The life of comedienne Fanny Brice, from her early days in the Jewish slums of the Lower East Side, to the height of her career with the Ziegfeld Follies, including her marriage to and ... See full summary »
Rose and Gregory, both Columbia University professors meet when Rose's sister answers Gregory's "personals" ad. Several times burned, the handsome-but-boring Gregory believes that sex has ... See full summary »
Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to ... See full summary »
Two singers, best friends Lorelei Lee and Dorothy Shaw travel to Paris pursued by a private detective hired by Lorelei's fiancé's disapproving father to keep an eye on her, a rich, enamoured old man and many other doting admirers.
Delphine and Solange are two sisters living in Rochefort. Delphine is a dancing teacher and Solange composes and teaches the piano. Maxence is a poet and a painter. He is doing his military... See full summary »
1930s in New York. The famous singer Fanny Brice has divorced her first husband Nicky Arnstein. During the depression she has trouble finding work as an artist but meets Billy Rose, a newcomer who writes lyrics and owns his own nightclub. Written by
Barbra Streisand was considering Robert Blake for the role of Billy Rose, whom he resembled more than the actor who eventually played him in the film, James Caan. Streisand had Blake come to her house and read the script with her. After the read-through, an impressed Streisand asked Blake if he's like to do the part. "I just did," said Blake, miffed that he had been made to audition. He walked out of Streisand house, and the role was given to Caan. See more »
Near the end of the movie, in a meeting between Brice and Rose, they discuss his divorce from Eleanor Holm. Rose and Holm divorced three years after Brice's death, so the discussion could not have taken place as portrayed in the film. See more »
[referring to having borrowed money from the mob to finance his show]
They're gonna build me into the West Side Highway.
That's the only good news I've heard tonight.
I'm not kidding.
Neither am I.
See more »
Barbra Streisand reprised her Oscar-winning role of Fanny Brice in 1975's FUNNY LADY, a big splashy musical that centers around Fanny at the height of her stardom and her stormy relationship with second husband, Billy Rose (James Caan). Much has been written about how unnecessary this sequel was and how it wasn't very factual regarding Fanny and Billy's marriage. First of all, Hollywood has always had sequel-itis. Any movie that makes a decent profit at the box office is going to have a sequel sooner or later. Second, as far as accuracy is concerned, does anyone really think FUNNY GIRL stuck to the facts? FUNNY GIRL was about as close to a factual biography of Fanny Brice as a Harlequin romance novel, but people loved it and Barbra won an Oscar. For what it is, FUNNY LADY is a very entertaining movie with a charismatic starring performance by Streisand as an older, wiser, and more savvy Fanny who is definitely in charge of her own life now...that is, until Nick Arnstein (Omar Sharif, in a gratuitous cameo)briefly re-enters her life. The film really focuses on Fanny's relationship with Rose, antagonistic at first but it does grow into a relationship based on mutual respect and affection, but not love or passion, which Fanny had with Nick. I love the scene where Billy proposes to Fanny because it's more like a business merger than a marriage proposal. These people are clearly not in love with each other but they are both lonely and need each other so they agree to a marriage they don't really want. The musical numbers, for the most part, are well-staged if not terribly original. There's a definite "been there done that" feel to some of the numbers. Fanny on stage in an empty theater belting out "How Lucky Can You Get?" reminded me of Fanny on stage in an empty theater belting out "I'm the Greatest Star." And many comparisons have been made to "Let's Hear it from Me" to "Don't Rain on my Parade", except that Fanny takes off in a plane instead of chasing a tugboat. Barbara shines in the "Big Day" production number and her take on two lovely ballads "Isn't this Better?" and "If I Love Again" is memorable. The score effectively combines songs from Fanny's era as well as new songs by John Kander and Fred Ebb (CABARET). Cann is charming as Billy Rose and Sharif has aged surprisingly well. Kudos also to Ben Vereen for his one-show-stopping number, "Clap Hands, Here Comes Charlie". Not historically accurate or terribly original, but FUNNY LADY is an entertaining musical with Barbra in top form and her fans will not be disappointed.
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