Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
New York narcotics detective Popeye Doyle follows the trail of the French connection smuggling ring to France where he teams up with the gendarmes to hunt down the ringleader. Written by
Keith Loh <firstname.lastname@example.org>
Gene Hackman almost passed on this film. He felt that the length of time between the original and the sequel would hurt the film's chances for success. See more »
In the beginning of the movie, when Doyle arrives with his suitcases at the dock, a girl in a flowered dress and a boy in a yellow shirt run past him towards his right-hand side. In the next shot, when we see Doyle from the front, the same girl and boy are climbing up on a fence on his left-hand side. See more »
The French Connection and its sequel are the Grandfather to such classics as To Live and Die in L.A., Copland, and Narc, and the anti-thesis of all of those 80's flops either far too "Hollywood" or far too "by the book". Hackman is still the "knock down, drag out", shoot first ask later 2-fisted narc that doesn't know what Miranda means that he was in part I, but with a change of scenery that takes him across the pond. The terrain has changed, but the raw unadulterated character acting of Hackman still makes it one hell of a roller coaster ride.
Rife with dirty cops, drug smugglers, and French thugs, this movies direction and writing reminds instantly that it is part of the production catalyst that would later see series like The Shield have such success in prime time TV. The 70's rarely pulled punches when it came to top billed cop movies, starting with Dirty Harry, the original French Connection and then snowballing into classics like Serpico. The French Connection II is no exception. This movie won't disappoint any fan of either the original, or anyone that wanted to see for themselves Gene Hackman carrying a lead action role almost through the screen.
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