It's 1649: Mazarin hires the impoverished D'Artagnan to find the other musketeers: Cromwell has overthrown the English king, so Mazarin fears revolt, particularly from the popular Beaufort.... See full summary »
The story of Louis XIV of France and his attempts to keep his identical twin brother Philippe imprisoned away from sight and knowledge of the public, and Philippe's rescue by the aging ... See full summary »
King Louis XIV has without his knowledge a twin brother, Philippe, but when he is told, he immediately locks up his brother in the Bastille. The king wants to increase his popularity and ... See full summary »
On his deathbed Carmine Vespucci's father tells him to "get Proclo". With "the hit" on, Gaetano tells a cab driver to take him where Carmine can't find him. He arrives at the Ritz, a gay ... See full summary »
A very long, beginning-to-end life story of an eighteenth century womanizer that is arrested, not so much for his crimes, but because he is viewed as an undesirable by the husbands and ... See full summary »
D'Artagnan has become a Musketeer. Protestants hold La Rochelle, and the Queen loves Buckingham, who'll soon send ships to support the rebels. Richelieu enlists Rochefort to kidnap Constance, the Queen's go-between and D'Artagnan's love. The Cardinal uses the wily, amoral Milady de Winter to distract D'Artagnan. But soon, she is D'Artagnan's sworn enemy, and she has an unfortunate history with Athos as well. Milady goes to England to dispatch Buckingham; the Musketeers fight the rebels. Milady, with Rochefort's help, then turns to her personal agenda. Can D'Artagnan save Constance, defeat Rochefort, slip de Winter's ire, and stay free of the Cardinal? All for one, one for all. Written by
Producers Ilya Salkind and Alexander Salkind were sued by the actors who claimed they were tricked into thinking the film was to be part of The Three Musketeers (1973). They won their case in court, but did not receive as much money as they would have if they were paid separately for both films. See more »
The English troops being reviewed by Buckingham are carrying Union Flags. Although that flag did exist at this date, it was not used by the Army until the Act of Union (which brought England and Scotland together as one State) roughly seventy years later - they should still have been carrying flags bearing only the Cross of St George. See more »
[He is face to face with Milady]
The Gascon was right... you're still beautiful.
[He advances into the light; she recognizes him]
The Comte de la Fere!
No, Milady. The Comte de la Fere is dead. You killed me years ago... out riding on a summer's day.
[Her hand strays towards the hidden brand on her left shoulder]
It's burned no deeper into you than it is into me.
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I was forced to wait 6 months between watching "The Three Musketeers" and getting an opportunity to watch this "sequel" (shot at the same time) and it was agony, though I was somewhat afraid that the second one would not live up to its predecessor. I am glad to say that I was completely wrong and that this one more than lives up to its companion. The action is just as fast and the characters as endearing (because, as we learn, only Porthos could find "a new way to disarm himself" - and then make it work when it counted!) But comedy aside (such as our heroes eating breakfast in the middle of a battle), the serious turns that had to be taken in order to stay true to Dumas' novel were very well done also. Oliver Reed imparts his loathing for Milady DeWinter not only with his words, but also with the expression in his [gorgeous] eyes and when he holds her at gunpoint in order to get the Cardinal's warrant, several seconds go by in which you as a viewer actually believe that he will kill her right there in cold blood. In fact, Reed is, in my opinion, truly the star of this picture as his character of Athos attempts to mentor young D'Artangan and prevent him from being hurt. Michael York is, as usual, wide-eyed and very courageous and Finlay and Chamberlain continue to be terrific fops but it is Reed that carries them through. Kudos also have to go to Faye Dunaway as Milady - she is truly evil and charming at the same time and you can see how her character manages to be so good at what she does. I encourage everyone to see this movie - especially as a companion to "The Three Musketeer" - and support those in favor of having an edited-together three hour version. It is truly a classic. (And side note to my fellow students - if you don't have time to read the book "The Three Musketeers," rent these two movies and you'll get the gist of what you need to know.)
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