Join host Ben Lyons for our live conversation with Mike Colter, star of "Jessica Jones," and Rachael Harris, star of "Lucifer," as we discuss their latest projects and history in Hollywood. Tune into Amazon.com/IMDbAsks on Wednesday at 7 p.m. ET/4 p.m. PT to watch, live chat, and even ask a question yourself! This livestream is best viewed on laptops, desktops, and tablets.
A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ... See full summary »
Henrietta Robins works out of her home and her husband Pete drives a cab to try to support her. When Pete gets a tip from one of his fellow drivers that a deal will be made by the Americans... See full summary »
Can a bickering odd couple in Manhattan become friends and maybe more? Owlish Felix is an unpublished writer who vents his frustration by reporting to the super that the woman in a ... See full summary »
A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an ... See full summary »
Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to ... See full summary »
Executive George Dupler loses his temper and is demoted to the night manager at a 24 hour drugstore. After he suggests to his teenage son Freddie that he stop having an affair with suburban... See full summary »
Rose and Gregory, both Columbia University professors meet when Rose's sister answers Gregory's "personals" ad. Several times burned, the handsome-but-boring Gregory believes that sex has ... See full summary »
The continuing story of Fanny Brice following that depicted in Funny Girl (1968) is presented. An established star on Broadway as a headliner for the Ziegfeld Follies, Fanny and the rest of the world are hitting difficult times entering into the 1930s. Her marriage to Nicky Arnstein, who she still loves is ending in divorce, and even Florenz Ziegfeld Jr. is having trouble coming up with money to continue to produce the Follies. Along comes brash nightclub owner, song lyricist and wannabe impresario Billy Rose, who says he can raise the money and has the material to produce his own revue, which he wants to star Fanny. Fanny is both attracted to and repelled by Billy because of his chutzpah, his stubbornness and knowing that underneath his outer veneer is the soul of a true hustler... much like she was when she was first starting out and much like she still is now. Through their professional trials and tribulations, they slowly start to fall for each other. But Fanny admits that Nicky ... Written by
Cinematographer Vilmos Zsigmond was originally hired as director of photography, but after executives watched the dailies of the musical number "Great Day", they agreed Zsigmond's lighting style (modeled after musical theatre in the 1930s) was too dark and he was fired. Director Herbert Ross objected, and star Barbra Streisand was surprised by Zsigmond's dismissal. James Wong Howe was coaxed out of his retirement to shoot the film, but midway through he fell ill and was absent for 10 days. In the interim, cinematographer Ernest Laszlo was called in; Laszlo's work included the Aquacade sequence filmed near the USC campus. Aerial photographer Nelson Tyler assisted in the "Let's Hear It for Me" number filmed at Santa Monica's airport. See more »
When Fanny Brice takes off, singing, in the yellow biplane, the plane is shown taking off from a runway clearly marked with Instrument Landing System (ILS) bars, which had not yet been developed in the late 1920's when the scene is set. See more »
[referring to having borrowed money from the mob to finance his show]
They're gonna build me into the West Side Highway.
That's the only good news I've heard tonight.
I'm not kidding.
Neither am I.
See more »
The 1968 film version of FUNNY GIRL was an absolute masterpiece, and as perfect as a musical-comedy film can be. A sequel to this classic was not something that was ever needed to be made, but since the original was so successful (FUNNY GIRL was the highest-grossing film of 1968) and well-loved, it was pretty obvious why producer Ray Stark wanted to make this follow-up so badly. It took awhile, but he eventually convinced Streisand to sign on and reprise her role as Fanny Brice, with Herbert Ross (who had staged the musical numbers in the original film and had directed Streisand in the box office hit THE OWL AND THE PUSSYCAT) set to direct. Although the film was generally well-received by most critics and proved to be another big box office hit, many fans of the sweet-natured original did not care for the slightly more harsh and cynical tone of this follow-up, and it has since fallen out of favor with many Streisand fans.
While no film could ever recapture the easy charm and beautiful sentiment of FUNNY GIRL, FUNNY LADY is highly entertaining when viewed on it's own terms. Streisand plays the now-hard-bitten Fanny with a depth and maturity that is very different from her characterization in the first film, but almost equally as stunning. Many viewers often complain that James Caan was badly miscast as Billy Rose. While Caan is physically wrong for the role of the short, unattractive Rose, he still comes across as oddly likable, and he has a nice comic chemistry with Streisand. Roddy McDowell is fun as Fanny's assistant, and veteran hoofer Ben Vereen brings down the house with a incredible, almost gravity-defying dance routine. Omar Shariff also returns for two very effective scenes as Nick Arnstein, the man Fanny will always love, but can't seem to live with.
Though Streisand is in terrific singing voice, the song score is a bit more hit-and-miss. The period standards that Streisand vividly performs (particularly the bittersweet "More Than You Know," the gospel-infused "Great Day," and the heart-wrenching "If I Love Again") are absolutely fantastic, however, the heavily-promoted original songs from Cabaret composers Kander and Ebb are a major disappointment. The intended show-stopper "How Lucky Can You Get" is fine number that is made memorable by Streisand's scorching performance, however, the remainder of the original songs ("Blind Date," "Let's Here It For Me") are pretty forgettable despite Streisand's impassioned vocals. Fortunately, these few mediocre numbers (and the rather predictable narrative) are flaws that are very easy to forgive. No, FUNNY LADY doesn't hold a candle to FUNNY GIRL, but the film remains a fun and enjoyable ride that should entertain those who loved the original.
15 of 17 people found this review helpful.
Was this review helpful to you?