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Friday Foster (1975)

Friday Foster, an ex-model magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to ... See full summary »

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(screenplay) (as Orville Hampton), (story)
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Cast

Cast overview, first billed only:
...
...
Colt Hawkins
...
Ford Malotte
...
Blake Tarr
...
...
Enos Griffith
...
Noble Franklin
...
Fancy Dexter
Tierre Turner ...
Cleve
Paul Benjamin ...
Sen. David Lee Hart
Jason Bernard ...
Charles Foley
Ed Cambridge ...
Lt. Jake Wayne (as Edmund Cambridge)
...
Monk Riley
Rosalind Miles ...
Clorils Boston
...
Yarbro
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Storyline

Friday Foster, an ex-model magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to assassinate Tarr. Foster photographs the melee and is plunged into a web of conspiracy involving the murder of her childhood friend, a US senator, and a shadowy plan called "Black Widow". Written by Erik Gregersen <erik@astro.as.utexas.edu>

Plot Summary | Add Synopsis

Taglines:

BLAKE TARR - A billionaire with a brain. Friday couldn't resist him. See more »

Genres:

Action

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

1 August 1977 (Sweden)  »

Also Known As:

Assassinio all'aeroporto  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

"Friday Foster" was based on a newspaper comic strip that debuted January 18, 1970, by writer Jim Lawrence and artist Jorje Longeron. It was the first mainstream comic strip with a black lead character. The movie gives a "thank you" credit to Chicago Tribune Syndication, which licensed the comic strip to newspapers. Ironically, by the time the movie was released in 1975, the comic strip was no more, having ended the previous year. See more »

Goofs

When Friday goes on assignment to photograph Blake Tarr's arrival in Los Angeles, the iconic Washington Dulles Airport terminal building is shown. See more »

Quotes

Friday Foster: [to Blake] You treat a person like a person... and a woman like a woman.
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Connections

Referenced in Intimate Portrait: Pam Grier (1999) See more »

Soundtracks

Friday
Written by Bodie Chandler
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User Reviews

 
A Total HOOT! Yay Pam!
7 December 2004 | by (NYC) – See all my reviews

I don't understand all the negative reviews this film has received on this site--it's a total hoot. It may not have the story or grittiness of Coffy or Foxy Brown, but it has all the fun elements, and plenty of 'em. I watched Foxy Brown expecting a hilarious time capsule of black 70s style, slang, and b-grade action, and was surprised that it was actually a great movie. THIS is the movie I expected, and it is great just for being what it is.

My favorite scene of all is when Ted Lange (Isaac from Love Boat) drives up in his Cadillac, trying to persuade Friday to join his harem. Pam is hilarious in this scene, as is Lange, with his WONDERFUL speech about his ladies' fine clothes, ride, heavy blow, and best of all, they each have their own personal health and welfare plan! Then cut to the 'ladies,' who are THE skankiest trash you could imagine. Friday refuses, and Fancy says 'Well, at least you have to admit my sh*t is… HEEEEAAAAAAAVVVVVVYYYYYYY!' I'm sorry, who can resist this?

MINUTES after this we see Carl Weathers in his red-and-white plaid jacket with mirrored sunglasses! Then Chloris (friend of Friday's) throws MASSIVE shade at Friday for not running at her beck and call! Then Eartha Kitt delivers this speech about her new fashion collection, called 'the four seasons of S-E-X…. rrroooawwww!' As you can see the hits come fast and furious in this little gem.

Special mention must be made of the fashion show. Four women come out VERY dramatically, as this insipid music repeats its four-bar melody over and over and over. They never alter the expression on their faces, they engage in these vogue-type gestures that are stiff and ridiculous… after a certain point it becomes this sort of alien pantomime bearing no relation to anything human. Was this supposed, at one time, to be sexy? Is this what all our 'sexy' Britney's and co. will look like in 30 years? Take special note of the one in white--she looks like the creature from the black lagoon or that floating head from 'Zardoz,' and NEVER alters her living corpse expression.

Pam is great and fun as ever, and she has more to DO here than in Foxy Brown or Coffy, much as I love them. Here she plays more of a human with a sense of humor. There is also a parade of FIIIIINE-lookin' men ('You don't forget the fine-lookin' ones' says Friday), including Carl Weathers and Thalamus Rasulala.

There were also quite a few snappy little one-liners that went by so fast they're almost hard to catch. Anyway, not the best Pam Grier movie in terms of quality, but maybe the best in terms of fun, laughs, and just WAYYYY out-there 70s mojo.

--- Check out my website devoted to bad and cheesy movies: www.cinemademerde.com


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