2 items from 2016
Undisputed Fact: Roger Corman is the greatest B picture producer of all time. His ability to find (and exploit, if we’re being honest) amazing talent and pull together movie miracles on miniscule budgets is nothing short of astonishing. However, it’s often downplayed what a smart, succinct director he was on many a project. X: The Man with the X-Ray Eyes (1963) is a stellar example of his talent behind the lens.
Released by Aip in September, X turned a tidy profit on top of its $250,000 budget. Critics were generally kind, but dismissive, calling X well made hokum, essentially. And due to its meager fundage X certainly shows its pedigree through petty set design. But…there’s a kinetic buzz that permeates every frame of X, a swirling colorgasm that bleeds through with Corman’s gift for storytelling. X rises from pulp to a lucid perfection.
Dr. Xavier (Ray Milland »
- Scott Drebit
More Best Picture Oscar winners have had sequels than you may think. This lot, in fact...
There’s still an element of snobbery where sequels to certain films is concerned. Whereas it’s now almost compulsory to greenlight a blockbuster with a view of a franchise in mind, it’s hard to think of most Best Picture Oscar winners being made with a follow-up in mind. Yet in perhaps a surprising number of cases, a sequel – or in the case of Rocky, lots of sequels – have followed.
These cases, in fact…
Followed by: The Road Back
Don’t be fooled into thinking sequels for prestigious movies are a relatively new phenomenon. Lewis Milestone’s 1930 war epic All Quiet On The Western Front, and its brutal account of World War I, is still regarded as something of a classic. A solid box office success, »
2 items from 2016
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