Jerry falls in love with a stripper he meets at a carnival. Little does he know that she is the sister of a gypsy fortune teller whose predictions he had scoffed at earlier. The gypsy turns him into a zombie and he goes on a killing spree.
Director:
Ray Dennis Steckler
Stars:
Ray Dennis Steckler,
Carolyn Brandt,
Brett O'Hara
A troubled teenager seeks help through hypnotherapy, but his evil doctor uses him for regression experiments that transform him into a rampaging werewolf.
A scientist experimenting with matter transmission from place to place by means of a laser beam suddenly decides to use himself as a test specimen. But the process goes awry, and one side ... See full summary »
A black hole hits North Wisconsin and opens a door to other dimensions. Giant 15 meter spiders emerge from it, who have an appetite for human flesh! Dr. Jenny Langer and Dr. Vance from the NASA try to save the world. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
First of all, I did not see this film when it was originally released, though I would have been at exactly the right age to have my childhood completely and utterly warped by its low budget charms. I didn't see it until well into the DVD revolution, when I snapped up the disc released by Fred Olen Ray's Retromedia outfit. So my opinions are in no way colored by nostalgia. However, having grown up scarfing down the offerings of Godzilla Week and Edgar Allen Poe/Vincent Price Week on WABC-TV's "The 4:30 Movie," as well as frequent viewings of Hammer Studios product on WOR-TV, I had all the necessary childhood exposure to shlock to appreciate this work of monster mastery by the Inoshiro Honda of Cheesheads, Bill Rebane. Having continued my education thanks to the VHS and DVD revolutions, exploring further down the pile, and finally having committed the complete works of Ed Wood to memory, I was probably finally prepared to consume the cinematic leavings of Mr. Rebane.
Fortunately, this was the first of Rebane's works to meet my uncomprehending eyeballs. Good move, because if I had watched any of his other productions, I don't know if I would have bothered with TGSI. Anyway, here Rebane has some actual professional Hollywood actors on hand in the form of The Skipper and that lady that played Della Street. This helps matters immensely, and believe me, Rebane needs all the help he can get. When your monster is a beat-up VW Beetle covered in black shag carpeting and bendy straws (I'm probably making it sound more convincing with that description than it actually is), you really have to make up the difference somewhere else.
Anyway, the plot unfolds pretty predictably for a story like this, and we are treated to some fun, rollicking low-budget monster action. If you go into this with a way-open mind and a sense of fun, (and perhaps some adult beverages), you might find some enjoyment here. But I would stay away from Rebane's other works---"Invasion From Inner Earth," "The Legend of Bigfoot" and several others too sad to even mention.
Okay, I will mention Rebane's involvement in the worst excuse for a movie ever made, "Monster-A-Go-Go," which started off as an aborted project that Rebane never completed, and was "finished" by Herschell Gordon Lewis in one of the most cynical cash grabs ever in the history of filmmaking. But Rebane is not entirely culpable on that score, so I will give him a partial break on that.
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First of all, I did not see this film when it was originally released, though I would have been at exactly the right age to have my childhood completely and utterly warped by its low budget charms. I didn't see it until well into the DVD revolution, when I snapped up the disc released by Fred Olen Ray's Retromedia outfit. So my opinions are in no way colored by nostalgia. However, having grown up scarfing down the offerings of Godzilla Week and Edgar Allen Poe/Vincent Price Week on WABC-TV's "The 4:30 Movie," as well as frequent viewings of Hammer Studios product on WOR-TV, I had all the necessary childhood exposure to shlock to appreciate this work of monster mastery by the Inoshiro Honda of Cheesheads, Bill Rebane. Having continued my education thanks to the VHS and DVD revolutions, exploring further down the pile, and finally having committed the complete works of Ed Wood to memory, I was probably finally prepared to consume the cinematic leavings of Mr. Rebane.
Fortunately, this was the first of Rebane's works to meet my uncomprehending eyeballs. Good move, because if I had watched any of his other productions, I don't know if I would have bothered with TGSI. Anyway, here Rebane has some actual professional Hollywood actors on hand in the form of The Skipper and that lady that played Della Street. This helps matters immensely, and believe me, Rebane needs all the help he can get. When your monster is a beat-up VW Beetle covered in black shag carpeting and bendy straws (I'm probably making it sound more convincing with that description than it actually is), you really have to make up the difference somewhere else.
Anyway, the plot unfolds pretty predictably for a story like this, and we are treated to some fun, rollicking low-budget monster action. If you go into this with a way-open mind and a sense of fun, (and perhaps some adult beverages), you might find some enjoyment here. But I would stay away from Rebane's other works---"Invasion From Inner Earth," "The Legend of Bigfoot" and several others too sad to even mention.
Okay, I will mention Rebane's involvement in the worst excuse for a movie ever made, "Monster-A-Go-Go," which started off as an aborted project that Rebane never completed, and was "finished" by Herschell Gordon Lewis in one of the most cynical cash grabs ever in the history of filmmaking. But Rebane is not entirely culpable on that score, so I will give him a partial break on that.