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A Genius, Two Friends, and an Idiot (1975)
"Un genio, due compari, un pollo" (original title)

6.3
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Ratings: 6.3/10 from 3,065 users  
Reviews: 12 user | 10 critic

Three rogues set out to rob $300,000 from an Indian-hating cavalry major.

Directors:

, (uncredited)

Writers:

(screenplay), (screenplay), 3 more credits »
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Title: A Genius, Two Friends, and an Idiot (1975)

A Genius, Two Friends, and an Idiot (1975) on IMDb 6.3/10

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Cast

Cast overview, first billed only:
...
Joe Thanks / Nobody
...
Lucy (as Miou Miou)
Robert Charlebois ...
Bill Locomotiva / Steamengine Bill
...
Raimund Harmstorf ...
Sergeant Milton
Piero Vida ...
Jacky Roll
Rik Battaglia ...
Captain
Mario Valgoi ...
Thomas Trader
...
Coach driver
Friedrich von Ledebur ...
Don Felipe, the priest (as Frederick von Ledebur)
Jean Martin ...
Colonel Pembroke
...
Doc Foster
Clara Colosimo ...
La ruffiana
Fernando Cerulli ...
Her husband (as Ferdinando Cerulli)
Benito Stefanelli ...
Mortimer
Edit

Storyline

Expert conman Joe Thanks teams up with half-breed Bill and naive Lucy to steal $300,000 from the Indian-hating Major Cabot. Their elaborate plan is full of disguises, double-crosses, and chases, but Joe always seems to know what he's doing. Written by lonamer

Plot Summary | Add Synopsis

Genres:

Comedy | Western

Certificate:

See all certifications »
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Details

Country:

| |

Language:

Release Date:

19 December 1975 (Italy)  »

Also Known As:

A Genius, Two Friends, and an Idiot  »

Filming Locations:


Box Office

Budget:

ITL 3,500,000,000 (estimated)

Gross:

SEK 720,215 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The film was released in West Germany under the title "Nobody ist der Größte", and in Denmark under the name "Jeg hedder stadigvæk Nobody", to create the illusion that it was a sequel to My Name Is Nobody (1973) (aka "Mein Name ist Nobody"/"Mit navn er Nobody"). See more »

Goofs

When Major Cabot brings Bill and Lucy to the cell, they go through a room with flags which are supposed to be the state flags of the United States. If you watch closely you can see the flags of the European Union and of East Germany. See more »

Quotes

Doc Foster: [to Joe] In a few moments you'll be the deadest man that ever lived!
See more »

Connections

Referenced in è solo questione di punti di vista (2012) See more »

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User Reviews

 
Looks beautiful and every now and then impresses with its visual splendor but the script is mired in distraction and inconsequence
17 October 2009 | by (Greece) – See all my reviews

Not as obviously or patently a Sergio Leone movie as MY NAME IS NOBODY from a few years earlier but still as Leonesque as a movie can possibly be while still playing ball in Enzo Barboni's slapstick turf (quite possibly the worst spaghetti western niche), this RAFRAN produced movie is heavily flawed but eminently watchable even when it doesn't make a lick of sense. Leone being Leone, he had to stick in his hand, even in a movie in which he had no creative stakes (unlike My Name is Nobody). The opening scene is a masterclass in directing as one would expect from a master cinematician even if it amounts to little more than moody silence and gliding tracking shots. Those who appreciated the slow-burn dynamics of ONCE UPON A TIME IN THE WEST, will be spellbound for the duration. It's a fantastic opening to a movie that never quite capitalizes on it. The script is mired in inconsequential distractions and tacky "end of the West" commentary delivered without an ounce of subtlety ("the old man will go away", says Hill about an old Indian chief in the end as the rest of his Indian band prepare to take off without him dressed in fancy clothes and hats, "he represents the old West" #%^!) and the goofy hijinks Terence Hill became known for do the movie little favour but every now and then director Damiano Damiani comes up with a scene or a setup that impresses with its visual splendor. The Carlo Simi-designed sets, the beautiful locations in John Ford's turf in Monument Valley, and the technical skill involved in front and behind the camera (not Ennio Morricone's score though, which is far from his best work), are all far better than 95% of spaghetti westerns could ever afford, then or a decade before, so this should still be of some interest to the hardened spaghetti aficionado. Traditional Ford/Hawks loyalists should keep their distance though.


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