The life of Fanny Brice, famed comedienne and entertainer of the early 1900s. We see her rise to fame as a Ziegfield girl, subsequent career and her personal life, particularly her relationship with Nick Arnstein.
Henrietta Robins works out of her home and her husband Pete drives a cab to try to support her. When Pete gets a tip from one of his fellow drivers that a deal will be made by the Americans... See full summary »
Hillary Kramer, successful Perfume magnate awakes one morning to find that her accountant has robbed her blind and left for South America. Going through all of her remaining assets she ... See full summary »
Can a bickering odd couple in Manhattan become friends and maybe more? Owlish Felix is an unpublished writer who vents his frustration by reporting to the super that the woman in a ... See full summary »
Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
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A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an ... See full summary »
Executive George Dupler loses his temper and is demoted to the night manager at a 24 hour drugstore. After he suggests to his teenage son Freddie that he stop having an affair with suburban... See full summary »
The continuing story of Fanny Brice following that depicted in Funny Girl (1968) is presented. An established star on Broadway as a headliner for the Ziegfeld Follies, Fanny and the rest of the world are hitting difficult times entering into the 1930s. Her marriage to Nicky Arnstein, who she still loves is ending in divorce, and even Florenz Ziegfeld Jr. is having trouble coming up with money to continue to produce the Follies. Along comes brash nightclub owner, song lyricist and wannabe impresario Billy Rose, who says he can raise the money and has the material to produce his own revue, which he wants to star Fanny. Fanny is both attracted to and repelled by Billy because of his chutzpah, his stubbornness and knowing that underneath his outer veneer is the soul of a true hustler... much like she was when she was first starting out and much like she still is now. Through their professional trials and tribulations, they slowly start to fall for each other. But Fanny admits that Nicky ... Written by
After the scene of Brice doing her radio show, there is a shot supposedly of the NBC building in Los Angeles. The building shown is actually the redressed Pan Pacific Auditorium which, while of the correct period, looks nothing like the actually NBC building. The Pan Pacific Auditorium was used in Xanadu (1980) as the nightclub opened at the end of the picture. See more »
When Fanny Brice takes off, singing, in the yellow biplane, the plane is shown taking off from a runway clearly marked with Instrument Landing System (ILS) bars, which had not yet been developed in the late 1920's when the scene is set. See more »
[referring to having borrowed money from the mob to finance his show]
They're gonna build me into the West Side Highway.
That's the only good news I've heard tonight.
I'm not kidding.
Neither am I.
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Barbra Streisand reprised her Oscar-winning role of Fanny Brice in 1975's FUNNY LADY, a big splashy musical that centers around Fanny at the height of her stardom and her stormy relationship with second husband, Billy Rose (James Caan). Much has been written about how unnecessary this sequel was and how it wasn't very factual regarding Fanny and Billy's marriage. First of all, Hollywood has always had sequel-itis. Any movie that makes a decent profit at the box office is going to have a sequel sooner or later. Second, as far as accuracy is concerned, does anyone really think FUNNY GIRL stuck to the facts? FUNNY GIRL was about as close to a factual biography of Fanny Brice as a Harlequin romance novel, but people loved it and Barbra won an Oscar. For what it is, FUNNY LADY is a very entertaining movie with a charismatic starring performance by Streisand as an older, wiser, and more savvy Fanny who is definitely in charge of her own life now...that is, until Nick Arnstein (Omar Sharif, in a gratuitous cameo)briefly re-enters her life. The film really focuses on Fanny's relationship with Rose, antagonistic at first but it does grow into a relationship based on mutual respect and affection, but not love or passion, which Fanny had with Nick. I love the scene where Billy proposes to Fanny because it's more like a business merger than a marriage proposal. These people are clearly not in love with each other but they are both lonely and need each other so they agree to a marriage they don't really want. The musical numbers, for the most part, are well-staged if not terribly original. There's a definite "been there done that" feel to some of the numbers. Fanny on stage in an empty theater belting out "How Lucky Can You Get?" reminded me of Fanny on stage in an empty theater belting out "I'm the Greatest Star." And many comparisons have been made to "Let's Hear it from Me" to "Don't Rain on my Parade", except that Fanny takes off in a plane instead of chasing a tugboat. Barbara shines in the "Big Day" production number and her take on two lovely ballads "Isn't this Better?" and "If I Love Again" is memorable. The score effectively combines songs from Fanny's era as well as new songs by John Kander and Fred Ebb (CABARET). Cann is charming as Billy Rose and Sharif has aged surprisingly well. Kudos also to Ben Vereen for his one-show-stopping number, "Clap Hands, Here Comes Charlie". Not historically accurate or terribly original, but FUNNY LADY is an entertaining musical with Barbra in top form and her fans will not be disappointed.
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