, long way from his scene-stealing turn as Mississippi in Howard Hawks' EL DORADO (1966). Despite some surprising nudity by both of them, Stefanie Powers is simply terrible as an all-Spanish-speaking Indian girl(!) and Barbara Werle fares no better as Aldo Ray's nymphomaniac wife. Ray himself is embarrassing as a grizzled cowboy and Robert Walker Jr. barely registers at all in the role of an ineffectual sheriff. Even less rewarding is seeing Hollywood veteran Heather Angel as a loony old woman – who is actually an elderly version of the same character played by Powers; not that it matters much but the film opens in a modern-day setting and the bulk of the narrative is made up of Angel's reminiscences (by which time, it seems, she had learned to muster the English language).

Retitling the film to LITTLE MOON AND JUD McGRAW (which is the name sported by the print I watched) only served to jettison the puerile original but did zilch to mask the film's glaringly rampant deficiencies (particularly those of an editorial nature). Director Bernard Girard may have been behind a couple of interesting movies prior to this one – the James Coburn caper, DEAD HEAT ON A MERRY-GO-ROUND (1966) and the Christopher Walken psychological outing, THE MIND SNATCHERS (1972) – but it's no surprise at all that GONE WITH THE WEST sealed his fate in filmdom forever. There is no doubt in my mind that this is one of the worst movies of the Seventies but, arguably, I'd even go so far as to name it the worst Western I ever laid eyes on!


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