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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009

15 items from 2017


Human Centipede’s Ashley Williams to attend Horror-Rama IV

9 hours ago | Blogomatic3000 | See recent Blogomatic3000 news »

Horror-Rama Toronto, the Only stand-alone horror convention and cult cinema celebration, returns for its 4th year in a larger and wilder space with a gaggle of amazing celebrity guests and cinema icons –including actress Ashley C. Williams in her Canadian convention debut!

Ashley found instant cult infamy for her tragic turn in director Tom Six’s notorious black-comic horror masterpiece The Human Centipede where she was stitched rear-to-mouth as the middle segment of a mad scientist’s insane experiment. In 2015 she received acclaim for her blistering turn in director Matthew A. Brown’s psychological horror film Julia and both she and Brown (who will also be attending Horror-Rama 2017) will screen their masterpiece and meet their fans.

Ashley joins previously announced special guests: John Harrison (Creepshow, Day of the Dead, Tales from the Darkside, Dune); Frank Henenlotter (Basket Case, Brain Damage); Mink Stole (Pink Flamingos, Female Trouble, Serial Mom); Vernon Wells »

- Phil Wheat

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New Guests Announced for Horror-Rama Toronto IV, Including Tales From The Darkside: The Movie Director John Harrison

3 October 2017 7:04 AM, PDT | DailyDead | See recent DailyDead news »

Director John Harrison (Tales from the Darkside: The Movie) and actress Lesleh Donaldson (Happy Birthday to Me) are joining the list of guests set to attend Horror-Rama Toronto IV, which kicks off on November 4th and will screen cult cinema favorites throughout the weekend!

We have the official press release below with full details on the new guest announcements, and to learn more, visit Horror-Rama Toronto's official website.

Press Release: Horror-rama-toronto IV Celebrating All Things Horror

November 4 & 5, 2017 at 918 Bathurst St., Centre for Culture, Arts, Media, and Education

Just Announced: Lesleh Donaldson and John Harrison attending.

Horror-Rama-Toronto, the Only stand-alone horror convention and cult cinema celebration, returns for its frightful 4th year, in a larger and wilder space with a gaggle of amazing celebrity guests and cinema icons.

The shocking soiree runs November 4 and 5 at the remarkable 918 Bathurst, an arts and culture sanctuary and converted Buddhist temple located just North of Bloor St. »

- Tamika Jones

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Horror-Rama IV adds two more guests!

2 October 2017 5:20 AM, PDT | Blogomatic3000 | See recent Blogomatic3000 news »

Horror-Rama Toronto, the Only stand-alone horror convention and cult cinema celebration, returns for its 4th year in a larger and wilder space with a gaggle of amazing celebrity guests and cinema icons – including the already announced Frank Henenlotter (Basket Case, Brain Damage); Mink Stole (Pink Flamingos, Female Trouble, Serial Mom); Vernon Wells (Mad Max 2: The Road Warrior, Commando, Weird Science); Lisa Langlois (Class of 1984, Deadly Eyes); Composer Carl Zittrer (Children Shouldn’t Play with Dead Things, Black Christmas, Deathdream, Blood Orgy of the She Devils); Illustrator Mike Diana; Artist and Something Weird Video braintrust Lisa Pettrucci; and Night of the Living Dead co-writer and producer John Russo

Horror-Rama organisers have also just announced that the guest line-up will be boosted by two, with the appearance of Scream Queen Lesleh Donaldson (Happy Birthday to Me, Deadly Eyes, Funeral Home) and writer, director and actor John Harrison (Creepshow, Day of the Dead, »

- Phil Wheat

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Interview: Actress Mink Stole Reflects on Her Career and Serial Mom

8 May 2017 4:02 PM, PDT | DailyDead | See recent DailyDead news »

This week, Scream Factory is releasing a fantastic Collector’s Edition Blu-ray for John Waters’ subversive domestic comedy, Serial Mom, which follows a well-meaning mother (Kathleen Turner) who embarks on a murderous rampage after she finds out that certain folks are out to harm certain members of her loving family. In Serial Mom, frequent Waters collaborator Mink Stole stars as Dottie Hinkle, the bane of Turner’s character’s existent and tormented victim of her malicious sense of humor.

To celebrate the brand new Blu from Scream Factory, Daily Dead had the pleasure of speaking with Stole about her career, from starting out with Waters during the 1960s through her experiences on a variety of his other cinematic projects, including Pink Flamingos, Hairspray, and, of course, Serial Mom. Stole also reflected about her time on the set of Waters’ 1994 dark comedy, working with Turner and more.

Great to speak with you, »

- Heather Wixson

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John Waters Touts New Indie Theater as ‘Heartbeat’ of Baltimore Film — Watch

4 May 2017 10:43 AM, PDT | Indiewire | See recent Indiewire news »

There’s a new independent film venue in Baltimore, and John Waters is the theater’s biggest fan. The Stavros Niarchos Foundation Parkway, a newly-renovated three-screen theater in the heart of Baltimore’s Station North Arts and Entertainment District, opened Wednesday for the first night of the 2017 Maryland Film Festival, which will now call the theater home. Waters’ 1974 film “Female Trouble” will be the first title to play at the theater following the conclusion of the Maryland Film Festival.

Read More: Trump Protest Screenings of ‘1984’: Here’s What Audiences Had to Say After One Packed Screening

“You need a theater like the Parkway to be the heartbeat where everybody comes, a center where everybody can hang out and meet people that are trying to do the same thing you are,” Waters said in a video about the renovation of the theater. “We will be able to see all the »

- Graham Winfrey

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Lina Wertmüller on Not Feeling Nostalgic, Capturing the Grotesque, and Her Retrospective

24 April 2017 4:54 AM, PDT | The Film Stage | See recent The Film Stage news »

“It can’t always be about money,” says the infatuated Carletto (Nino Bergamini) to the object of his affection, a country-girl-turned-city-woman named Adelina (Sara Rapisarda) who rejects his marriage proposal because they haven’t yet reached the economic level she desires. In All Screwed Up, Adelina’s refusal to marry a man because of his position, and his violent reaction towards the rejection (he rapes her as she tries to save the new television set she bought for the apartment she shares with other girls) might very well represent the conflict that was at the center of all of Lina Wertmüller’s films, the clash between money and virtue, or more specifically can people be in possession of both?

In films like Swept Away, Seven Beauties and The Seduction of Mimi, Wertmüller displayed a worldview that changed the way people thought about female filmmakers, she made films so bold, unique »

- Jose Solís

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The Quad Cinema Relaunches With New, Career-Spanning Lina Wertmüller Retrospective

14 April 2017 2:13 PM, PDT | CriterionCast | See recent CriterionCast news »

As part of the relaunching of New York’s own Quad Cinema, the city will be seeing its most extensive and exciting retrospective of one of Italian cinema’s great unsung legends.

Known to most as the director of that one movie that Madonna would remake with then-hubby Guy Ritchie, the Swept Away director Lina Wertmuller is the subject of this important new retrospective entitled Female Trouble. Running from April 14-30, the retrospective spans the director’s illustrious career which saw her begin as an apprentice for legendary filmmaker Federico Fellini and ultimately become the first female filmmaker every nominated for the Best Director Oscar at the Academy Awards.

Included in this series are a vast number of films, split up between new restorations from Kino Lorber which are making their world premiere as part of this retrospective as well as a handful of rare 35mm prints imported, totalling 14 films »

- Joshua Brunsting

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Movie Poster of the Week: Lina Wertmüller in One Sheets and Quattro Foglis

14 April 2017 7:28 AM, PDT | MUBI | See recent MUBI news »

Above: 1976 Us one sheet for Let’s Talk About Men (Lina Wertmüller, Italy, 1965).In the 1970s, when there were no shortage of things to be excited about in world cinema, Italian director Lina Wertmüller was a bona fide sensation. A small measure of her success can be seen in the poster above (for an early film of hers which was belatedly released in the U.S. after her two major smash hits) in which her name is the most prominent feature of the design. She was impersonated on Saturday Night Live (can even Pedro Almodóvar or Michael Haneke boast that?) and in 1975 she became the first woman to be nominated for an Oscar for Best Director. (There have been only two others in the 40 years since.)She was a polarizing figure back then, but today she is a neglected one. Young cinephiles have probably barely even heard of her, let »

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Quad Cinema reopens with First Encounters by Anne-Katrin Titze - 2017-04-14 13:07:48

14 April 2017 5:07 AM, PDT | eyeforfilm.co.uk | See recent eyeforfilm.co.uk news »

Greta Gerwig and Noah Baumbach have First Encounters at the Quad Cinema Photo: Anne-Katrin Titze

The Quad Cinema in New York reopens in grand style this Friday, April 14 with theatrical releases of Katell Quillévéré's Heal The Living (Réparer Les vivants), Terence Davies' A Quiet Passion and Maura Axelrod's Maurizio Cattelan: Be Right Back. Amy Heckerling will introduce Seven Beauties (Pasqualino Settebellezze) in the career retrospective for the great filmmaker Lina Wertmüller: Female Trouble.

Manchester By The Sea director Kenneth Lonergan first views Edward Yang's Yi Yi Photo: Anne-Katrin Titze

First Encounters kicks off this Saturday with Greta Gerwig's first viewing of David Lynch's Blue Velvet. Jeffrey Deitch chooses Da Pennebaker's Ziggy Stardust And The Spiders From Mars, John Turturro picks Satyajit Ray's Pather Panchali, Noah Baumbach nails Bruce Robinson's Withnail And I, Sandra Bernhard views Rainer Werner Fassbinder's Lola, and »

- Anne-Katrin Titze

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Feud Recap: Tarnished Gold

2 April 2017 7:59 PM, PDT | TVLine.com | See recent TVLine.com news »

Sunday’s Feud: Bette and Joan took us to the 1963 Oscars, where there was, remarkably, only a single contender in the category of Least Gracious Non-Nominee: a certain Miss Crawford. How ugly did it get? Pour yourself a stiff one — you’re going to need it if you plan to read on.

RelatedFeud Season 2 to Focus on Charles and Diana’s Royal Estrangement

‘All They Want Is A Catfight’ | As we began “And the Winner Is… ,” Olivia — still shooting that 1970s documentary — warned us that Oscar night was really the point of no return for Joan and Bette. If, »

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Legion Boss on the Finale's Post-Credits 'Tease,' David's Famous Dad and What's in Store for Season 2

29 March 2017 8:10 PM, PDT | TVLine.com | See recent TVLine.com news »

Warning: The following contains spoilers for Wednesday’s Legion season finale. 

Legion‘s mutant hero David finally got rid of the monster that’s been torturing him since childhood and took full control of his powers… but don’t expect him to save the world anytime soon.

In Wednesday’s action-packed season finale, David — with the help of Cary’s makeshift halo device — fought off an ambush from Division 3 and finally extracted the evil parasite known as the Shadow King from his brain. But the parasite (in the form of Lenny) simply attached itself to Melanie’s unfrozen hubby Oliver, »

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American Horror Story Taps Billy Eichner for Season 7 Tank-Topped (?) Role

28 March 2017 9:38 AM, PDT | TVLine.com | See recent TVLine.com news »

For a dollar: Who’s the latest unexpected American Horror Story cast addition?

Billy Eichner! [Runs down sidewalk with microphone in hand]

The Billy on the Street host/Difficult People star will be part of the next installment of Ryan Murphy’s horror anthology, TVLine has confirmed.

RelatedJohn Cho to Play Billy Eichner’s Boyfriend on Difficult People Season 3

The FX drama’s upcoming seventh season will concern itself with the 2016 American presidential election. Not much is known about how Eichner’s character fits into that scenario, except that — per our sister site Deadline — he’ll be in about six or seven of the 11 episodes, he »

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Quad Cinema Will Relaunch with Films from Yang, Rivette, Kubrick, Fassbinder, Wertmüller, Coppola & More

21 March 2017 12:58 PM, PDT | The Film Stage | See recent The Film Stage news »

Next month will mark the return of New York City’s Quad Cinema, a theater reshaped and rebranded as a proper theater via the resources of Charles S. Cohen, head of the distribution outfit Cohen Media Group. While we got a few hints of the line-up during the initial announcement, they’ve now unveiled their first full repertory calendar, running from April 14th through May 4th, and it’s an embarassment of cinematic riches.

Including the previously revealed Lina Wertmüller retrospective, one inventive series that catches our eye is First Encounters, in which an artist will get to experience a film they’ve always wanted to see, but never have, and in which you’re invited to take part. The first match-ups in the series include Kenneth Lonergan‘s first viewing Edward Yang‘s Yi YiNoah Baumbach‘s first viewing of Withnail and I, John Turturro‘s first viewing of Pather Panchali, »

- Jordan Raup

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Relaunched Quad Cinema to Host Lina Wertmüller Retrospective

13 March 2017 2:02 PM, PDT | Women and Hollywood | See recent Women and Hollywood news »

Lina Wertmüller in “Behind White Glasses”

Italian filmmaker Lina Wertmüller made history as the first woman to receive an Academy Award for Best Director back in 1977 for “Seven Beauties.” The trailblazer’s prolific career will be celebrated with “Female Trouble,” an upcoming retrospective held at the relaunched Quad Cinema in New York. Screenings will include “Seven Beauties,” world premieres of new restorations from Kino Lorber, rare imported 35mm prints, and “Behind White Glasses,” Valerio Ruiz’s documentary about Wertmüller’s life and career.

“In the 1970s, Lina Wertmüller was a certifiable international phenomenon — a lively firebrand behind white glasses who became one of the decade’s marquee-name filmmakers,” a press release for the event details. “Her hot-button, epically-titled movies — erotic and polemical and provocative all at once — became must-see conversation pieces and smashed American box-office records for foreign-language films.”

Female Trouble” will include screenings of “Swept Away,” Wertmüller’s update of Shakespeare’s “The Taming of the Shrew,” “A Night Full of Rain,” her English-language debut, and “Summer Night,” a Sardinia-set comedy that tackles bondage and voyeurism.

“This series finally offers the opportunity to dive into the history of this extraordinary director, an aesthetic pioneer and a crucial trailblazer in a male-dominated industry,” the event’s press release emphasizes.

Female Trouble” runs from April 14-April 30. Check out the titles screening below, courtesy of Quad Cinema. More information will be available on the theater’s website.

Swept Away (Travolti da un insolito destino nell’azzurro mare d’agosto)

Lina Wertmüller, 1974, Italy, 116m, Dcp

Special weeklong revival engagement begins April 21

For her kinky update of The Taming of the Shrew, Wertmüller reteams gorgeous green-eyed muses Mariangela Melato and Giancarlo Giannini as a vacationing society dame and her Communist servant locked in the ultimate battle of the sexes (and classes) once stranded together on a deserted island. Never mind the unfortunate Madonna remake — this bracing, sexy, riotous political fable, one of the most argued-about films of the 1970s, has to be seen to be believed. In Italian with English subtitles.

World premiere of new 2K digital restoration. A Kino Lorber release.

Seven Beauties (Pasqualino Settebellezze)

Lina Wertmüller, 1975, Italy, 115m, Dcp

Special weeklong revival engagement begins April 21

Under fascism, there are no limits to sacrificing one’s honor — and in Wertmüller’s outrageous picaresque, comedy and tragedy are indistinguishable. When city hustler Giancarlo Giannini accidentally murders the lover of one of his seven sisters, a series of mishaps land him in a concentration camp, where he must seduce the homely Nazi commandant to stay alive. Controversial in its day, the film led Wertmüller to become the first woman nominated for a Best Director Oscar. In Italian with English subtitles.

World premiere of new 2K digital restoration. A Kino Lorber release.

“A handbook for survival, a farce, a drama of almost shattering impact. It’s a disorderly epic, seductively beautiful to look at, as often harrowing as it is boisterously funny.” — Vincent Canby, The New York Times

Behind the White Glasses

Valerio Ruiz, Italy, 112m, Dcp

Special weeklong engagement opens April 21

This definitive documentary traces the incredible life of Lina Wertmüller, from her start as a tenacious Fellini assistant to her meteoric rise as a global superstar. The vivacious and fabulous 88-year-old filmmaker recounts the saga of her marriage to designer-collaborator Enrico Job, shows off her trademark eyewear collection, and even sings. Giancarlo Giannini, Sophia Loren, Rutger Hauer, and Martin Scorsese give revealing interviews for this loving portrait, which offers a corrective to decades of critical neglect. Official selection: Venice Film Festival. A Kino Lorber release. In English and Italian with English subtitles.

Director Valerio Ruiz in person at select shows opening weekend. A Kino Lorber release.

“Must-viewing for film buffs.” — The Hollywood Reporter

All Screwed Up (Tutto a posto e niente in ordine)

Lina Wertmüller, 1974, Italy, 105m, Dcp

In Milan, a bawdy group of Sicilian migrants meet-cute and move into a commune together, while they struggle to keep their livelihood — and hold their libidos in check. Wertmüller’s polyphonic farce, with its large ensemble and earworm theme music, helped to further establish her ongoing fascination with the struggles and shenanigans of Italy’s working class. In Italian with English subtitles.

A Kino Lorber release.

“Breathtaking…exuberantly funny. Watching All Screwed Up is to be witness to a giant talent.” — Vincent Canby, The New York Times

Blood Feud (Fatto di sangue fra due uomini per causa di una vedova. Si sospettano moventi politici)

Lina Wertmüller, 1987, Italy, 124m, 35mm

The always-ravishing Sophia Loren stars as a Sicilian widow who loses her husband to the Mafia. Setting out to avenge his death, she becomes entangled in a lurid love triangle along the way, her smitten suitors played by Giancarlo Giannini and Marcello Mastroianni. Lust, revenge, and violence reign supreme in this steamy WWII-set thriller. In Italian with English subtitles.

8 ½

Federico Fellini, 1963, Italy, 138m, 35mm

After her old school friend Flora Carabella married Marcello

Mastroianni, Wertmüller met Fellini and won an apprenticeship on

his seminal portrait of creative crisis. She helped the maestro cast extras

(including her own mother) but Wertmüller didn’t remain an assistant for

long: the same year Fellini helped her secure financing and

cinematographer Gianni Di Venanzo to shoot The Lizards.

In Italian with English subtitles.

Ferdinando e Carolina

Lina Wertmüller, 1999, Italy, 102m, Dcp

One of Wertmüller’s handsomest productions, detailing the life (and death) of King Ferdinand of Naples, here dramatized as another of her sex-crazed heroes. He reminisces of his days as a young philanderer, lamenting his impending marriage to 16-year-old Carolina of Austria — until they discover their shared taste for libertine pleasures. In Italian with English subtitles.

World premiere of new 2K digital restoration. A Kino Lorber release.

Let’s Talk About Men (Questa volta parliamo di uomini)

Lina Wertmüller, 1965, Italy, 91m, 35mm

Wertmüller’s controversial sexual politics are already in full effect in this early episodic farce. A sassy response to Ettore Scola’s Let’s Talk About Women, the film is told as four independent stories — each more outlandish than the next. Brace yourselves for some unconventional solutions to marital discord, including kleptomania and knife-throwing. In Italian with English subtitles.

The Lizards (I basilischi)

Lina Wertmüller, 1963, Italy, 85m, 35mm

Using experience gained as an assistant director on 8 ½ (and using some of Fellini’s crew), Wertmüller made a debut that feels like a direct response to her mentor’s I Vitelloni: a compassionate snapshot of small town coming-of-age, Italian style. But Wertmüller’s treatment, shot for only $60,000, features a style and energy all her own, plus a Morricone score. In Italian with English subtitles.

Love & Anarchy (Film d’amore e d’anarchia, ovvero ‘stamattina alle 10 in via dei Fiori nella nota casa di tolleranza…)

Lina Wertmüller, 1973, Italy, 129m, Dcp

Silk robes and bare breasts abound in this tragicomedy of epic proportions set in a brothel pre-wwii. Freckle-faced ingénue Giancarlo Giannini comes to Rome on a mission to kill Mussolini with the help of politically active prostitute Mariangela Melato. But love gets in the way of anarchy when he falls for one of her fellow ladies of the night. In Italian with English subtitles. In Italian with English subtitles.

A Kino Lorber release.

“Executed with the high-pitched passion of a gothic romance with a fluid, whirling, dazzling energy.” — Newsweek

A Night Full of Rain (La fine del mondo nel nostro solito letto in una notte piena di pioggia)

Lina Wertmüller, 1978, Italy/Canada, 104m, 35mm

Cocksure Communist journalist Giancarlo Giannini elopes with feminist photographer Candice Bergen in Wertmüller’s English-language debut. With no shortage of furtive lovemaking amid endless close-ups of its ever alluring leads, Giuseppe Rotunno’s camera works overtime to provide some of the most lavish imagery of the director’s career.

The Seduction of Mimi (Mimì metallurgico ferito nell’onore)

Lina Wertmüller, 1972, Italy, 112m, Dcp

A wistful romance turned raunchy comedy, this searing take on sexual and political double standards finds laborer Giancarlo Giannini ricocheting between mafiosos and comrades — as well as between his apparently frigid wife and beguiling mistress (Mariangela Melato). In Wertmüller’s world, the bedroom is the only appropriate battleground for revenge — for men and women alike. In Italian with English subtitles.

A Kino Lorber release.

“Rollicking fun.” — Judith Crist, New York

Sotto…Sotto (Sotto… sotto… strapazzato da anomala passione)

Lina Wertmüller, 1984, Italy, 105m, 35mm

A stroll through a sculpture garden inspires a bored housewife to pursue a love affair with her girlfriend, in the spirit of the romantic thrill of her beloved movie melodramas; but her homophobic carpenter husband flies into an increasingly desperate rage as he tries to uncover his wife’s lover. In Italian with English subtitles.

Summer Night (Notte d’estate con profilo greco, occhi a mandorla e odore di basilico)

Lina Wertmüller, 1986, Italy, 94m, Dcp

Even by Wertmüller’s standards this outrageous ’80s companion to Swept Away offers up a particularly impressive menu of sexual perversions, from voyeurism to bondage, plus a severed finger. A Valentino-clad Mariangela Melato plays an especially entitled aristocrat who holds an infamous kidnapper (Michele Placido) hostage for ransom — and animalistic fun — in her gothic palace in remote Sardinia. In Italian with English subtitles.

World premiere of new 2K digital restoration. A Kino Lorber release.

Relaunched Quad Cinema to Host Lina Wertmüller Retrospective was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »

- Laura Berger

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John Waters Lauded at Writers Guild Awards for ‘A Lifetime of Penning Trashy Screenplays’

19 February 2017 7:33 PM, PST | Variety - Film News | See recent Variety - Film News news »

John Waters and his fight for the right to be trashy on film was celebrated with gusto on Sunday at the New York edition of the Writers Guild Awards ceremony.

Waters got two standing ovations for his legacy in battling film censors and going it alone as an independent filmmaker out of Baltimore in the 1970s. Waters reveled in the applause and the appreciation, telling the crowd at the Edison Ballroom that he has always thought of himself, first and foremost, as a writer.

“Every single weekday I get up at 6 a.m. and go into my writing room and think up something f—– up,” Waters said. “In the afternoon I go try and sell it. Isn’t that what all writers do?”

Preaching to the choir, Waters added: “Writing is the only part of filmmaking I really love.”

Waters couldn’t resist the platform to remind the room of »

- Cynthia Littleton

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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009

15 items from 2017


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